Before his handlers persuaded him to settle for the safety of a screen franchise, the young Elvis Presley had weightier ambitions as an actor. The 1958 King Creole, his fourth feature outing, hints at the underlying seriousness of his goals. Presley plays Danny Fisher, a New Orleans teenager struggling to graduate from high school while working in a sleazy French Quarter club to support his family. He's also characterised as a troubled youth with a dangerous temper and feelings of shame and resentment toward his meek, unemployed father (Dean Jagger). When Danny's gift for singing provides him with a potential career break (and the requisite excuse for Elvis's production numbers), his involvement with a ruthless gangster (Walter Matthau) and his sultry, alcoholic moll (Carolyn Jones) threatens both his future and his family. King Creole boasts an impressive production pedigree (including producer Hal Wallis and director Michael Curtiz, the team behind Casablanca) and the supporting cast helps elicit one of Presley's most emotional performances. Jones in particular overrides the inherent clichés of her role: her self-loathing and sexuality are both palpable. Presley--still a few years away from the more sanitised image that would be integral to those franchise features--is young enough to be a credible teen, but more crucially he makes his rage and yearning largely convincing. --Sam Sutherland
Elvis Presley brings a new beat to Bourbon Street in KING CREOLE; presented here newly remastered from a 4K film transfer. Directed by Michael Curtiz (Casablanca, White Christmas), Elvis plays a troubled youth whose singing sets the French Quarter rockin'. With a sweet girl to love him and nightclubbers cheering, it looks like he'll shake off his past and head for the top. But a mobster (Walter Matthau) and his man-trap moll (Carolyn Jones) could snare him into a life of crime. Product FeaturesFilmmaker focus: Leonard Maltin discusses King Creole Play the Songs directly by selecting the scenes
After first being performed in 1971 the magic was recreated 14 years later by an unparalleled gathering of stage and screen luminaries - Carol Burnett Mandy Patinkin Elaine Stritch Lee Remick and George Hearn. Our journey begins days before the show during the rehearsals and ends in a glittering finale. Tracks include 'Broadway Baby' 'One More Kiss' and 'Losing My Mind'.
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