(Daddy's Home) A mild-mannered radio executive strives to become the best stepdad to his wife's two children, but complications ensue when their freewheeling and freeloading real father arrives, forcing him to compete for the affection of the kids. (Daddy's Home 2) Father Dusty (Mark Wahlberg) and stepfather Brad's (Will Ferrell) newfound partnership is put to the test when Dusty's old-school, macho Dad (Mel Gibson) and Brad's gentle Dad (John Lithgow) arrive just in time to turn the holidays upside down.
Quietly tucked away in a car-collection garage, Brum is only conspicuous by his size. When the owner turns his back at the start of the day however, Brum blazes into action; ready to fight crime and do good deeds in the "big town". TV has tried lots of ideas with cars that think for themselves, but never managed to convey the charm that this series offers. Whether it's thwarting the escape of some naughty bank robbers, or saving a newlywed bride who inadvertently steps on a runaway skateboard, the little car with the big heart is always the perfect gentleman. Each episode sets up a crime to solve or dilemma to resolve, and by way of handy ramps and elevators, Brum is cheerily applauded and waved at by the town's residents. Every so often there's an outburst of song that will unite good guys and bad guys alike, and then there's always the sing-along at the end to look forward to. Warning to parents: expect a look of abject disappointment on the face of the tot who discovers their toy cars won't do any of the tricks on TV. --Paul Tonks
The man with gunsight eyes comes to kill! Get ready for fast-paced explosive action as Lee Van Cleef stars as 'Sabata' the mysterious steely-eyed gunslinger who after he discovers Daugherty's elite are the masterminds behind an elaborate bank heist imposes his bullet-laced brand of justice on the town. Bribes bullets and even his turncoat best friend can't stop Sabata as he guns and gallops to a final spectacular shoot-out that's one of the biggest gunfights ever seen i
Money sex power. They're all part of this crisp stylish suspense thriller from the director of The French Connection and the screenwriter of Basic Instinct. David Caruso plays Corelli a D.A. up to his neck in a case that may lead where he doesn't want to go. Chazz Palminteri portrays Matt a prominent attorney local power broker and Corelli's longtime pal. Linda Fiorentino is Matt's wife Trina a clinical psychologist who's bold uninhibited and capable of anything - maybe even m
Four strangers became friends. Four friends became heroes. On the road to... Silverado. Get ready for some horse-ridin' gun-totin' whiskey drinkin' fun in this digitally remastered DVD edition of Lawrence Kasdan's Silverado! This spirited Western stars Kevin Kline Scott Glenn Kevin Costner and Danny Glover as four unwitting heroes who cross paths on their journey to the sleepy town of Silverado. Little do they know the town where their family and friends res
Dune: Special TV Edition is an extended US network television version prepared in 1988 from David Lynch's 1984 film of Frank Herbert's classic science fiction novel, Dune. The original cinema release of this complex tale of interplanetary intrigue was heavily shortened and this 176-minute TV edition should not to be confused with Lynch's still unreleased three-hour-plus "Director's Cut". In fact Lynch disowned this TV version, replacing his director's credit with the infamous pseudonym Alan Smithee and his screenplay credit with the name Judas Booth (a combination of two notorious traitors). What the network did was add 35 minutes, about 15 minutes in the first two thirds, which in the cinema cut is in any case superbly paced, and around 20 into the final 40. This latter material does help balance the frenetic rush of the cinema cut, restoring important scenes such as Paul Atreides' fight with Jamis, a Fremen funeral and Jessica Atreides' taking the "Water of Life". What primarily alienated Lynch was the imposition of a folksy, sometimes laughable narration, as well as the replacement of the original prologue with a far longer sequence explaining the Dune universe via pre-production paintings. This TV edit is a travesty of what, in the "Director's Cut" at least, is probably a great film, and is really only worth seeing to get a glimpse of the material Lynch was forced to remove. The unconnected mini-series, Frank Herbert's Dune (2000) does a far better job of telling a more complete version of the story. On the DVD: There is a fold-out colour booklet which contains a wealth of stills, a reproduction of the original cinema poster and a worthwhile essay on the original film that avoids any discussion of the TV version it accompanies. On the disc there is only the original theatrical trailer. The superb cinematography is ruined by the panned and scanned 4:3 image, which is grainy and has poor colour fidelity. It is also soft, lacking detail and washed-out, probably a result of being converted from American NTSC TV format video rather than coming directly from an original film print. Certainly the DVD of the cinema version looks far better. The audio is thin mono, completely failing to do justice to how fantastic a post-Star Wars 40-million-dollar science fiction epic should sound. --Gary S Dalkin
This two-disc special edition release of David Lynch's 1984 film Dune presents the same cut as originally shown theatrically, but with an improved transfer compared to the previous DVD edition and with the addition of new and archive documentary material. In case of confusion, it should be noted that this is not any of the following versions: the re-edited TV movie adaptation of Lynch's film, the long-sought-after extended version Lynch screened for cast and crew in January 1984, a new Director's Cut, or the Sci-Fi Channel mini series. The first disc contains a new anamorphically enhanced 2.35:1 transfer taken from a High Definition archive copy of the 1984 film, further restored to remove dirt and scratches, and a Dolby Digital 5.1 remix as well as the original stereo soundtrack. The film looks superb and sounds almost as good, though a DTS soundtrack would have been welcome. The main extras are a well illustrated 32-page booklet written by Paul Sammon, author of the excellent Future Noir: The Making of Blade Runner and The Making of Starship Troopers and a new 38-minute anamorphic widescreen documentary, Impressions of Dune. This is much superior to the average making-of, featuring significant new contributions from Kyle MacLachlan, producer Raffaella De Laurentiis, cinematographer Freddie Francis and others--though David Lynch is conspicuous by his absence. Destination Dune is a six-minute promotional featurette made by Sammon at the time of the film's release and the 4:3 image is fairly poor quality. An 83-second BBC interview with Frank Herbert is too short to be of more than passing interest, though the original trailer is a fine example of the 1980's way of selling movies. The set is completed with routine cast and crew profiles. Even with no involvement from Lynch and no commentaries, this is still the best Dune on DVD. --Gary S. Dalkin
Last Action Hero (Dir. John McTiernan 1993): Danny Madigan (Austin O'Brien) a young cinema fan is crazy about his all-time great movie hero L.A. cop Jack Slater (Arnold Schwarzenneger). Having received a magic golden cinema ticket Danny is blasted through the big screen and into the action alongside his celluloid hero who is more than a little puzzled by his presence. Fasten your seatbelt as the dare-devil duo dodge bullets bombs and bad guys in a whirlwind world where anything is possible! But. ..disaster strikes when the baddies grab half the magic ticket and make their escape into the real world where they find life a doddle for two rogues intent on madness and mayhem.With Jack and Danny in hot pursuit hold your breath as the action addicts discover that real life can be even more exciting than the movies Twins (Dir. Ivan Reitman 1998): An ambitious genetic experiment takes the wrong turn when two twins (Danny De Vito and Arnold Schwarzenegger) - who look nothing alike - are born and then separated. Years later the unlikely siblings meet: Julius a highly educated but sheltered giant with a big heart and Vincent a pint-sized hustler with an insatiable lust for women and money. With girl friends in tow and a hitman on their tail the new-found brothers set off on a wild cross-country misadventure to find their mother but end up finding out more about themselves and each other... Kindergarten Cop (Dir. Ivan Reitman 1990): Arnold Schwarzenegger stars as an undercover cop posing as a kindergarten teacher in order to catch a dangerous criminal. Once he wrangles his young charges as well as the affections of a beautiful teacher (Penelope Ann Miller) he prepares for a final showdown with his intended prey in this 'Totally Enjoyable' (People Magazine) action-comedy from Director Ivan Reitman.
At the height of the flower power era in San Francisco a young deaf girl's search for her brother is interrupted when she is introduced to a commune...
The final box set in the series draws the curtain on the career of Mrs Emma Peel (Diana Rigg) and introduces swinging new assistant Tara King! Featuring the following episodes: The ''50 000 Breakfast Dead Man's Treasure You Have Just Been Murdered The Positive-Negative Man Murdersville Mission... Highly Improbable The Forget-Me-Knot
The Relic is the story of a monster that runs amok in a Chicago museum on the very day the institution is holding a glitzy reception. Naturally, the museum bosses want to go ahead with their public relations even as the creature is decapitating victims. Penelope Ann Miller plays a scientist on the run from the critter (which is at times computer generated and reminiscent of the raptors in Jurassic Park), and Tom Sizemore is a cop looking for his cold-blooded (in every sense) killer. Peter Hyams (Timecop) directs, and as always he excels at managing the plastic action at the cost of real feeling and logic. (Much of the story is pretty laughable.) --Tom Keogh
The emotional true story of a family's powerful love as they unite to save their eight year-old boy's life from AIDS...
Amiable con man Jack Cooper (Craig Sheffer) is on a westbound stagecoach headed for the next batch of suckers who will mistake them for an easy mark. Fiery Sarah O'Rourke (Linda Fiorentino) rides the same coach handcuffed to lawman Bill Speakes (Sam Elliott) and headed for the hangman. In a few hours all should reach their destinations. But the trail they travel takes an unexpected turn: Cooper and O'Rourke are soon off the stage and running for their lives. The law ends and the ch
While other films directed by Nicolas Roeg have attained similar cult status (including Walkabout and Don't Look Now), none has been as hotly debated as this languid but oddly fascinating adaptation of the science fiction novel by Walter Tevis. In The Man Who Fell to Earth, David Bowie plays the alien of the title, who arrives on Earth with hopes of finding a way to save his own planet from turning into an arid wasteland. He funds this effort by capitalising on several highly lucrative inventions, and in so doing becomes the powerful leader of an international corporate conglomerate. But his success has negative consequences as well--his contact with Earth has a disintegrating effect that sends him into a tailspin of disorientation and metaphysical despair. The sexual attention of a cheerful young woman (Candy Clark) doesn't do much to change his outlook, and his introduction to liquor proves even more devastating, until, finally, it looks as though his visit to Earth may be a permanent one. The Man Who Fell to Earth is definitely not for every taste--it's a highly contemplative, primarily visual experience that Roeg directs as an abstract treatise on (among other things) the alienating effects of an over-commercialised society. Stimulating and hypnotic or frightfully dull, depending on your receptivity to its loosely knit ideas, it's at least in part about not belonging, about being disconnected from the world--about being a stranger in a strange land when there's really no place like home. --Jeff Shannon.
The lowest point in Disney's opportunistic revisionism of source stories for its animated features in the 1990s, Pocahontas presents the title character (voiced by Irene Bedard) as a voluptuous Indian babe who falls for the British plunderer Captain John Smith (Mel Gibson). Half-baked if trendy paganism abounds in the film's depiction of nature as possessing consciousness (though talking trees certainly aren't new to cartoons). But the dubious legitimacy of the film's premise and characterisations calls everything into question. The songs by Alan Menken and Stephen Schwartz--while Oscar-winning--fall short of the standard Menken achieved in superior Disney predecessors including The Little Mermaid, Beauty and the Beast and Aladdin. --Tom Keogh
The spirited Western stars Kevin Kline Scott Glenn Kevin Costner and Danny Glover as four unwitting heroes who cross paths on their journey to the sleepy town of Silverado. Little do they know the town where their family and friends reside has been taken over by a corrupt sheriff and a murderous posse. It's up to the sharp-shooting foursome to save the day but first they have to break each other out of jail and learn who their real friends are. The spectacular cast also includes Rosanna Arquette John Cleese Brian Denehy Jeff Goldblum and Linda Hunt.
Meet Mary Fisher (Streep). She's got it all:a cliff-side villa overlooking the ocean a wholly satisfying career asia romance novelist and Ruth Patchett's husband. And when Ruth (Barr) discovers that her social-climbing spouse (Ed Begley Jr.) has been spending his time at Mary's pink-and-white-monstrosity-by-the-sea she doesn't just vow to get him back she vows to get even! Setting out to destroy his business accounts -as well as Mary's precious reputation and career - Ruth proves
The sequel to Sidney Sheldon's best-seller Rage Of Angels which follows Jennifer who now heads her own law firm. Returning to America she meets up with an ex-lover and it seems their love may be re-kindled...
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