An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and almost everyone is crazed fighting for the necessities of life.
Kevin McCallister's parents have split up. Now living with his mom he decides to spend Christmas with his dad at the mansion of his father's rich girlfriend Natalie. Meanwhile robber Marv Merchants partners up with a new criminal to hit Natalie's mansion with only Kevin left inside to fend them off in any devious and destructive way he can!
The story of Mel Gibson's stately anti-hero begins in Mad Max, George Miller's low-budget debut, in which Max is a "Bronze" (cop) in an unspecified post-apocalyptic future with a buddy-partner and family. But, unlike most films set in the devastated future, Mad Max is notable because it is poised between our industrialised world and total regression to medieval conditions. The scale tips towards disintegration when the Glory Riders burn into town on their bikes like an overcharged cadre of Brando's Wild Ones. Representing the active chaos that will eventually overwhelm the dying vestiges of civil society they take everything dear to Max, who then has to exact due revenge. His flight into the same wilds that created the villains artfully sets up the morally ambiguous character of the subsequent films.
The peaceful existence of a small seaside community will change forever when Christina Nickson (Elisabeth Harnois) is rescued from the ocean by local lifeguard Jesse Parker (Sam Page) and brought to the home of local doctor Ben Kramer (Richard Burgi). The Kramers including Ben's wife Meg (Susan Walters) and daughter Judy (Aubrey Dollar) take an instant liking to Christina and invite her to stay with them as she searches for clues to her past and attempts to find her mother - a Point
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