Clear some space for the third chapter of the funniest trilogy in the galaxy!Once again, the Family Guy alliance travels far, far beyond the boundaries of good taste to bring you an outrageous intergalactic journey. Join them for one last outer space adventure, as Han Solo (Peter), Chewbacca (Brian), and Princess Leia (Lois) battle against the Evil Empire. Meanwhile, Darth Vader (Stewie) and the Emperor (Carter) try to recruit Luke Skywalker (Chris) to the dark side of the Force with taco nights and T-shirts. Filled with outlandish humour and exploding spaceships, Family Guy unites for a final sci-fi spoof! We aren't doing any more, folks.
Handsome and fatally seductive Anthony (Matt Leblanc) is a sexy and irresistible Italian-American wise guy who shares a flat with his secretive Uncle Vinny and the two couldn't be more different. Vinny's a former Mafia 'soldier' who lived and almost died by the gun and is now trying to carry out a new anonymous life for himself while burying a dark and deadly secret from his past. But Anthony's charm and life-of-the-party nature make him an ace seducer all bulging muscles and leather trousers which is where he seems to keep his conscience and his brain! And that's how the trouble begins. Disgusted by the violence and killings he committed while living the life with the Mob Vinny is terrified his wild cocksure nephew is going the same way. And when a vicious and bloody drive-by results in the death of two of Anthony's closest friends Vinny's worst fears look set to come true.
This Stuff Will Blow Your Mind... A horrifying new drug is released on the streets going by the name of Ozone. Its chilling side-effects are numerous perhaps the worst being its ability to mutate addicts into hideous rotting monsters. One cop makes it his mission to battles through a hoard of horrors to get to the drug kingpin behind the mutating madness!
Smith, a mob informer hiding out with the Witness Protection Program, decides to make a break for it and hide out in the Arizona desert. The Feds catch up with him and rescue him just before a group of hitmen can manage to silence him for good. In the course of getting Smith away from the mafia thugs, the pair of agents assigned to protect him turn onto an abandoned stretch of highway nicknamed 'Route 666' after the mysterious death of a prison chain gang. As the three continue on their way, ...
A struggling writer Jeff (Rowe) is drawn to a mysterious woman Kelly (Blanchard) and has a passionate but turbulent romance with her. Jeff is simultaneously attracted and confused by this woman who seems emotionally disturbed. The two drift apart until Kelly discovers that she is pregnant. Jeff's father Tony (Keitel) begins a war to save his son from this troubled woman. Father and son are torn apart by this beautiful woman whose behavior becomes more unpredictable and even more violent - finally causing Tony to pressure his son to abandon her and the baby. Jeff fights to raise the baby and even offers to marry Kelly. Desperate for peace in her own life Kelly flees to the desert taking the baby with her. Crushed Jeff is torn between the love for his child and the love for his father. Will an unexpected twist bring the reconciliation Jeff so desires or will it ultimately be his final undoing...
A woman raped and assaulted in her own home is further terrorised by the assailant's intention of finishing 'the job'. No-one can protect her now... Based on a true story.
Workplace dramas seem to have become a French speciality, and Jacques Audiard's Read My Lips ("Sur mes levres") proves a worthy follow-up to such notable predecessors in the genre as Human Resources and Time Out ("L'Emploi du temps"). The film also nods towards Neil LaBute's In the Company of Men and Hitchcock's Rear Window, but it's none the worse for that. Carla, our anti-heroine (Emmanuelle Devos), is an ugly duckling working as a secretary for a construction company in suburban Paris. Dowdy and all-but deaf, she's exploited and put upon by her male coworkers. When her boss lets her hire an assistant she bizarrely chooses Paul (Vincent Cassel), a scruffy and none-too-bright ex-con. But an odd symbiosis grows up between this pair of losers; the combination of his petty-criminal skills and her lip-reading abilities has certain potentials. As A Self-Made Hero, his previous movie, showed, Audiard doesn't go in for lovable characters. Carla is no long-suffering saint and Paul is frankly sleazy, but this just makes their interaction all the more intriguing. Devos, glowering malevolently beneath her dark brows, and Cassel with his greasy hair and ratty moustache, turn in relishably truculent and un-starry performances, and Audiard deftly manages the transition from office comedy to gangland heist thriller with no grinding of gears. By the end the plot starts to strain belief, but it scarcely matters. The noir-ish lighting and potent use of hand-held close-ups enhance the film's sense of nervous unease, and there's ingenious use of sound to convey Carla's hearing-impaired world. Downbeat and unblinkingly amoral, Read My Lips offers pleasures that a glossier treatment would have missed entirely. On the DVD: Read My Lips has no extras on the disc beyond the trailer. But the transfer is clean and crisp, offering the full-width original ratio, and the Dolby sound captures the all-important subtleties of the soundtrack flawlessly. --Philip Kemp
Vegas in Space follows the futuristic fortunes of four male astronauts who on a secret mission to the Planet Clitoris are ordered by the Empress of Earth to swallow gender reversal pills and thus change thier sex turning themselves into mid-Twentieth Century show girls from Earth in order to infiltrate the glamorous Clitorean resort Vegas in Space.
Set in the near future the film focuses on Arnold Mosk (Neil Patrick Morris) a high school student caught abusing drugs. Consequently he's enrolled in a controversial isolation programme nicknamed 'The Animal Room'. The 'Room' is a no holds barred arena designed to hold the most troubled youth and Arnold's life soon comes under threat. He is terrorised by the 'Room's gang leader Doug Van Housen (Matthew Lillard) a reckless delinquent with little care for life or society. However when Arnold's childhhod friend Gary a popular school athlete tries to save him they all get caught up in a cycle of violence leading to a near-apocalyptic conclusion.
Please do not disturb the guests: they already are! It's not the Ritz but if you want to have fun then the Screwball hotel is the place to check in! It's full of guys who are willing to do anything girls in spray-on swimsuits some very shady villains and some very funny heroes...
A unique collection of some of the seminal 1950's monster and sci-fi movies made by the greatest director of the time including Roger Corman Bruno VeSota and Edward L Cahn. Featuring Monsters vampires delinquent school girls and giant arachnids along with the earliest performances of some of Hollywood's greatest stars. The Day The World Ended: A rancher and his daughter are holed up in their ranch after a nuclear holocaust decimates most of the world's population. Five su
The second of the terrific Stewart/Mann Westerns is characteristic of their pairings: adult themes played out against prairie vistas in which betrayal and violence can erupt at any time. Formerly a vicious Missouri raider Stewart now leads a wagon train through Indian raids and hijackings to the new boom town of Portland where he becomes embroiled in the conflict between wealthy miners and farmers.
Recently released from prison after serving an eight-year stretch for killing a mob boss ex-cop Hawk (Kristofferson) returns to his native home of Rain City and takes up residence in a room at the back of the caf owned and run by his former lover Wanda (Bujold). At the same time a beautiful waif-like young woman Georgia (Singer) her sociopathic boyfriend Coop (Carradine) and their new-born child also arrive in their trailer and make the caf's parking lot their temporary home. Desperately in need of money Georgia takes on a waitressing job at Wanda's place while Coop slowly but surely is lured into a life of petty crime. Already a regular customer at the caf Hawk soon falls under Georgia's spell and sets out to seduce her during the lonely nights that Coop is not around. Meanwhile Coop's criminal activities have attracted the attention of gangland boss Hilly Blue (Divine) a ruthless crimelord whose method of dealing with freelance crooks operating on his turf extends to drowning them in their cars. When Coop's life is threatened by Hilly and his men Hawk finds himself in a position where he must decide to put his own life on line by helping him or risk losing the woman he most desires. Humorously and stylistically employing the classic film noir themes of crime responsibility loyalty and love Rudolph's film presents a refreshingly original take on the genre one that is brilliantly enhanced by composer Mark Isham's (In The Valley Of Elah; The Black Dahlia; Crash) superbly evocative score.
The walking dead have taken over the world and only a small band of the living survive. This motley group of scientists and soldiers are barricaded in an abandoned missile silo where the chief scientist is conducting grotesque research experiments to find a way of controlling the ravenous marauding Zombies. Tensions meanwhile become intolerable especially when the self appointed psychotic military leader discovers that some of his soldiers have been used as guinea pigs in the zombie experiments. A last ditch battle results in the darkest day of horror the world has ever known.
Features eight fantastic movies in one box: 'Open Window' 'Contact' 'Beware Of Dog' 'They Haven't Seen This' 'Ray's Hetrosexual Dance Hall' 'Little Feet' 'Homesick' and 'Duke of Groove'.
Ocean's Eleven improves on 1960's Rat Pack original with supernova casting, a slickly updated plot and Steven Soderbergh's graceful touch behind the camera. Soderbergh reportedly relished the opportunity "to make a movie that has no desire except to give pleasure from beginning to end", and he succeeds on those terms, blessed by the casting of George Clooney as Danny Ocean, the title role originated by Frank Sinatra. Fresh out of jail, Ocean masterminds a plot to steal $163 million from the seemingly impervious vault of Las Vegas's Bellagio casino, not just for the money but to win his ex-wife (Julia Roberts) back from the casino's ruthless owner (Andy Garcia). Soderbergh doesn't scrimp on the caper's comically intricate strategy, but he finds greater joy in assembling a stellar team (including Brad Pitt, Matt Damon, Don Cheadle and Carl Reiner) and indulging their strengths as actors and thieves. The result is a film that's as smooth as a silk suit and just as stylish. --Jeff Shannon On the DVD: Ocean's Eleven on disc is hardly swarming with special features, but just like all good heists it's quality not quantity that counts. Although the DVD-ROM feature is simply a game of computer blackjack, the cast list simply that and the HBO special just a standard Hollywood promo, the two refreshing and honest commentaries more than compensate. The cast commentary is lively and it's nice to hear intelligent comments coming from Hollywood's big league for a change. However, it's the director and writer's commentary that is the real gem; it's funny, enlightening and most of all it allows Ted Griffin to put the case forward for all screenwriters across the world as to the importance of their craft. The main feature has an impressive transfer of sound and visuals, making the suits sharper and David Holmes' soundtrack even funkier. --Nikki Disney
Ticket to Leave Truly Lottery Bricks Against the Glass On These Streets / San Francisco Rise The End of Our Story It's Another New Day Elephants The Rest Will Follow Bricks Against the Glass (Unplugged) Killing Me Softly (Bonus Track)
The music is on his side. Teenager Ren MacCormack sends ripples through Bomont a small Midwestern town that could stand some shaking up when he arrives from Chicago with his mother Ethel to settle with her relatives. The adults tend to view him with suspicion as a possible contaminant from the outer world. Some of his male peers eye him as a threat and most of the girls just plain eye him. It's a tough time for Ren whose father deserted him and his mother leaving them
An ex-cop (Kristofferson) just released from jail returns home to see his old flame Wanda (Bujold). She runs a steamy caf'' and it is here that he befriends a beautiful young woman and her creepy punk boyfriend (Carradine). In a futuristic urban setting we watch their relationships develop as they move in their hazy world brushing against the criminal fraternity.
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