The second series of The Sopranos, David Chase's ultra-cool and ultra-modern take on New Jersey gangster life, matches the brilliance of the first, although it's marginally less violent, with more emphasis given to the stories and obsessions of supporting characters. Sadly, the programme makers were forced to throttle back on the appalling struggle between gang boss Tony Soprano and his Gorgon-like Mother Livia, the very stuff of Greek theatre, following actress Nancy Marchand's unsuccessful battle against cancer. Taking up her slack, however, is Tony's big sister Janice, a New Age victim and arrant schemer and sponger, who takes up with the twitchy, Scarface-wannabe Richie Aprile, brother of former boss Jackie, out of prison and a minor pain in Tony's ass. Other running sub-plots include soldier Chris (Michael Imperioli) hapless efforts to sell his real-life Mafia story to Hollywood, the return and treachery of Big Pussy and Tony's wife Carmela's ruthlessness in placing daughter Meadow in the right college. Even with the action so dispersed, however, James Gandofini is still toweringly dominant as Tony. The genius of his performance, and of the programme makers, is that, despite Tony being a whoring, unscrupulous, sexist boor, a crime boss and a murderer, we somehow end up feeling and rooting for him, because he's also a family man with a bratty brood to feed, who's getting his balls busted on all sides, to say nothing of keeping the Government off his back. He's the kind of crime boss we'd like to feel we would be. Tony's decent Italian-American therapist Dr Melfi's (Loraine Bracco) perverse attraction with her gangster-patient reflects our own and, in her case, causes her to lose her first series cool and turn to drink this time around. Effortlessly multi-dimensional, funny and frightening, devoid of the sentimentality that afflicts even great American TV like The West Wing, The Sopranos is boss of bosses in its televisual era. --David Stubbs
The Sopranos, writer-producer-director David Chase's extraordinary television series, is nominally an urban gangster drama, but its true impact strikes closer to home: this ambitious TV series chronicles a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there is the added complexity posed by heading twin families, his collegial mob clan and his own, nouveau riche brood.The series' brilliant first season is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his mid-level capo's machismo, yet instantly recognisable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford, and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get.Unlike Francis Coppola's operatic dramatisation of Mario Puzo's Godfather epic, The Sopranos sustains a poignant, even mundane intimacy in its focus on Tony, brought to vivid life by James Gandolfini's mercurial performance. Alternately seductive, exasperated, fearful and murderous, Gandolfini is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. Both he and the superb team of Italian-American actors recruited as his loyal (and, sometimes, not-so-loyal) henchman and their various "associates" make this mob as credible as the evocative Bronx and New Jersey locations where the episodes were filmed.The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr Melfi, a convincing confidante, by turns "professional", perceptive and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what is not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. --Sam Sutherland, Amazon.com
On the eve of the greatest battle of the medieval period, William the Duke of Normandy is on the English coast to regain a land he believes belongs to him. He is here to fight his brother-in-law, Harold II, King of England. As William waits for the right moment for battle, he meets Vidr a mysterious wayfarer, who invites him to accept a ritual game of Claang; a gladiator game very similar to chess. As he recounts the legendary origins of this game, Vidr narrates the story of Tyr, an ancient leader, who like William, is about to risk everything in battle that all believe to be impossible to win.
Don't go in the water! The peaceful resort town of Amity Massachusetts has always depended upon its thriving summer tourist trade to get it through the lean winter months ahead. But when a swimmer is killed by a great white shark Sheriff Brody faces great opposition when he proposes to close the beaches right before the 4th of July holiday weekend... Based on the novel by Peter Benchley this is the film that really put Spielberg on the map.
She Demons
Emanuelle In prison: Investigative reporter Emanuelle (Laura Gemser) finds herself locked up in an all women penitentiary run by a ruthless warden and her brutally sadistic guards. Vowing to exact revenge upon the corrupt politician who set her up Emanuelle must first survive the daily torture and attempts at her life by grotesque prison
The Sopranos, writer-producer-director David Chase's extraordinary television series, is nominally an urban gangster drama, but its true impact strikes closer to home: This ambitious TV series chronicles a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there is the added complexity posed by heading twin families, his collegial mob clan and his own, nouveau riche brood.The series' brilliant first season is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his mid-level capo's machismo, yet instantly recognisable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford, and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get.Unlike Francis Coppola's operatic dramatisation of Mario Puzo's Godfather epic, The Sopranos sustains a poignant, even mundane intimacy in its focus on Tony, brought to vivid life by James Gandolfini's mercurial performance. Alternately seductive, exasperated, fearful and murderous, Gandolfini is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. Both he and the superb team of Italian-American actors recruited as his loyal (and, sometimes, not-so-loyal) henchman and their various "associates" make this mob as credible as the evocative Bronx and New Jersey locations where the episodes were filmed.The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr Melfi, a convincing confidante, by turns "professional", perceptive and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what is not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. --Sam Sutherland, Amazon.com
Though around them a criminal world seethes Julie and Antonio are a young and loving couple with a new baby and a solid white-collar sense of stability. But when a loose social connection suddenly ties them to a major political assassination the two become innocents desperately trying to adapt to a world of murderous politicians and police that moment to moment threatens their lives
One of the most popular female vocalists during her prime Peggy Lee (1920 - 2002) was known for her very personal voice and the atmospheric quality of her recordings. Even if the range of her tone was somewhat limited Peggy Lee always managed to convey emotion and depth in her singing and that's why her cool light swinging appealed to millions and turned her into a household name throughout the Fifties. After making her debut with the Benny Goodman orchestra of the early Forties she temporarily retired for show-business to eventually comeback and enjoy a number of major hits for the Capitol label during the Forties and Fifties. A much respected artist Peggy Lee was also a songwriter of talent and made frequent television and cinema appearances when she was at the peak of her popularity.Besides compiling some splendid soundies from Peggy Lee's golden years this video features additional material starring another cool lady of jazz: June Christy. The edition is completed with several soundies featuring different all-women orchestras from the Swing era headed by Ina Ray Hutton Lorraine Page and Rita Rio. This is an essential document to explore some often neglected female figures in jazz.
Lorraine Gary repeats her role of Ellen Brody widow of Chief Martin Brody in this suspenseful sequel starring Oscar-winner Michael Caine. After Deputy Sean Brody is killed by a shark off Amity Island she joins her other son Michael a marine biologist his wife Carla and their daughter Thea in the Bahamas. There she falls for Hoagie a carefree pilot and starts putting her life back together - until a Great White threatens Thea and Ellen knows she has no choice but to face her
Lucie is in remission and her illness is almost a distant memory. Her family pushes her to live life to the fullest, and in doing so Lucie meets the charming and arrogant Clovis, who is immediately beguiled by her wit and humor. It is Dalila, however, an eccentric and delightful dance teacher, who inspires Lucie to rebuild her life and to grow into the woman she always wanted to be. For her mother, for her daughter, for Clovis.
Dutch Release - Audio : English - Subtitles : Dutch ( optional )
Jaws 4K UHD - 45th Anniversary Edition Experience Jaws like you have never seen before in stunning newly-remastered 4K UHD with HDR for brighter, deeper, more lifelike colour. Directed by Academy Award® winner° Steven Spielberg, Jaws set the standard for edge-of-your-seat suspense, quickly becoming a cultural phenomenon and forever changing the movie industry. When the seaside community of Amity finds itself under attack by a dangerous great white shark, the town's chief of police (Roy Scheider), a young marine biologist (Richard Dreyfuss) and a grizzled shark hunter (Robert Shaw) embark on a desperate quest to destroy the beast before it strikes again. Featuring an unforgettable score that evokes pure terror, Jaws remains one of the most influential and gripping adventures in motion picture history. Special Features The Making Of Jaws The Shark Is Still Working: The Impact & Legacy Of Jaws: The Restoration Deleted Scenes And Outtakes From The Set Original Theatrical Trailer
Just when you thought it was safe to go back in the water... The horror is far from over as Roy Scheider, Lorraine Gary and Murray Hamilton reprise their iconic roles in Jaws 2. Four years after the great white shark terrorized the small resort of Amity, unsuspecting vacationers begin disappearing in an all-too-familiar fashion. Police Chief Brody (Scheider) finds himself in a race against time when a new shark attacks ten sailboats manned by teenagers, including his own two sons. The same heart-stopping suspense and gripping adventure that enthralled movie audiences throughout the world in Jaws returns in this worthy sequel to the original motion picture classic.
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