George Stevens' epic screen adaptation of one of the most moving documents to emerge from World War II - the diary of a thirteen year old Jewish girl Anne Frank. To escape the horrors of Nazi persecution Otto Frank (Joseph Schildkraut) hid with his wife (Gusti Huber) and their two daughters Anne (Millie Perkins) and Margot (Diane Baker) in a disused Amsterdam attic for two years. Also hiding with them were Mr and Mrs van Daan (Lou Jacobi and Shelley Winters) their son Peter (Ric
After the Nazis invade Amsterdam 13-year-old Anne Frank and her family go into hiding in an attic. Her remarkable account of their strife and of her first love unfolds In this extraordinary portrait of humanity - now 55 years after its first release and 85 years after Anne's birth. Nominated for eight Oscars and Winning three The Diary of Anne Frank is a timeless story of hope and love amidst adversity.
Annie Hall (1977): Starring Allen as New York comedian Alvy Singer and Diane Keaton (in a Best Actress Oscar-winning role) as Annie the film weaves flashbacks flash forwards monologues a parade of classic Allen one-liners and even animation into an alternately uproarious and wistful comedy about a witty and wacky on-again off-again romance. Manhattan (1979): 42-year-old Manhattan native Isaac Davis (Allen) has a job he hates a seventeen-year-old girlfriend (Mariel Hemingway) he doesn't love and a lesbian ex-wife Jill (Meryl Streep) who's writing a tell-all book about their marriage... and whom he'd like to strangle. But when he meets his best friend's sexy intellectual mistress Mary (Diane Keaton) Isaac falls head over heels in lust! Leaving Tracy bedding Mary and quitting his job are just the beginning of Isaac's quest for romance and fulfillment in a city where sex is as intimate as a handshake - and the gate to true love... is a revolving door. Everything You Always Wanted To Know About Sex (But Were Afraid To Ask) (1972): Woody Allen pushes the frontiers of comedy by consolidating his madcap sensibility and wickedly funny irreverence with his developing penchant for visually arresting humor. Giving complete indulgence to the zany eccentricity of his medium Allen revels himself as a filmmaker of wit sophistication and comic insight rising to the occasion with several hysterical vignettes that probe sexuality's stickiest issues! Aphrodisiacs prove effective for a court jester (Allen) who finds the key to the Queen's (Lynn Redgrave) heart but learns that the key to her chastity belt might be more useful... Sleeper (1973): When cryogenically preserved Miles Monroe (Allen) is awakened 200 years after a hospital mishap he discovers the future's not so bright: all women are frigid all men are impotent and the world is ruled by an evil dictator: a disembodied nose! Pursued by the secret police and recruited by anti-government rebels with a plan to kidnap the dictator's snout before it can be cloned Miles falls for the beautiful - but untalented - poet Luna (Diane Keaton). But when Miles is captured and reprogrammed by the government to believe he's Miss America it's up to Luna to save Miles lead the rebels and cut off the nose just to spite its face. Love And Death (1975): Woody Allen reinvents himself again with the epic historical satire Love and Death. A wonderfully funny and eclectic distillation of the Russian literary soul the film represents a bridge between Allen's early slapstick farces and his darker autobiographical comedies. One of his most visual philosophical and elaborately conceived films 'Love And Death' demonstrates again that Allen is an authentic comic genius. Bananas (1971): When bumbling product-tester Fielding Mellish (Allen) is jilted by his girlfriend Nancy (Louise Lasser) he heads to the tiny republic of San Marcos for a vacation only to become kidnapped by rebels!
Irma La Douce reunited The Apartment team of Jack Lemmon and Shirley MacLaine with director Billy Wilder in an adaptation of the stage musical of the same name which had been a hit in Paris, London and New York. The screen transfer by Wilder and his colleague--writer IAL Diamond--however, omits the show's songs, relegating them to a background score refashioned by Andre Previn with some additional themes of his own. Background here is a complimentary term, for whatever qualms one might entertain as to this move, the two sets of themes are skilfully woven together by Previn and emerge as a witty and lyrical aural delight in their own right which is given due prominence on the soundtrack. Wilder is no rush to tell prostitute Irma's story: her affair with Lemmon being the pivot of the tale as he takes on the disguise of an English Lord. Lemmon and MacLaine beautifully play their mutual attraction under Wilder's deft direction with the slapstick never allowed to get out of hand. Many will recognise Wilder's touch in his handling of the scene where Lemmon as a policeman is carted off in a van full of voracious prostitutes from the bunks-in-the-train sequence in Some Like It Hot. The handsome production, designed by Alexander Tranner--with the occasional view of the Seine thrown in for good measure--and the Panavision photography by Joseph La Shelle are further assets. On the DVD: The DVD contains a longer than usual theatrical trailer, half shot as a cartoon with characters closely resembling those Pink Panther figures who emerged at the same time from the Mirisch Brothers, a pair prominent in sustaining the unique success of United Artists, whose name was deleted, in favour of the MGM logo, in the early 1960s. It's too bad that the music on this DVD transfer sometimes strikes a coarse note particularly over the extended opening credits. --Adrian Edwards
An extraordinary portrayal of humanity set during one of history's most inhumane periods 'The Diary Of Anne Frank' features Millie Perkins as the insightful 13-year-old biographer of her family's two year hiding in an Amsterdam attic. At first the strong-willed teenager embraces her fugitive lifestyle as an adventure but in time the ever-increasing fear of discovery and close quarters prove nearly unbearableifor the eight personalities in hiding which include Mr. Dussell (Ed Wynn) the abrasive Mrs. Van Daan (the Oscar-winning Shelley Winters) her husband (Lou Jacobi) and their son Peter (Richard Beymer) for whom Anne develops an impossible love...
A collection of vignettes, loosely based on the book by Dr. David Rueben, written and directed by Woody Allen, Everything contains some very funny moments. It's easy to forget that the cerebral Allen excelled at the type of broad, Catskill, dirty jokes and visual gags that run amok here. It's also remarkable how dirty this 1972 movie really was--bestiality, exposure, perversion and S&M get their moments to shine. The Woody Allen here, who appears in many of the sketches, is a portent of the seedy old Allen of Deconstructing Harry. Although the final bit, which takes place inside a man's body during a very hot date, is hilarious, most of Everything feels like the screen adaptation of a 70's bathroom joke book. Still, a must for Allen fans. --Keith Simanton
After the Nazis invade Amsterdam 13-year-old Anne Frank and her family go into hiding in an attic. Her remarkable account of their strife and of her first love unfolds In this extraordinary portrait of humanity - now 55 years after its first release and 85 years after Anne's birth. Nominated for eight Oscars and Winning three The Diary of Anne Frank is a timeless story of hope and love amidst adversity.
Albert Einstein helps a young man who's in love with Einstein's niece to catch her attention by momentarily pretending to be a great physicist...
Three interlocking stories set in the legendary New York City dance palace make up this charming film the third to be shot by Merchant Ivory Productions in America. In the first segment The Waltz Teresa Wright is a widow who comes to Roseland in order to sustain the memory of her late husband where she meets Stan (Lou Jacobi) a man who offers her an opportunity for happiness in the present. In The Hustle Christopher Walken stars as a gigolo with three women in his life all of whom depend on him for different degrees of romance and companionshiop. In the final segment The Peabody an older Vietnamese woman (Lilia Skala) sets out to win a dance competition despite warnings that it could imperil her health. Ruth Prawer Jhabvalas understated screenplay received accolades and delivers an uncharacteristic bit of sentiment not present in other Merchant Ivory efforts.
This first part of the fantastic Woody Allen Collection brings together five classic films that showcase Allen's madcap sensibility and wickedly funny irreverence. Films Comprise: 1. Bananas (1971) 2. Everything You Always Wanted To Know About Sex But Were Afraid To Ask (1972) 3. Sleeper (1973) 4. Love & Death (1975) 5. Annie Hall (1977) For individual synopses please refer to the individual films.
All Bernie Fishbine wants in life is to meet the perfect mate. Ordinarily one wouldn't think this would be a problem because he's the ideal boy-friend for any girl. He's lovable sweet and considerate but he's also a little chubby. Everyday he wakes up in the Philadelphia apartment he shares with his neurotic mother Sarah Fishbine and his belligerent grandfather Gramps. One particular night he meets Tress Garabaldi at the bus stop. She's beautiful Italian-American graduate student. Soon they are getting to know each other and Tress even offers to help Bernie get into shape. Bernies feelings for Tress grow but while she finds Bernie nice her real intention is to use him as a research subject of her graduate thesis paper The Psychological Study of an Obese Male. But her plan is foiled after she starts to fall for Bernie's humour sweetness and depth.
The Bostonians The daughter of a faith healer is forced to choose between her mother's religious activities and her desire to use her speaking ability to further the women's suffragette movement. To complicate matters more the man she loves is strongly opposed to the feminist cause. The Europeans In 1850 a few miles outside Boston the household of the dour Mr. Wentworth receives two unannounced visitors from Europe Eugenia and Felix the daughter and son of his half sister. Gertrude one of Wentworth's two daughters is instantly infatuated with her cousins and trouble brews... The Ballad Of The Sad Cafe A tangled triangle. In the rural South of the early 20th century Miss Amelia is the town eccentric... Jane Austen In Manhattan Two teachers vie for the right to stage a play written by Jane Austen when she was twelve years old... Roseland Three interlocking stories set in the legendary New York City dance palace make up this charming film the third to be shot by Merchant Ivory Productions in America. In the first segment 'The Waltz' Teresa Wright is a widow who comes to Roseland in order to sustain the memory of her late husband where she meets Stan (Lou Jacobi) a man who offers her an opportunity for happiness in the present. In 'The Hustle' Christopher Walken stars as a gigolo with three women in his life all of whom depend on him for different degrees of romance and companionship. In the final segment 'The Peabody' an older Vietnamese woman (Lilia Skala) sets out to win a dance competition despite warnings that it could imperil her health. The Proprietor A story of changing times constant relationships and reconciliation with the past.
DVD Web, Magic, Any Region 112 mins
Annie Hall (1977): Starring Allen as New York comedian Alvy Singer and Diane Keaton (in a Best Actress Oscar-winning role) as Annie the film weaves flashbacks flash forwards monologues a parade of classic Allen one-liners and even animation into an alternately uproarious and wistful comedy about a witty and wacky on-again off-again romance. Manhattan (1979): 42-year-old Manhattan native Isaac Davis (Allen) has a job he hates a seventeen-year-old girlfriend (Mariel Hemingway) he doesn't love and a lesbian ex-wife Jill (Meryl Streep) who's writing a tell-all book about their marriage... and whom he'd like to strangle. But when he meets his best friend's sexy intellectual mistress Mary (Diane Keaton) Isaac falls head over heels in lust! Leaving Tracy bedding Mary and quitting his job are just the beginning of Isaac's quest for romance and fulfillment in a city where sex is as intimate as a handshake - and the gate to true love... is a revolving door. Everything You Always Wanted To Know About Sex (But Were Afraid To Ask) (1972): Woody Allen pushes the frontiers of comedy by consolidating his madcap sensibility and wickedly funny irreverence with his developing penchant for visually arresting humor. Giving complete indulgence to the zany eccentricity of his medium Allen revels himself as a filmmaker of wit sophistication and comic insight rising to the occasion with several hysterical vignettes that probe sexuality's stickiest issues! Aphrodisiacs prove effective for a court jester (Allen) who finds the key to the Queen's (Lynn Redgrave) heart but learns that the key to her chastity belt might be more useful... Sleeper (1973): When cryogenically preserved Miles Monroe (Allen) is awakened 200 years after a hospital mishap he discovers the future's not so bright: all women are frigid all men are impotent and the world is ruled by an evil dictator: a disembodied nose! Pursued by the secret police and recruited by anti-government rebels with a plan to kidnap the dictator's snout before it can be cloned Miles falls for the beautiful - but untalented - poet Luna (Diane Keaton). But when Miles is captured and reprogrammed by the government to believe he's Miss America it's up to Luna to save Miles lead the rebels and cut off the nose just to spite its face. Love And Death (1975): Woody Allen reinvents himself again with the epic historical satire Love and Death. A wonderfully funny and eclectic distillation of the Russian literary soul the film represents a bridge between Allen's early slapstick farces and his darker autobiographical comedies. One of his most visual philosophical and elaborately conceived films 'Love And Death' demonstrates again that Allen is an authentic comic genius. Bananas (1971): When bumbling product-tester Fielding Mellish (Allen) is jilted by his girlfriend Nancy (Louise Lasser) he heads to the tiny republic of San Marcos for a vacation only to become kidnapped by rebels!
Please wait. Loading...
This site uses cookies.
More details in our privacy policy