""We were somewhere around Barstow when the drugs began to take hold."" It is 1971: journalist Raoul Duke barrels towards Las Vegas to cover a motorcycle race accompanied by a trunkful of contraband and his slightly unhinged Samoan attorney Dr. Gonzo. But what is ostensibly a cut-and-dry journalistic endeavor quickly descends into a feverish psychedelic odyssey and an excoriating dissection of the American way of life. Director Terry Gilliam and an all star cast (headed by
A high school senior branded uncool gets himself expelled so he changes his image to the cool new kid at the town's other high school.
COOKIE'S FORTUNE mischievously uncovers the legacy of JEWEL MAE
Robert Altman's a biting satire on the Hollywood industry, The Player, has always been acknowledged by insiders as too close to the truth for comfort. Opening with a self-referential nine-minute tracking shot around the studio lot where producer Griffin Mill (Tim Robbins) works, the story's intrigue begins with the first of several postcard death threats from a writer he's angered. After accidentally killing the wrong man, Mill moves from one star-studded lunch table to another. All the while he's hounded by the real writer and an obsession with "Ice Queen" artist June Gudmundsdotter (Greta Scacchi) who'd been the deceased's girlfriend. Altman's tradition of improvised dialogue makes each of the dozens of cameos a fascinating treat for movie fans. Blink and you'll miss Angelica Houston, John Cusack, Rod Steiger, or Bruce Willis and Julia Roberts who appear in the hilarious movie-within-a-movie finale. There's an endless list of terrific support from the likes of dry-witted Fred Ward, fly-swatting Lyle Lovett, or tampon-twirling Whoopi Goldberg. Aside from the star-spotting and a script that crackles with sharp dialogue, this also warrants acknowledgement for being the movie to set off an explosion of independent film in the Nineties. On the DVD: there's a commentary track (which leaves the film's soundtrack playing a little too loud) from director Altman who talks at length about the poor state of today's industry, and writer Michael Tolkin who contributes about ten minutes of veiled displeasure about the treatment of a writer's work. There are five grainy deleted scenes featuring lost cameos from Tim Curry, Jeff Daniels, and Patrick Swayze. Then in a 16-minute featurette a lot of the deleted footage is repeated around an interview with Altman. A trailer rounds out the package. --Paul Tonks
She's a foul-mouthed tramp who can wrap just about anyone around her finger. She steals dead people's ashes and sleeps with gay hunks and religious fanatics with equal indifference. She's Dedee Truitt (Christina Ricci) and she's not your typical sweet 16-year-old. Escaping her rotten Louisianna life Dedee flees to the surburan Indiana home of her gay half-brother Bill (Martin Donovan) where she proceeds to seduce his live-in boyfriend Matt (Ivan Sergei) steal $10 000 and lead a cast
Christina Ricci had a great year in 1998. The young actress continued to cast off her youthful image from the Addams Family movies and made a big splash on the independent movie scene, especially in this scathingly witty comedy in which Ricci has the central role. Here she plays Dedee, a buxom, sexually precocious teenager who's pregnant, cynical, and looking for a volunteer father for her unborn child. This takes her to the home of her gay half-brother (Martin Donovan) whose current lover (Ivan Sergei) becomes Dedee's latest target for seduction. That's just the start of the mischief that Dedee so masterfully orchestrates, and Lisa Kudrow (from TV's Friends) is also on hand to deliver some of the movie's most quotable dialogue while fending off the affection of a local policeman played by Lyle Lovett. If all this sounds rather sordid, rest assured that the movie's got a warm heart (well, sort of) beating beneath all of its sharp-edged sarcasm. Writer-director Don Roos (Single White Female) injects most of the movie's appeal and humour through Dedee's voice-over narration, which constantly reminds us that even the most familiar movie clichés can be cleverly overturned. As a result, The Opposite of Sex is the opposite of boring. --Jeff Shannon
This performance features Lyle Lovett backed by his 14-piece big band and 26-piece orchestra. Lyle performs songs from his new album Smile a collection culled from an eclectic cross-section of recent American cinema. Randy Newman and trumpeter Mark Isham join Lyle on stage. Randy Newman in addition to his duets with Lovett performs familiar songs such as Political Science (Let's Drop the Big One) and I Think It's Gonna Rain Today. Lyle Lovett rounds out the show performing a gospel set including some well-known classics and popular originals. He performs his version of the Ray Charles song What'd I Say and I'm Gonna Wait. Tracklisting: 01: Blue Skies 02: Straighten Up And Fly Right 03: Smile 04: Gee Baby Ain't I Good To You 05: Summer wind 06: Moritat ( Mack the Knife) 07: Walking Tall 08: You ve Got A Friend In Me 09: Political Science 10: If I Had A Boat 11: That's Right ( You're Not From Texa... 12: Long Tall Texan 13: What Do You Do 14: Church 15: What'd I Say 16: I'm A Soldier In The Army Of The Lo... 17: I'm Gonna Wait
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Backed by a 14 piece big band and a 25 piece orchestra Grammy Award winning Lovett performs a number of songs from his 2003 album Smile. An album of beautiful tracks culled from an eclectic cross-section of recent American cinema including 'Summer Wind' (For The Love Of The Game) and the title track 'Smile' (Hope Floats). Lovett's minimalist style is combined with yet another legend the celebrated West Coast singer-songwriter Randy Newman. Together they perform the crowd plea
Lyle Lovett
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