As a hurricane approaches the small town of Port Emmett a varied group of residents are visited by a horror that could not be denied. Fifty years ago a bridge collapsed plunging a circus train into the dark water below. The clown car was never recovered. In ""sins of the father"" tradition zombie clowns emerge from the bay and exact revenge on descendants of those who left them buried under the silt and mud for half an century.
They'll do anything for money! Working Girls is the story of three beautiful and ambitious young women who are willing to do just about anything to further their careers. Honey has just arrived in Los Angeles and is hungry homeless broke and unemployed. Within 24 hours she utilizes her clever ingenuity to barter her body for a rib dinner proposition a street musician moves in with Denise and Jill and meets a millionaire Vernon who hires her as his companion
Jeepers Creepers 2 (Dir. Victor Salva 2003): When their bus is crippled on the side of a deserted road a team of high-school athletes discover an opponent they cannot defeat - and may not survive. Staring hungrily at them through the school bus windows the ""Creeper"" returns again and again. But when the teammates discover that it's selective about whom it attacks it will test their ability to stick together - as the insatiable menace tries to tear them apart! Wrong T
THE HOLY GRAIL OF BURLESQUE MOVIES! America's legendary pin-up queen cult icon Betty Page stars with superstar stripper Tempest Storm in the biggest burlesque film of them all Teaserama! With her girl-next-door smile and hourglass figure Betty Page performs two stylized dance numbers that are amalgams of her classic poses. She also scorches the screen when she teams up with that hurricane of delight Tempest Storm in a boudoir bit that explodes into fetish central! Produced and directed by glamour-girl photographer Irving Klaw Teaserama also boasts leggy Chris La Chris a sultry strip courtesy of Trudy Wayne female impersonator Vickie Lynn contortionist Twinnie Wallen and baggy pants comics Dave Starr and Joe E. Ross (Gunther Toody of TV's Car 54 Where Are You?) and stripteuse Cherry Knight whose cantilever matches Tempest''s bra-busting 44s! Cowabunga!!
The Sopranos, writer-producer-director David Chase's extraordinary television series, is nominally an urban gangster drama, but its true impact strikes closer to home: This ambitious TV series chronicles a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there is the added complexity posed by heading twin families, his collegial mob clan and his own, nouveau riche brood.The series' brilliant first season is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his mid-level capo's machismo, yet instantly recognisable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford, and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get.Unlike Francis Coppola's operatic dramatisation of Mario Puzo's Godfather epic, The Sopranos sustains a poignant, even mundane intimacy in its focus on Tony, brought to vivid life by James Gandolfini's mercurial performance. Alternately seductive, exasperated, fearful and murderous, Gandolfini is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. Both he and the superb team of Italian-American actors recruited as his loyal (and, sometimes, not-so-loyal) henchman and their various "associates" make this mob as credible as the evocative Bronx and New Jersey locations where the episodes were filmed.The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr Melfi, a convincing confidante, by turns "professional", perceptive and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what is not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. --Sam Sutherland, Amazon.com
The Sopranos, writer-producer-director David Chase's extraordinary television series, is nominally an urban gangster drama, but its true impact strikes closer to home: This ambitious TV series chronicles a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there is the added complexity posed by heading twin families, his collegial mob clan and his own, nouveau riche brood.The series' brilliant first season is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his mid-level capo's machismo, yet instantly recognisable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford, and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get.Unlike Francis Coppola's operatic dramatisation of Mario Puzo's Godfather epic, The Sopranos sustains a poignant, even mundane intimacy in its focus on Tony, brought to vivid life by James Gandolfini's mercurial performance. Alternately seductive, exasperated, fearful and murderous, Gandolfini is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. Both he and the superb team of Italian-American actors recruited as his loyal (and, sometimes, not-so-loyal) henchman and their various "associates" make this mob as credible as the evocative Bronx and New Jersey locations where the episodes were filmed.The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr Melfi, a convincing confidante, by turns "professional", perceptive and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what is not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. --Sam Sutherland, Amazon.com
The Marilyn Monroe Story a documentary about the life and career of this much loved star narrated by director John Huston (who worked with her on ""The Misfits"") includes interviews with friends cast and crew who worked with Monroe and others who knew her clips from her films and some scenes that were cut from her earliest movies and not seen for many years.
THE HOLY GRAIL OF BURLESQUE MOVIES! The legendary Queen of the Curve Betty Page America's greatest pinup model stars in Varietease a unique peek of the wonderful world of burlesque complete with singers slickers and saucy strippers! Flashing her sexy smile and gyrating in a harem girl costume Betty Page does her Dance of the Four Veils and easily steals the show. Another legend the sophisticated and sparkling Lili St. Cyr shows us just how elegant a striptease can be. Aiding and abetting are jokester Bobby Shields bikini-clad Chris La Chris Warblers Cass Franklin & Monica Lane exuberant contortionist Twinnie Wallen and 'fame female impersonator' Vickie Lynn. Produced and directed by girly-pix impresario Irving Klaw (the man who photographed Bettie in bondage) he and Miss Page re-teamed the following year with Teaserama (1955).
101 classic country songs including 50 number 1's in one outstanding DVD box set! Including: The Judds - Mama He's Crazy / Lynn Anderson - Rose Garden / Leroy Van Dyke - Walk On By / Faron Young - Hello Walls / Merle Haggard - Working Man Blues / Johnny Cash - Folsom Prison Blues / Waylon Jennings - Honky Tonk Heroes / Porter Wagoner - Y'All Come / Johnny Russell - Crystal Chandeliers / George Jones - The Race Is On / Willie Nelson - Nightlife / Tanya Tucker - The Night They Drove Old Dixie Down / Tanya Tucker - San Antonio Stroll / Bellamy Brothers - If I Said You Had A Beautiful Body / Freddy Fender - Before The Next Teardrop Falls / Randy Travis - Forever And Ever Amen / Jimmy Dean - Big Bad John / George Jones - He Stopped Loving Her Today / Patsy Cline - San Antonio Rose / Lynn Anderson - Cry / Johnny Cash & June Carter - Jackson / David Frizzell - If You've Got The Money (I've Got The Time) / Boxcar Willie - Wabash Cannonball / Freddy Fender - Secret Love
Search For The Great Sharks takes you on a round-the-globe expedition to reveal some of the world's largest sharks and to witness them at close range. From the coast of California to the remote reaches of South and Western Australia the film pursues Blue Sharks Whale Sharks and the most notorious of all the Great White Shark.
If this one doesn't scare you you're already dead! After their friend is murdered two brothers begin a hunt in search of the killer. Their investigation leads them to the discovery of a startling and hideous secret. As the brothers learn more about what is really going on at Morningside mortuary (involving a floating sphere with razor-sharp protruding daggers which seeks out victims and drains the blood from their heads) they get deeper into trouble but it may be already too late!
Arden's violent and powerful adaptation of her work with The Holocaust women's theatre troupe looks into the mind of a woman labelled schizophrenic - and finds not madness but tortured sexual guilt created by the taboos of society.
The second series of The Sopranos, David Chase's ultra-cool and ultra-modern take on New Jersey gangster life, matches the brilliance of the first, although it's marginally less violent, with more emphasis given to the stories and obsessions of supporting characters. Sadly, the programme makers were forced to throttle back on the appalling struggle between gang boss Tony Soprano and his Gorgon-like Mother Livia, the very stuff of Greek theatre, following actress Nancy Marchand's unsuccessful battle against cancer. Taking up her slack, however, is Tony's big sister Janice, a New Age victim and arrant schemer and sponger, who takes up with the twitchy, Scarface-wannabe Richie Aprile, brother of former boss Jackie, out of prison and a minor pain in Tony's ass. Other running sub-plots include soldier Chris (Michael Imperioli) hapless efforts to sell his real-life Mafia story to Hollywood, the return and treachery of Big Pussy and Tony's wife Carmela's ruthlessness in placing daughter Meadow in the right college. Even with the action so dispersed, however, James Gandofini is still toweringly dominant as Tony. The genius of his performance, and of the programme makers, is that, despite Tony being a whoring, unscrupulous, sexist boor, a crime boss and a murderer, we somehow end up feeling and rooting for him, because he's also a family man with a bratty brood to feed, who's getting his balls busted on all sides, to say nothing of keeping the Government off his back. He's the kind of crime boss we'd like to feel we would be. Tony's decent Italian-American therapist Dr Melfi's (Loraine Bracco) perverse attraction with her gangster-patient reflects our own and, in her case, causes her to lose her first series cool and turn to drink this time around. Effortlessly multi-dimensional, funny and frightening, devoid of the sentimentality that afflicts even great American TV like The West Wing, The Sopranos is boss of bosses in its televisual era. --David Stubbs
Tracklist: 1. Hey Loretta 2. You're Looking At Country 3. We've Come A Long Way Baby 4. Let Your Love Flow 5. You Ain't Woman Enough 6. Medley: a. I Fall To Pieces b. Walking After Midnight c. Crazy 7. Me And Bobby McGee 8. Out Of My Head And Back In My Bed 9. Coal Miner's Daughter 10. They Don't Make 'Em Like My Daddy 11. Medley: a. One's On The Way b. The Pill 12. Don't Come Home A Drinkin' 13. Country Feelings
A box set of performances from some of country's finest female performers.
A nation is divided as Scotland is at war...This is the epic story of a family torn apart by one man's quest for a lost throne. A tale of passion duty courage and love set against the violent backdrop of the last Jacobite rising and the death of the Highland Clans.
A story of sex drugs nudity and gratuitous study Inbetweeners is a film about the British university experience. The story of twelve students and their energetic journey through the ups and downs of university life Inbetweeners is the first film from director Darren Paul Fisher and features Sarah Vandenburgh Kate Lostau Jane Peachey and a special cameo appearance from Johnny Ball.
Country superstar Lynn Anderson belts out her greatest hits and more tells stories of her amazing career jokes flirts brings fan-clubmembers to the stage and features the many talents of her hot bandin an exciting live concert filmed in Dickson Tennessee.'Ride Ride Ride' 'How Can I Unlove You' 'What A Man My ManIs' 'That's A No No' and of course 'Rose Garden': these and other huge country hits of the 1960's and '70's - beautifully revived here - made Lynn a star and ushered in a new era in country music. Yet not content only to review her own catalogue Lynn here also treats the packed house at the Renaissance Center to a wide variety of musical genres - from the classic bluegrass of 'Rocky Top' to the'50's teen pop of 'Cry'; from the folk of John Prine's 'Paradise' to the Carpenters' 'Top of the World'. Lynn Anderson offers a jam-packed musical treat for country and pop fans of all persuasions. Track Listing: 1.Listen To A Country Song 2.How Can I Unlove You 3.What A Man My Man Is 4.Under The Boardwalk 5.Faithless Love 6.Foggy Mountain Breakdown 7.Even Cowgirls Get The Blues 8.Someday Soon 9.Ride Ride Ride 10.It's A No No 11.Top Of The World 12.Cry 13.Rose Garden 14.Paradise 15.The Worst Is Yet To Come 16.Rocky Top 17.RoseGarden (reprise)
Miami.... The Mob.... and a million in Cuban cigars....
Being dead rots! This is a low budget zombie film: an anthology in the vein of Tales From The Crypt. Three tales are liked by the adventures of a hitchhiker who takes a young reporter on a road trip where they meet people who all have tales to tell which somehow involved the living dead....
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