"Actor: Lyudmila Tselikovskaya"

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  • Ivan The Terrible - Part 1 [1944]Ivan The Terrible - Part 1 | DVD | (03/09/2001) from £12.76   |  Saving you £3.23 (25.31%)   |  RRP £15.99

    Sergei Eisenstein's two-part epic chronicling the life of the 16th Century Tsar Ivan Grozny is one of film's most artistic and absorbing creations. Over three years in the making ""Ivan the Terrible"" features an operatic score by the esteemed Soviet composer Sergei Prokofiev. The story begins with Ivan's coronation at the age of sixteen. One month later contrary to custom that demanded he marry a foreing princess he marries Anastasia a Russian girl from the Romanov family - m

  • Ivan the Terrible [DVD]Ivan the Terrible | DVD | (21/11/2011) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £15.99

    Sergei Eisenstein's saga of Czar Ivan IV continues with the struggle for power and the use of secret police, a controversial segment that caused the film to be banned by Stalin in 1946 (but was later released in 1958). The predominantly black-and-white film features a banquet dance sequence in colour. Obviously the two parts must be viewed as a whole to be fully appreciated. Many film historians consider this period in Eisenstein's career less interesting than his silent period because of a sentimental return to archaic forms (characteristic of Soviet society in the 1930s and '40s). Perhaps it was just part of his maturity.

  • Ivan The Terrible - Part 1 And Part 2 - The Boyars Plot [1944]Ivan The Terrible - Part 1 And Part 2 - The Boyars Plot | DVD | (12/06/2000) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £24.99

    Sergei Eisenstein's saga of Czar Ivan IV continues with the struggle for power and the use of secret police, a controversial segment that caused the film to be banned by Stalin in 1946 (the film was not released until 1958). The predominantly black-and-white film features a banquet dance sequence in colour. Obviously the two parts must be viewed as a whole to be fully appreciated. Many film historians consider this period in Eisenstein's career less interesting than his silent period because of a sentimental return to archaic forms (characteristic of Soviet society in the 1930s and '40s). Perhaps it was just part of his maturity. --Bill Desowitz, Amazon.com

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