First released in 1965 Primitive London is a once shocking mondo-style documentary that sets out to reflect societal decay through the sideshow spectacle of 1960's London depravity. Here the camera finds mods rockers and beatniks an obscure band called The Zephyrs seedy Jack the Ripper enactments flabby men in the sauna sordid wife-swapping parties and more. Shot just as the sixties was really starting Primitive London shows a Britain trying to find a way of transiting from the post war depression of the 1950''s and the shiny brave new world of the mid 1960''s. Miller''s companion piece London in the Raw is also released this month.
A little girl is so badly affected by her parents' divorce she decides to run away from home...
With hairy warts, a stern-looking unibrow and one extremely protruding buck-tooth, Nanny McPhee is a wonderfully comedic substitute for Mary Poppins in this entertaining family fantasy. By loosely adapting Christianna Brand's Nurse Matilda children's books of the 1960s, Oscar-winning screenwriter Emma Thompson (Sense and Sensibility) has also given herself the plum role of Nanny McPhee, who can tame even the most unruly children with a tap of her magic walking stick. Her latest challenge is the bratty brood of a recent widower Mr. Brown (Colin Firth), who's under pressure to find a new wife or lose his much-needed allowance from wealthy Aunt Adelaide (a tailor-made role for Angela Lansbury). His love for scullery maid Evangeline (Kelly Macdonald) remains unspoken as he wincingly woos the eagerly merry widow Mrs. Quickly (Celia Imrie), but Brown's raucous rugrats have a plan to make things right, especially after they've come under the benevolent influence of Nanny McPhee, whose peculiar brand of discipline works wonders for everyone involved. Both quintessentially British and universally appealing, this wildly colourful comedy (thanks to a bold palette of costume and production design) was capably directed by Kirk Jones, whose appreciation for comic actors was equally apparent in his critically acclaimed 1998 comedy Waking Ned. With just a hint of darkness to offset the whimsy, Nanny McPhee offers a splendid match of director, cast and material, guaranteed to please Wallace & Gromit fans and anyone else with a taste for British zaniness.-- Jeff Shannon
In fine (and bloody) style, HBO's Boardwalk Empire returns to 1920 when the ban on booze led to a syndicate of bootleggers and smugglers. Created by Sopranos scribe Terence Winter and coproduced by director Martin Scorsese, the story centers on Atlantic City treasurer Enoch "Nucky" Thompson (Steve Buscemi), who schemes in private while preaching temperance in public (Mark Wahlberg and Tim Van Patten also serve as producers). Jimmy (Michael Pitt, Buscemi's Delirious costar), a war veteran, acts as his right-hand man, while zealous Agent Van Alden (Michael Shannon) and refined mobster Arnold Rothstein (A Serious Man's Michael Stuhlbarg) represent significant threats to his enterprise. Nucky's other associates include his sheriff brother Eli (Shea Whigham), sexpot girlfriend Lucy (Paz de la Huerta), and distributor Chalky (The Wire's Michael K. Williams). If Nucky has little regard for law and order, his soft side emerges in his dealings with Irish immigrant Margaret (Kelly Macdonald, excellent), who segues from abused wife to kept woman. As Nucky puts it, "I try to be good. I really do." After he sends Jimmy away a spell, his sidekick joins forces with Al Capone (Stephen Graham, Public Enemies) and disfigured vet Richard Harrow (Jack Huston), abandoning his son, common-law wife Angela (Aleksa Palladino), and mother Gillian (Gretchen Mol), who has a fling with Lucky Luciano (Vincent Piazza). Inspired by Nelson Johnson's book, Boardwalk Empire takes a Deadwood-like approach to history by combining characters both factual and fictional with blue language and ladies without brassieres. Winter, who won an Emmy for The Sopranos episode Pine Barrens, takes liberties with the historical record, but the series never claims to represent the truth and nothing but--which is only fitting when everyone's hiding secrets. If the entire ensemble deserves praise, Buscemi rules the show as thoroughly as Nucky rules the city. --Kathleen C. Fennessy
A chatty worm-like parasite offers the utmost psychedelic experiences to its host if they allow him to latch onto their necks and inject their brains with a bizarre secretion. For Brian this trip is better than his dull life but in order to maintain the buzz he must provide this parasite with its favourite food - human brains.
A caving trip goes badly wrong for six girlfriends as they discover they're not alone in the dark.
From the director of Nightmare Man (1999) and sundry episodes of Due South and The Outer Limits TV series comes Demon House, a schlocky horror flick re-titled to disguise the fact that it's actually Night of the Demons III. Here we see yet another visit by a group of stupid teenagers to a house wherein lies a doorway to Hell. Amelia Kinkade returns as evil hostess Angela, but that's all there is to link back to the previous two movies--they even use an entirely different house! As for the plot: it's Halloween and two girls with car trouble hitch a lift from a vanload of clichéd "kids" who accidentally hold up a Kwik-E-Mart. They hide in the out-of-bounds funeral parlour, Hull House, which--you'll never guess--has a history of mysterious murders. Then, in a surprising twist, they begin to be picked off one-by-one and transformed into a variety of demons. A race ensues to see who will survive until sun-up. The camera trickery is right out of Sam Raimi's vastly superior Evil Dead trilogy, while even the titillating nudity is dispensed with in the first few minutes. At least the CGI credits sequence is impressive. On the DVD: Check out the extras: a trailer! 12 "interactive" chapters! 4:3 screen ratio! Plastic case! --Paul Tonks
The nearly-final divorce of the Halsworths suddenly gets complicated when Miriam's old flame comes to town.
Sequel to the horror 'Jack Frost'. The evil snowman is resurrected but now he's resistant to fire bullets and even chemical anti-freeze! With revenge on his mind Jack sets out on a chilling killing spree that threatens to ice everyone around him...
Five thousand years ago an alien spacecraft piloted by the android SIRIUS is destroyed by an electrical storm and the remains of the craft and it's occupants are buried by time. It is survived however by an intriguing myth that the aliens possessed the gift of everlasting life and that the buried craft contains an elixir which if replicated would bring untold riches to the owner of such a powerful drug
You'll learn to love her... warts and all.In this dark and witty fable, Emma Thompson portrays a person of unsettling appearance and magical powers who enters the household of the recently widowed Mr. Brown (Colin Firth) and attempts to tame his seven exceedingly ill-behaved children. The children, led by the oldest boy Simon (Thomas Sangster), have managed to drive away 17 previous nannies and are certain that they will have no trouble with this one. But as Nanny McPhee takes control, they begin to notice that their vile behavior now leads swiftly and magically to rather startling consequences.
This is the film based on the 1970s TV sitcom Man About the House, made during the same period with the same cast. At the time, the whole idea of a single man and two single women sharing a flat, however (more-or-less) platonically, seemed terribly naughty. The scriptwriters wickedly stirred things up even further by making Richard O'Sullivan's character a randy-but-gentlemanly heterosexual, despite being a catering student--after all, in the 70s everyone just knew that all chefs were roaring poofs. The trio's sex-starved landlady (Yootha Joyce) and her rodent-like, impotent husband (Brian Murphy) were later to get their own series, George and Mildred. The plot is a perfunctory affair, as property developers attempt and fail to demolish the street in which the protagonists live. That said, the script (cowritten by John Mortimer) isn't really narrative-driven anyway, it's purely an excuse for the characters to interact with the will-they-won't-they-ooh-they-are-a-bit relationship between Robin and Chrissie (Paula Wilcox) and practically invites the viewer to cheer them on. While the transition to the big screen caused the idea to lose much of its energy, as a dollop of comedy nostalgia Man About the House is still great fun. And if you don't laugh at the jokes, just check out the clothes, cars, hairstyles and makeup, not to mention all that cigarette smoking! --Roger Thomas
The Eye: At the age of two Mun went blind. After eighteen years in darkness she is given the chance of a risky corneal transplant operation. When the bandages are taken off Mun's eyes respond to the light around her and it appears that the surgery has been successful. However when Mun experiences a series of inexplicable and chilling encounters with mysterious strangers she fears that her newly restored eyesight has brought a different kind of darkness into her life. Featuring some of the most genuinely terrifying moments ever seen on screen as well as a finale more spectacular than anything to come out of Hollywood this stylish and haunting film from the critically acclaimed Pang Brothers (Bangkok Dangerous) deserves its place at the forefront of modern horror cinema. The Eye 2: Joey (Shu Qi) recovers from an overdose of sleeping pills after having her stomach pumped. It was a close call; she had visions of dead people accompanying her during her darkest minutes. But just when she looks forward to a brand new life she discovers that she is pregnant. Tortured by the thought of an abortion Joey finds herself becoming delusional and emotionally unstable. She is frequently threatened by the sudden presence of strangers and is stalked by a mysterious woman. The stalker confronts her; making eye contacts with her on a train platform she throws herself at a running train! Joey breaks down at the sight of the suicide only to discover that no 'jumper' is found on the track... The Eye Infinity: Whilst on a holiday to Thailand a group of friends tell each other ghost stories inspired by an accident they witness on a spot of sightseeing. Chongkwai the host of the party and local boy reveals a mystical book offering instructions on 10 different ways to view the physical form of spirits. Naturally they can't resist. However when one of them disappears under a cloud of mysterious circumstances the group soon realise that the spirits are after them!
As her rash turns to rot her lips blister and her hair nails and teeth begin to fall out Sam begins to regret last night's drunken one-night stand with a mysterious stranger. Unfolding over a tumultuous three-day period Contracted follows one young woman's nightmarish decent into her own personal hell as her life - and her body - begin to crumble around her. A chilling gore-filled innovative body-horror Contracted proves that there are worse things you can catch from casual sex than an STD. Special Features: 'Making of' Documentary Cast and Director Commentaries
A government treaty protecting sacred Comanche land is about to expire opening the territory to fortune hunters and prospectors in search of silver buried beneath the ancient mountains. James Bowie (Macdonald Carey) has negotiated a legitimate deal with the Comanches for the sliver unaware the renewal letter for the treaty has been stolen. Bowie must locate the letter in order to secure his deal and stop the Indian territory from being pillaged. His search leads him to the small town of Crooked Tongue run by the beautiful and feisty Katie Howard (Maureen O'Hara) who quickly becomes his number one suspect.
A journey through the turbulent 16th century borderlands of England and Scotland in search of the Border Reivers in the company of George MacDonald Fraser and Eric Robson. The Border Reivers were medieval protection racketeers who for 400 years terrorized the Anglo Scottish frontier.
Kelly Macdonald (Trainspotting) gives a powerful performance as Stella, a gutsy teenage prostitute who can already turn tricks with the best of them but still enjoys a giggle about sex with her girlfriends, a young group ran by oily pimp Mr Peters (James Bolam). Despite an oddly close relationship with Peters, she is desperate to escape from him, and when her best friend is attacked by one of his cronies she decides to make her move - but not before taking a spectacular revenge on the attacker...
Off the coast of Maine an African cargo vessel mysteriously explodes and crashes into the harbour. What no one knows is that the crew have already been dead for days... Dr. Ben Cahill (Thomas Calabro) arrives on Orrs Island to resolve some personal problems and receives a hostile reception. The locals do not like outsiders and in particular Jack Wald (John Savage) does his best to make Ben feel unwelcome. Soon bizarre and frightening deaths start to occur on the island. Each victim
Robert Duvall stars as the manager of a second rate Scottish football team in this drama about a man who must battle his own demons while taking on the club's American owner (Michael Keaton).
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