28 Days Later meets The Blair Witch Project as a mysterious virus turns the inhabitants of an apartment building into a horde of frenzied, bloodthirsty ghouls in [REC] - the original 2007 found footage phenomenon that spawned a hit franchise and US remake. A television film crew, documenting the night shift of a Barcelona fire brigade, get much more than they bargained for when they attend an apparently routine call-out. Upon arrival at an inner city apartment, the firefighters are viciously attacked by the elderly female occupant, who appears to be in the throes of some sort of viral infection. Before long, the virus has taken hold of the entire building, which is cordoned off by the authorities. Trapped inside, the television crew - using their cameras to capture the events as they unfold - and the other remaining survivors find themselves pitched into a nightmare of unimaginable proportions. Fusing the zombie genre with the found footage format to throw the audience right into the midst of the action, [REC] is a terrifying, relentless rollercoaster ride which builds to one of the horror genre's all time bone-chilling climaxes. Special Edition Contents: High Definition Blu-ray presentation with two viewing options: the theatrical version (24fps, 1080p, 78 mins) as shown in cinemas, and the production version (25fps, 1080i, 75 mins) as originally filmed Original Spanish DTS-HD MA 5.1 and 2.0 audio options on both versions Optional English subtitles New audio commentary by film critic and historian Alexandra Heller-Nicholas, author of Found Footage Horror: Fear and the Appearance of Reality Archive commentary by directors Jaume Balaguero & Paco Plaza The Making of [REC], an archive featurette examining the process of production featuring interviews with cast & crew How to Shoot a Horror Movie, a French-language featurette presented by directors Jaume Balaguero & Paco Plaza Archive interview with Jaume Balaguero & Paco Plaza looking back on the film The Fantastic Four, an archive panel discussion with [REC] directors Jaume Balaguero, Paco Plaza and new wave Spanish horror contemporaries Gonzalo Lopez Callego and Juan Antonio Bayona On set footage of the cast & crew at work on key scenes including the attack on Mrs. Izquierdo and the climb to hell Archive interview with director of photography Pablo Rosso Archive interview with sound supervisor Xavi Mas Archive interview with sound designer Oriol Tarragó Confidences, a video diary by star Manuela Velasco Deleted and extended scenes, including Fire Station Redux, The Secret Archive and Corridors of Nails Casting, original video footage from the audition process Trailers and TV spots Image gallery Reversible sleeve featuring original and newly commissioned artwork by Adam Rabalais FIRST PRESSING ONLY: Illustrated collectors' booklet with new writing on the film by Xavier Aldana Reyes
"[REC]" tells the story of a young TV reporter and her cameraman who are taping a real-life late night news programme when things go horribly wrong.
Cult horror film by Sergio Martino, which finds the wife of an ambassador at the centre of a slew of gruesome murders. Julie Wardh (Edwige Fenech) is tangled in a web of deceit and adultery, and, to make matters even more complicated, it looks like one of her lovers is a serial killer...
A 'violent masterpiece' directed by Sergio Martino (Torso) An ambassador's wife discovers that one of the men in her life - either her husband an ex-lover or her current lover - may be a vicious serial killer. This beautiful hypnotic film depicts a series of grisly murders the victims of which all have some connection to our heroine Mrs. Julie Wardh (the stunning queen of 1970's Italian Giallo cinema: Edwige Fenech) Voted one of the top Giallos ever not only for its surreal S&M imagery featuring plenty of suspense sleaze nudity and gruesome killings but also because it this is the film which placed Edwige Fenech (Strip Nude For Your Killer) in the hearts of besotted fans around the world.
A team of local TV reporters are following a squad of firemen on night duty. The footage is completely live and their task is to make show about on the life of these professionals who work while we are sleeping. The first job of the night is to rescue an old lady who is trapped inside her apartment but the routine rescue soon takes a sinister turn. Something evil is spreading throughout the building out of control. Trapped inside the firemen and the TV crew have to confront an unknown and lethal horror. Now the only thing that matters is hiding surviving and trying desperately to escape. They must keep on recording. No matter what happens. Until the very last moment.
There's a sucker born every minute. Director Miguel Bardem (Javier Bardem's brother) delivers a stylish Grifters-style crime thriller that would not only make David Mamet proud - it would have him second-guessing the plot twists right down to the final frame. The slick handsome Ernesto (Ernesto Alterio) has spent a lifetime in the small-racket crime world working the three-card monte on suckers on the streets of Madrid conning store owners and scouting the train stations for easy marks to rob. His pleasant but decidedly small-time lifestyle changes when he meets the elderly El Manco (Manuel Alexandre) a veteran of the trade who has close contacts to the mysterious and masterful Federico (Federico Luppi) the king of all con men. The three hook up and after ascending to the rarified world of elegant hotels and high living Federico proposes a real estate con that will net them millions. The only hitch is that they need the assistance of Federico's ex-lover Pilar (Victoria Abril). A former con artist herself Pilar (who cheated Federico on a scam years earlier) is now living in luxury with her new elderly husband. The chase is on as the team embarks on their new complicated con . . . but can everyone be trusted? Swindled is an elegant fun fast-moving film where the secrets treachery and twists will keep you on the edge of your seat until the final frame.
Don Quichotte, composed by Ludwig Minkus for the Bolshoi in 1869, was relatively unknown in the West until Nureyev's new choreography--which naturally gave him centre stage as Basile--was introduced at the Vienna State Opera in 1966. A later production in 1981 forms the basis for this 2002 success by the Paris Opera. Don Quichotte is in some ways a misnomer for the ballet. Rather than being the dominant character, here the beloved hero of Cervantes' original novel and tilter at windmills is a catalyst for the troublesome events which beset the love story of Basile and Kitri. The dream in which the knight encounters the queen of the dryads becomes a glittering fault in the narrative. But there is no doubting the fluid delights of the pas de deux between Basile (Manual Legris) and Kitri (the enchanting Aurélie Dupont), always literally several steps ahead of their would-be romance spoilers, which rather overshadow the pathos of Jean-Marie Didière's Quichotte. Nureyev's triumph, though, remains the teeming ensemble dances that reaffirm the close marriage between Minkus's score and the unfolding drama, here immeasurably enhanced by Alexandre Beliaev's Goya-esque designs. Ermanno Florio's musical direction keeps the pace light and busy. On the DVD: Don Quichotte is presented in 16:9 video aspect ratio with a choice of stereo, Dolby Digital 5.1 and DTS (by far the best) soundtracks: the quality is all you'd expect of a standard modern television broadcast, although the subtleties of the theatrical lighting don't always shine through. Extras are limited to previews of other TDK releases. --Piers Ford
A performance by the Paris National Opera Company choreographed by John Neumeier. Recorded at the Opera National De Paris in March 2005.
Shaolin Collection 8 Box Set
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