The CSI team begin to start to come to terms with Sarah's departure with Grissom particularly feeling the pain of her loss. Sara is not the only CSI who's future is in doubt as Warwick accused of murdering a famous Vegas gangster must prove his innicence to stay on the team.
Murder, and its tale-telling aftermath, is the compelling subject of CSI: Crime Scene Investigation. Since its inauguration in late 2000 CSI has been a ratings triumph, spawned two spinoffs (CSI: Miami and CSI: New York and positioning itself for long-term success. Creator Anthony Zuiker's foolproof formula was established early on, bolstered by a fine ensemble cast and requiring minimal tweaking as the seasons progressed; its Las Vegas-based "criminalists" eventually became "CSIs" steeped in the scientific minutiae of forensic investigation, but the series arrived essentially intact, with an irresistible (and seemingly inexhaustible) supply of corpses and the mysteries that surround them. Influenced by the graphic precedent of movies like Seven and Kiss the Girls, CSI matches morbidity with dispassionate methodology; viewers are so fascinated by the investigative process that they're unfazed by intimate autopsies and internal (i.e., digitally animated) views of traumatized flesh, bone, and sinew. While keeping abreast of cutting-edge technologies, CSI combines the ingenuity (and fallibility) of villains with the appealing humanity of its heroes. CSI director and entomologist Gil Grissom (played by series co-producer William Petersen) is introverted but ethically intense; he's both mentor and moral compass for his night-shift team, including a former stripper-turned-CSI (Marg Helgenberger); a recovering gambler (Gary Dourdan); an eager ace (George Eads) with room for improvement; a workaholic (Jorja Fox) who can't always remain emotionally detached from her cases; and a chief detective (Paul Guilfoyle) who's a necessary link to police procedure. Like The X-Files, CSI supports its characters with feature-film production values, employing a Rashomon structure that turns murder into a progressively accurate study of cause and effect. Script quality is consistently high ("Blood Drops" and "Unfriendly Skies" are exceptional), direction is slick and sophisticated, and the mysteries are complex enough to invite multiple viewings. Despite a regrettable shortage of DVD features, CSI remains addictively worthy of its lofty reputation. --Jeff Shannon
Life holds few surprises for Jim but when he falls in love with his neighbour his whole world is turned upside down and he begins to question whether his marriage is all it could be.
Mona Lisa Smile (Dir. Mike Newell 2003): Set in 1953 Katherine Watson (Roberts) is a free-spirited graduate of UC Berkeley who accepts a teaching post at Wellesley College a women-only school where the students are torn between the repressive mores of the time and their longing for intellectual freedom. Erin Brockovich (Dir. Steven Soderbergh 2003): She brought a small town to its feet and a huge corporation to its knees. A research assistant (Roberts) helps an attorney (Finney) in a lawsuit against a large utility company blamed for causing an outbreak of cancer and other illnesses in a small community. Closer (Dir. Mike Nichols 2004): If you believe in love at first sight you'll never stop looking... Writer Patrick Marber adapted the screenplay from his own scathing stageplay in which a chance meeting between Englishman Dan (Jude Law) and American visitor Alice blossoms into a troubled relationship bringing together and then affecting a second couple involving Larry (Clive Owen) and Anna (Julia Roberts). Sex and love are explored capturing all the vulnerability and brutality of people falling in and out of love...
This monolith of a box set comprises the first four seasons of C.S.I. C. S.I. is an acclaimed edgy fast-paced drama series about a passionate team of forensic investigators (among them William Petersen and Marg Helgenberger) who work the graveyard shift at the Las Vegas Criminalistics Bureau. Their job - to find the missing pieces at the scene that will help to solve the crime and vindicate those who often cannot speak for themselves - the victims. Between the hidden clues and the
The 1991 Persian Gulf War is a military triumph for the United States. But when thousands of returning veterans start to develop medical problems it appears that the military is trying to downplay or ignore the situation. It takes perserverance on the part of the military families and members of congress to bring to light the dilemma and prompt action on the part of the government.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy