Back in the day Pam Grier was the baddest nubian princess on the block and the undisputed queen of the Blaxpoitation genre. This box set brings together three of her finest movies in which Ms. Grier gets to kick plenty of booty! Foxy Brown: She's brown sugar and spice... and if you don't watch it she'll put you on ice! Grier portrays one of the screen's first action heroines with humor sensitivity and steely determination. This electrifying revenge thriller explodes with all the sex appeal and cooler-than-cool attitude of its irresistible leading lady. Foxy Brown (Grier) has found her soul mate in an undercover narcotics investigator but when he is brutally murdered she swears vengeance against the crime ring responsible. Posing as a call girl to gain access to the ring's inner circle Foxy discovers just how high the corruption extends igniting a blistering war that takes her from the city streets to a remote drug laboratory to a breathtaking mid-air battle behind the controls of an airplane! But the most startling confrontations are yet to come as she schemes to bring down her boyfriend's killers in ways they never could have imagined. Coffy: She's the ultimate tough and sexy heroine. She's Soul Cinema superstar Pam Grier and whether delivering her justice with a shotgun a razor or just her bare hands she doesn't miss a beat in this no-hold-barred tale of retaliation from exploitation writer/director Jack Hill. Grier is Coffy nurse by day and avenging angel by night. When she discovers that her little sister has been doped up - and freaked out - by a greedy drug pusher she not only puts an end to his miserable days but she vows to follow his trail of corruption up to the top - the very top. But what Coffy doesn't realise is that all is not what it seems - and that the leafy green behind the pushers' scene just may come from someone she knows! Black Mama White Mama: Grier is Lee Daniels a prostitute doing hard time in an island prison camp for women where the guards have a new way to punish inmates who fight: by cuffing 'em together! Chained to her bitter rival white revolutionary Karen (Margaret Markov) Lee finds herself literally linked to the revolutionary cause - and on the fly - when Karen's guerrilla friends stage a coup! But this foxy inmate's got a cause of her own in the form of a secret stash of cold hard cash and a getaway boat! Brawling with her white counterpart over which way to go and tracked like a dog by guards guerrillas and a gangster after the loot she's gotta make her escape - before both mamas' enemies bring them down for good!
1950s sci-fi horror produced by Howard Hawks. After an unknown spacecraft crashes near a remote scientific outpost in the Arctic, a US Air Force crew is dispatched from Alaska to investigate. They frantically begin to recover the craft, which is encased in ice, and find a frozen body buried nearby. They take it back to their base and, while they argue over how to proceed with their discovery, the alien life form escapes and begins feeding on any living creature it can find...
A collection of David Lean's finest films. Include: 1. The Sound Barrier (1952) 2. Hobsons Choice (1954) 3. Blithe Spirit (1945) 4. Brief Encounter (1945) 5. Great Expectations (1946) 6. Oliver Twist (1948) 7. Madeleine (1950) 8. The Passionate Friends (1949) 9. This Happy Breed (1944)
Artic researchers discover a huge frozen spaceling inside a crash-landed UFO then fight for their lives after the murderous being (a pre-Gunsmoke James Arness) emerges from icy captivity. Will other creatures soon follow? The famed final words of this film are both warning and answer: ""Keep watching the skies!""
Hooray for Captain Spaulding! 'Animal Crackers' is a classic of screen history and it's as uproariously funny today as it was 50 years ago. This film introduced Groucho's most famous character Captain Spaulding whose song became the theme of his 'You Bet Your Life' TV program. Highlights include Groucho's African lecture (""One morning I shot an elephant in my pajamas. How he got into my pajamas I don't know."") and the card game which Harpo and Chico play with the wealthy society
A clever fortune-hunter with a penchant for murder does in his elderly, supposedly rich, wife and manages to get away with it. After an investigation results in a decision of 'accidental death', our crafty killer discovers that his late wife's 'fortune' is not what he thought it was. Driven to find another unsuspecting spouse; he discovers that his new bride, a widow, is no fool. When she tells him that she intends to keep her accounts separate from his, he is driven to contemplate murder once again.
3 classic Laurel & Hardy films from the Fox vaults featuring The Bullfighters The Dancing Masters and A-Haunting We Will Go.
Charles Bronson demonstrates exactly what tough is in this two-fisted action drama about a drifter suddenly caught up in the fight game during The Great Depression. Chaney (Bronson) a down-on-his-luck loner hops on a freight train to New Orleans where on the seedier side of town he tries to make some quick money the only way he knows how - with his fists. Chaney approaches a hustler named Speed (Coburn) and convinces him that he can win big money for them both. Chaney wins a f
Margaret Lockwood, one of British cinema s greatest stars, takes on the role of a no-nonsense female barrister in this outstanding series from the makers of Yorkshire Television s classic legal drama The Main Chance. Intuitive, adept and deeply conscientious, Harriet Peterson possesses a steely determination and the necessary tenacity to fight for her clients. But she is not infallible and a turbulent personal life occasionally spills over into her professional life as she takes on a range of cases, from child custody battles to murder, medical negligence to treason. This first series sees Harriet making the move from the north of England to London. Executive producer Peter Willes marshalled key members of the Main Chance team, including legal consultant John Batt and writer Edmund Ward, to create a rigorously researched and compelling courtroom drama. This set comprises both Justice and the single Screenplay drama which preceded it, Justice Is a Woman also starring Lockwood as Julia Stanford, a barrister who, convinced of her client s innocence, defends a young man accused of rape and murder
The wonderful Judy Garland stars in this charming musical as Esther Smith whose father comes home and announces he is going to uproot his whole family to New York on the very eve of the 1903 St. Louis World Fair. Brilliantly directed by Vincente Minnelli and full of wonderful songs - 'Trolley Song' 'Have yourself A Merry Little Christmas'.
A daring experiment in unconventional narrative inspired by Arthur C Clarke's short story "The Sentinel", 2001: A Space Odyssey is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. When Stanley Kubrick recruited Clarke to collaborate on "the proverbial intelligent science fiction film", it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience with the result. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanisation by technology, the notorious, seemingly omniscient, computer HAL 9000 has more warmth and personality than the human astronauts it is supposedly serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its post-millennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative and perfect. --Jeff Shannon, Amazon.com
German spy Helene von Lorbeer is sent to London to live with the family of a highly placed British official making contact with fellow spy Karl Schiller. Together they try to deliver Allied secrets to their German paymasters.
Breath-taking footage of an underwater expedition by the Woods Hole Oceanographic Institution's team of researchers to find the ill-fated R.M.S Titanic which sank more than 70 years ago nearly two-and-a-half miles down in the icy Atlantic. Now along with Dr. Robert Ballard and his team be among the first humans to see the Titanic since its sinking as on-location footage presents this historic expedition as it happened.
Fred Astaire dances on the ceiling in this 1951 Alan Jay Lerner musical for MGM, directed by Stanley Donen (Singin' in the Rain). The appealing story finds Astaire as part of a brother-and-sister act (along with Jane Powell) that travels to London at the time of Queen Elizabeth II's wedding. Astaire and Powell each find romances that threaten to break up the act, but that's mostly fun window dressing in a movie better known for some truly creative sequences made vivid by Donen, including Astaire's famous dance with a hat rack and his duet with Powell, "How Could You Believe Me When I Said I Loved You (When You Know I've Been a Liar All My Life)?" --Tom Keogh, Amazon.com
I Robot: What will you do with yours? In the year 2035 technology and robots are a trusted part of everyday life. But that trust is broken when a scientist is found dead and a skeptical detective (Smith) believes that it may have been perpetrated by a robot. However his investigation uncovers a larger threat to humanity! Minority Report: The science-fiction thriller 'Minority Report' directed by Steven Spielberg and starring Tom Cruise is based on a short story by
4 disc region 2 75th aniversary singalong edtion
An intensely claustrophobic nail-biter to rival prime Hitchcock, 1964's Séance on a Wet Afternoon is a classic British thriller written and directed by Bryan Forbes. Set largely in an imposing Gothic house in north London, the film stars Richard Attenborough as Bill Savage, a man struggling to maintain his marriage to his increasingly unbalanced wife, Myra, played in an Oscar-nominated performance by the little-known but brilliant Broadway actress Kim Stanley. Myra, who believes she is a medium, plans a scheme that will make her famous, involving kidnapping then "psychically" locating a little girl. Attenborough (who won a BAFTA) and Stanley are both superb in what is part riveting battle of wills, part nerve-wracking kidnap thriller with, just possibly, a touch of the supernatural. Gerry Turpin's precise b/w cinematography and John Barry's chilling score add significantly to the atmosphere of dread, and if the plot has one or two gaping holes, Forbes's direction covers them deftly. Forbes explored female delusion again in The Whispers (1967) and The Mad Woman of Chaillot (1969); the film also marked a major entry in his long-term collaboration with John Barry and with his wife, the actress Nanette Newman. Séance clearly had an influence on Attenborough's own directorial contribution to the genre, the highly unsettling Anthony Hopkins vehicle, Magic (1978). On the DVD: Séance on a Wet Afternoon is presented in an excellent 16:9 transfer, anamorphically enhanced for widescreen televisions, that effectively captures the brooding look of Gerry Tupin's BAFTA-nominated cinematography. Unfortunately the print used, though generally very good, does show some damage, including some instances that appear to run through the best part of a reel. Though noticeable and sometimes distracting, they barely mar this gripping film. The mono soundtrack is fine, though there is the very occasional touch of distortion. The disc comes with optional English subtitles, the excellent original trailer and a new and first-rate 33-minute interview with Bryan Forbes in which he engagingly explains every aspect of the making of the film. --Gary S Dalkin
Young Dorothy Gale (played by Judy Garland), her dog, Toto, and her three companions on the yellow brick road to Oz -- the Tin Man (Jack Haley), the Cowardly Lion (Bert Lahr), and the Scarecrow (Ray Bolger) -- have become pop-culture icons and central figures in the legacy of fantasy for children. Actress Margaret Hamilton, the Wicked Witch who covets Dorothy's enchanted ruby slippers, has had the singular honour of scaring the wits out of children for more than six decades. The film's still as fresh, frightening and funny as it was when first released in 1939. It may take some liberal detours from the original story by L. Frank Baum, but it's loyal to the Baum legacy while charting its own course as a spectacular film. Partly shot in glorious Technicolor, befitting its dynamic production design (Munchkinland alone is a psychedelic explosion of colour and decor), The Wizard of Oz may not appeal to every taste as the years go by, but it's nonetheless required viewing for kids of all ages. --Jeff Shannon
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