Margaret Lockwood, one of British film's greatest stars, takes on the role of a no-nonsense female barrister in this outstanding series from the makers of classic legal drama The Main Chance. A compelling, rigorously researched courtroom drama, Justice saw Anthony Valentine co-starring in the final series as charming, ambitious young barrister James Eliot. This set contains all three series alongside the 1969 pilot play, Justice is a Woman, and guests appearances include Roger Livesey, Richard Beckinsale, Paul Eddington, Maria Aitken, Brian Blessed, Michael Elphick, Angela Thorne, Anton Rodgers, Barbara Shelley and Jill Gascoine. Harriet Peterson is intuitive, tenacious and highly principled qualities that have helped her succeed spectacularly in a world still largely dominated by men. But while Harriet's commitment to her profession remains undiminished through a range of typically challenging cases, her turbulent personal life grows ever more complicated.
This enchanting children's drama series devised by Anne Carlton and written by Stewart Farrar develops the theme of the single play first shown in 1978 as part of Thames' acclaimed supernatural anthology series Shadows. The play and all six episodes are included in this set complete and uncut. Set in Wales during the Dark Ages the series tell the story of the young apprentice magician Merlin - the grandson of King Conaan fostered by the family of Dafydd Ismena. Merlin s father is unknown; some say he was a demon of the night. His foster-grandmother Myfanwy who also possesses magical powers is the only one to realise that Merlin's destiny lies at the court of King Arthur and it is she who schools him in magic and witchcraft. However because of the circumstances surrounding his birth Merlin is in constant danger from Vortigern the Saxon High King and his beautiful queen Rowena...
It's senior year for Dawson Joey Pacey Jen and Jack! After spending the summer together Joey and Pacey find it difficult to keep their romance going with the realities of school college applications and their strained relationship with Dawson. Dawson rediscovers his true life's dream Jen turns over a new leaf after getting a new boyfriend and Jack tries to rebuild relationships after revealing he's gay...
The second series of Dawson's Creek finds Dawson (James Van Der Beek) and Joey (Katie Holmes) exploring the newest phase of their lifelong friendship, leaving Jen (Michelle Williams) and Pacey (Joshua Jackson) on the outside. The former enters a downward spiral assisted by bad girl Abby (Monica Keena), but Pacey happens into a "meet cute" with one of Capeside's new residents, the impossibly perky Andie (Meredith Monroe), who turns out to be his perfect foil. The Creek also struck gold with its second major addition, Andie's brother Jack (Kerr Smith), who shows Joey that he's more than just a clumsy waiter. With the siblings' help, Pacey and Joey show the most personal growth during the season's 22 episodes. The constant parent-child crises can be a bit much, but there were numerous other developments, including a two-part sexual whodunnit, Dawson embarking on his second movie (assisted by Rachael Leigh Cook in a sizzling guest appearance), Dawson's birthday party from hell, a vicious rumour that spreads through the high school, and the emotion-wringing finale. The only bonus feature is a commentary track on the first and last episodes just as with the first season, though executive producer Paul Stupin is by himself rather than accompanied by creator Kevin Williamson. The interplay is missed, but Stupin enthusiastically offers a lot of information about how the cast had become celebrities by the second season and had to juggle other projects and random details and trivia. Stupin mentions how carefully he selected different pieces of music, which "would become forever part of our show." That's ironic because for this DVD set Stupin himself picked a lot of new music to replace the selections that originally aired, presumably because of the cost involved in securing the rights (a problem for many television DVD releases). A couple of episodes are unaltered, but others have had almost every song replaced. Newcomers to the series probably won't notice, but serious fans may want not want to tape over their video cassettes just yet. --David Horiuchi
Based on John Lahr's biography of the same name and co-written by Alan Bennett, Prick Up Your Ears charts the 16-year relationship between the monstrously talented but deeply selfish playwright Joe Orton (Gary Oldman), author of West End farces such as Loot and What the Butler Saw, and his neurotic but nevertheless wronged lover and collaborator Kenneth Halliwell (Alfred Molina). Halliwell introduced Orton to art, literature and gay sex only to see his protégeacute; outstrip his mentor with innate and rampant talent for sexual conquest. By turns hilarious and excoriatingly painful, it's as much a tribute to an anti-hero of our times-Orton's ruthless frankness and anarchic mindset helped form the basis of what's called the "queer" sensibility today--as it is a portrait of the Swinging 60s just after the reform of anti-homosexuality laws irrevocably changed society. The modern-day framing device has Lahr (Wallace Shawn) researching his book through interviews with Peggy Ramsay (Vanessa Redgrave), Orton's agent and the diary he wrote, a nimble device which ends up drawing a provocative parallel between Orton and Halliwell's relationship and that of Lahr and his wife (Lindsay Duncan). Director Stephen Frears, fresh off the back of the also-gay-themed My Beautiful Laundrette, nimbly balances our sympathies for both the protagonists while the leads give what may in retrospect look like the standout performances of their careers: Oldman was never more feral and charming, while Molina, foppishingly fretting over his wig and decrying that his lover "even sleeps better than I do" is simply heartbreaking. --Leslie Felperin
On the brink of Civil War, King Henry IV (John Gielgud) attempts to consolidate his reign while fretting with unease over his son’s seeming neglect of his royal duties. Hal (Keith Baxter), the young Prince, openly consorts with Sir John Falstaff (Orson Welles) and his company of “Diana’s foresters, Gentlemen of the shade, Minions of the moon”. Hal’s friendship with the fat knight substitutes for his estrangement from his father. Both Falstaff and the King are old and tired; both rely on Hal for comfort in their final years, while the young Prince, the future Henry V, nurtures his own ambitions. Orson Welles considered Chimes at Midnight his personal favorite of all his films. Perhaps the most radical and groundbreaking of all Shakespeare adaptations, the film condenses the Bard’s Henriad cycle into a single focused narrative. Its international cast comprises of Jeanne Moreau, Fernando Rey, Margaret Rutherford, and Ralph Richardson as the narrator, in addition to Welles and Gielgud. The film’s harrowing war scenes have proven especially influential, cited in Kenneth Branagh’s Henry V as well as Mel Gibson’s Braveheart.
Creator of some of Gainsborough Pictures' best-known melodramas Leslie Arliss was well chosen to helm this atmospheric thriller made in 1947. Boasting cinematography by Oscar winner Georges Perinal and an early film role for Kieron Moore A Man About the House is adapted from the novel of the same name by noted English writer and composer Francis Brett Young. It is featured here in a brand-new High-Definition transfer from the original film elements in its as-exhibited theatrical aspect ratio. Two English sisters Ellen and Agnes Isit inherit a Neopolitan villa from their uncle and move to Italy in order to sell the property. Once there they fall under the spell of the villa's handsome and charismatic caretaker Salvatore. The villa was once owned by Salvatore's family and he longs to regain ownership of the property; when he marries Agnes his dream moves a step closer. But Agnes begins to suffer from a debilitating illness and her sister's suspicions are aroused... SPECIAL FEATURE: Image Gallery
After a decade on radio in The Goons, 1959's I'm All Right Jack set Peter Sellers on the road to international stardom. Sellers played both Sir John Kennaway, and unforgettably, the Bolshy trade union leader Fred Kite (he would go on to take three roles in Dr Strangelove and featured endless disguises in The Pink Panther in 1963) series. The result is laugh-out-loud comedy with a satiric edge, lampooning the then burning issue of industrial relations. Bertram Tracepurcel's (Dennis Price) plans to make a fortune from a missile contract, a scheme which involves manipulating his innocent nephew Stanley Windrush (Ian Carmichael) into acting as the catalyst in an escalating labour dispute, from which the socialist Mr Kite is only too keen to make capital. Management and labour both have their self-serving hypocrisy dissected in this ingenious comedy, actually a sequel to the military comedy Private's Progress (1956), but which stands independent of the earlier film. Both films were made by the brothers John and Roy Boulting, director and producer of such British classics as Brighton Rock (1947), Seven Days to Noon (1950), Carlton-Browne of the F.O. (1959) and Heaven's Above (1963). The superb cast of I'm All Right Jack also features Richard Attenborough, John Le Mesurier, Margaret Rutherford and Terry Thomas. --Gary S. Dalkin
Margaret Lockwood, one of British cinema's greatest stars, takes on the role of a no-nonsense female barrister in this compelling courtroom drama from the makers of Yorkshire Television's classic series The Main Chance. This second series also features guest appearances by Brian Blessed, Michael Elphick, Paul Eddington and Angela Thorne, among many others. Harriet Peterson is intuitive, tenacious and highly principled - and she's determined to succeed in a world still largely dominated by me...
A great value triple fillm collection of superb British thrillers that includes Gunpowder, The Woman in Question & Girl In The Headlines. Starring Gordon Jackson, Debra Burton, Stephen Crane, Anthony Crewe,Ian Hendry and Ronald Fraser.
The Teckman Mystery is a 1954 British crime mystery, directed by Wendy Toye and starring Margaret Leighton, John Justin, Roland Culver and Michael Medwin. Philip Chance is commissioned by his publisher to write the biography of Martin Teckman, a young airman who crashed and died whilst testing a new plane. But from the moment he arrives home, Philip Chance is beset by a series of 'accidents' which indicate strongly that there are people who do not want to see Teckman's past investigated. Product Features The Extraordinary Career of Wendy Toye Pt 1 feat. interviews with Jo Botting & Pamela Hutchinson The Stranger Left No Card (1952) On the Twelfth Day... (1955)
On the brink of Civil War King Henry IV (John Gielgud) attempts to consolidate his reign while fretting with unease over his sons seeming neglect of his royal duties. Hal (Keith Baxter) the young Prince openly consorts with Sir John Falstaff (Orson Welles) and his company of “Diana’s foresters Gentlemen of the shade Minions of the moon”. Hal’s friendship with the fat knight substitutes for his estrangement from his father. Both Falstaff and the King are old and tired; both rely on Hal for comfort in their final years while the young Prince the future Henry V nurtures his own ambitions. Orson Welles considered Chimes at Midnight his personal favorite of all his films. Perhaps the most radical and groundbreaking of all Shakespeare adaptations the film condenses the Bard’s Henriad cycle into a single focused narrative. Its international cast comprises of Jeanne Moreau Fernando Rey Margaret Rutherford and Ralph Richardson as the narrator in addition to Welles and Gielgud. The film’s harrowing war scenes have proven especially influential cited in Kenneth Branagh’s Henry V as well as Mel Gibson’s Braveheart.
After many years working in London ambitious solicitor David Main returns to his native Leeds to set up a new practice and to improve his station by working for the rich and powerful. Nevertheless he is frequently drawn to helping the underdog sometimes against his own best interests.
Margaret Lockwood one of British film's greatest stars takes the role of a no-nonsense female barrister in this compelling courtroom drama series from the makers of Yorkshire Television's similarly themed The Main Chance. Introducing charming ambitious young barrister James Eliot – played by Anthony Valentine – this third and final series also includes guest appearances by Anton Rodgers Barbara Shelley and future Gentle Touch lead Jill Gascoine among others. Harriet Peterson is intuitive tenacious and highly principled – qualities that have helped her succeed spectacularly in a world still largely dominated by men. But while Harriet's commitment to her profession remains undiminished through a range of typically challenging cases her personal life grows ever more complicated... and this time it seems there's no going back.
The Main Chance: Series 2 (4 Discs)
A Choice Of Coward (2 Discs)
The story of three successive marriages, told in flashback, Portrait of Clare features a memorably engaging central performance from Sydney-born actress Margaret Johnston, with Richard Todd, Robin Bailey and Ronald Howard as the men with whom she has shared joy, sorrow and bitterness. Directed by Lance Comfort, an under-appreciated British talent whose work is receiving a long-overdue critical reappraisal, the film is featured here in a brand-new transfer from the original film elements, in its as-exhibited theatrical aspect ratio. At the age of sixty-eight, Clare is helping her son Steven, now Lord Wolverbury, arrange her granddaughter's engagement party even though Steven and Clare believe the young girl to be marrying on the rebound. Clare questions her and, finding she is not really in love, begins to tell the story of her own life and loves...SPECIAL FEATURES:Image galleryOriginal pressbook PDF
Margaret Lockwood, one of British cinema s greatest stars, takes on the role of a no-nonsense female barrister in this outstanding series from the makers of Yorkshire Television s classic legal drama The Main Chance. Intuitive, adept and deeply conscientious, Harriet Peterson possesses a steely determination and the necessary tenacity to fight for her clients. But she is not infallible and a turbulent personal life occasionally spills over into her professional life as she takes on a range of cases, from child custody battles to murder, medical negligence to treason. This first series sees Harriet making the move from the north of England to London. Executive producer Peter Willes marshalled key members of the Main Chance team, including legal consultant John Batt and writer Edmund Ward, to create a rigorously researched and compelling courtroom drama. This set comprises both Justice and the single Screenplay drama which preceded it, Justice Is a Woman also starring Lockwood as Julia Stanford, a barrister who, convinced of her client s innocence, defends a young man accused of rape and murder
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