9 films in one box set: Kaleidoscope Star Family Album Palomino Heartbeat Full Circle Changes Once In A Lifetime Mixed Blessings.
After the break up of her marriage photographer Samantha Taylor retreats to the sanctuary of friend Caroline Lord's California ranch. An excellent rider Samantha is initially given a frosty welcome by the ranch hands but she begins to gain their respect as they see that she is more than able on a horse and in their environment. Samantha falls in love with ranch hand Tate Jordan and they share a deep and passionate love until Tate finds out that Samantha's ex-husband is popular and wealthy news anchor Warren Taylor. Ashamed by his profession and his 'status' he leaves the ranch. Samantha is heartbroken once again and tries to assuage her pain by embarking on a project photographing the 'real' cowboys of the west. Whilst visiting a ranch in California Samantha breaks her back in an accident and is paralysed and must learn how to walk - and ride - again. Caroline Lord tragically dies but leaves her ranch to Samantha who turns it into a riding school for paralysed children. Through this enterprise she begins to heal from the pain of Tate's desertion the loss of her friend and her own paralysis. Tate returns to the ranch after hearing of Caroline's death and finds Samantha there. Can they both overcome their own demons and learn to love each other again?
Francois Truffaut's classic tale of a love triangle which takes place over 20 years both before and after World War I. Jeanne Moreau stars as Catherine the beautiful and unpredictable woman who maintains a delicate relationship with two friends the quiet German Jules (Oskar Werner) and the romantic Parisian Jim (Henri Serre). The War intervenes and drives the men to the opposing fronts; afterwards the two quickly resume their friendship but the balance of their relationship with Catherine is now upset by more adult concerns.
From the makers of The Killing & Borgen comes Danish drama The Legacy (Arvingerne). Following the death of progressive internationally-renowned artist Veronika Grønnegaard The Legacy traces the story of Veronika’s four adult children whose distinctive upbringing has affected their lives in very different ways. The division of Veronika’s estate marks the beginning of a journey into a complex set of secrets and lies for her four children. The series paints a portrait of a Danish family and their children coming to terms with the challenges of change and the traces of violent upheaval from their past. Directed by the internationally acclaimed actor and director Pernilla August and created by author Maya Ilsøe The Legacy is produced by the leading European production house DR Fiktion – the BAFTA and International Emmy© Award-winning production unit behind the drama series The Killing and Borgen and stars Trine Dyrholm Jesper Christensen Lene Maria Christensen Carsten Bjørnlund Mikkel Boe Følsgaard Marie Bach Hansen and Trond Espen Seim.
A loose adaptation of a novelette by author Peter Handke, this early effort from director Wim Wenders follows penalized goalie as he makes his way through the city after missing penalty kick and getting suspended from a game.
A family of witches turn a mean orphaned girl into a cat to teach her a lesson.
Seized by U.S. customs and subsequently the subject of a heated court debate I am Curious: Yellow is a cinematic landmark that caused a sensation for its explicit sexual content. Its subsequent infamy saw it become the highest grossing foreign film in the U.S. for 25 years. Combining fiction and documentary techniques Vilgot Sjoman's film tells the story of Lena a radical young woman exploring the social issues of Sweden in the 60's as well as her own sexual identity. This disc also includes Sjoman's follow-up I am Curious Blue which continues Lena's journey of self-discovery.
Charlie Jade is a science fiction television drama set in Cape Town South Africa in three parallel universes named Alpha Beta amd Gamma (or Alphaverse Betaverse and Gammaverse). The series revolves around Charlie Jade a private detective from Alpha. While on an investigation Charlie explores a secret desert facility. A massive explosion propels him from his own universe (Alpha) to a strange parallel universe (Beta). Soon Charlie is drawn into a conflict that involves these two universes and one other pacifist universe (Gamma).
Giselle
Reputedly based on an incident in the life of its screenwriter, Ingmar Bergman, Faithless is a powerful film that investigates the consequences of adultery, betrayal and grief and the long-term implications for everyone involved. Directed by Bergman's former muse and actress-turned-director, Liv Ullman, the story begins when an old man who lives by the sea, just like Bergman himself, ransacks his memories for material for his writing. He conjures up the beautiful Marianne (Lena Endre) who recounts a major turning point in her life: her affair with her husband's best friend. Her story is captured both in flashback and through Marianne's dialogue, as the camera lingers on her expressive face and his rapt, silent countenance. Not surprisingly the story is an intense and convoluted one and what ensues is a tale of guilt, pain and enduring damage as "simple things become complicated". The remote shore-side confessional location adds to the mystery: just what is their relationship? Is Marianne a figment of his imagination? As the film progresses, the truth begins to dawn. Lena Endre gives a vividly emotional performance, particularly during the poignant scenes concerning her beautiful but increasingly withdrawn daughter (luminescently acted by Michelle Gylemo). Without seeming to judge her, Endre brilliantly portrays a woman who knows that what she is doing is wrong, but does it all the same. The rawness of the erupting emotions is reinforced by an almost total lack of background music and the film becomes ever more involving to watch, even if the key characters seem to have brought about their misfortune themselves. If there is a weakness here it is that the performances of the men are somewhat overshadowed. Lover David, enigmatically portrayed by Krister Henrekssen, looks older than his allocated years and his motivations are unclear; Thomas Hanzon, playing Markus the charismatic husband, seems too restrained in his role and the viewer longs for him to do something wrong to justify his wife's affair. When he eventually does, the ramifications are enormous. Faithless is riveting and very much in keeping with the Bergman oeuvre, here expressed through the sensitive, restrained direction of Liv Ullman. --Christina McLoughlin
A family of four is quarantined in their home as a mysterious virus spreads into town, transforming their friends and neighbours into zombies. As the military moves in to try and stem the outbreak, they are forced to the extreme in a struggle to escape alive.
One of Francois Ozon's most intimate and lyrical work 'Time to Leave' features a moving performance from Melvil Poupaud as a 30 year-old man facing up to the reality of his own mortality. With his perfect life thrown into chaos by the shock diagnosis of a serious illness fashion photographer Romain finds himself unable to share the news with his boyfriend or family confiding instead only in his grandmother (affectingly played by screen legend Jeanne Moreau). But anger and denial give way to an acceptance of sorts when a chance encounter with a waitress (Valeria Bruni-Tedeschi) offers Romain a glimmer of hope and the unexpected chance to leave something of himself behind.
Desecrated graves, dead bodies dug up and left arranged in show-homes... Every time, the same ritual: a woman, a man, a teenager, who weren't related but who form a macabre family. Amid the bodies a photo of Paul Maisonneuve is placed, a Crime Squad legend in the North of France, now retired but forced to return to duty. Who is digging up the bodies? Who is leaving them in these show-homes and why? Young female detective Sandra Winckler, in charge of the case, must work with Paul to find out who is behind these disturbing human tableaus. During her investigation, she will have to delve into Paul's past, always sensing that he is hiding something. Because that's where the truth must lie: somewhere in Paul's past. For the detective and the ex-cop, life will never be the same... For in the shadows is a man who will stop at nothing to satisfy his thirst for a long and drawn-out revenge...
Regardless of your opinion on the topic, If These Walls Could Talk is a bold and provocative examination of how the laws and attitudes about abortion in the United States have both changed drastically and remained so much the same. Three women, three time periods, one house: each finds herself in trouble and must face the overwhelming decision about what to do with the unwanted pregnancy. The first segment is the most powerful, featuring Demi Moore as a young, recently widowed nurse in 1952. With no-one to turn to and with limited financial means, her options are few. Catherine Keener costars as her harshly judgmental sister-in-law. The next piece occurs in 1974 as Sissy Spacek, a mother of four trying to earn a college degree, discovers she's pregnant with her fifth child. Her utterly modern feminist daughter encourages Spacek to get a newly legal abortion, but it's a complex decision. In the final segment, college student Anne Heche becomes pregnant by her married professor. Her best friend, played by Jada Pinkett, is resolutely against abortion and the two wrangle over right and wrong. As the young woman tries to learn about her options, she finds herself enmeshed in the pro-life demonstrations outside the abortion clinic. Cher, who directs this segment (the other two are directed by Nancy Savoca), costars as a doctor at the clinic. While trying to be even-handed and demonstrating the different choices different women make, the film does have a decidedly pro-choice leaning. Yet the power of the movie is undeniable and it raises significant questions on both sides of the abortion debate, making it an important film for women (and men) everywhere to watch and talk about. --Jenny Brown
Director Jean-Paul Rappeneau and cowriter Jean-Claude Carriere had the brilliant idea of casting France's most lovably vulnerable hunk, the massive Gerard Depardieu, in one of French literature's meatiest roles: the sword-wielding poet Cyrano. Equipped with a massive nose and a heart to match, Depardieu soars as the heart-broken soldier who must lendhis words of love to another man to woo the woman he yearns for. Rappeneau spared no expense in taking this Edmond Rostand play into realistic locations for the battle scenes in the second act, making the film as exciting as it is romantic and funny. Depardieu attacks the role in great gulps, consuming all the oxygen in any room he enters. Macho but sensitive, he creates a larger-than-life Cyrano, whose wrenching sadness at the lack of interest from his lady love will have you reaching for the tissues. --Marshall Fine
Set in 1944, "Female Agents" follows a five strong all-female commando unit that parachutes into occupied France on a dangerous mission.
It's more than just a game... It's called a ouija board and it has been used for thousands of years to communicate with the souls of the afterworld. For beautiful Linda Brewster (Kitaen) it summons the playful ghost of a dead ten year old boy. But when the friendly spirit develops a sudden taste for violent murder and demonic possession Linda's bofriend (allen) and her former lover (Nichols) must race against time to destroy this ferocious portal of the damned...
Two examples of British Second World War films, We Dive at Dawn (1943) and Reach for the Sky (1956), are here stylishly packaged as a World War II Classics pack. We Dive at Dawn tells of the encounter between a British submarine and a German warship in the Baltic Sea. John Mills gives a dependable performance as the submarine commander, with Eric Portman the pick of a strong supporting cast. Director Anthony Asquith finds the balance between action sequences and "in situ" dialogue, and there's an evocative score from Louis Levy. The movie was an underrated film that deserves reappraisal, whereas Reach for the Sky (1956) was a box-office hit and remains a fondly regarded classic. Kenneth More is ideally cast as Douglas Bader, the gifted pilot who loses both legs in a pre-war air crash, only to play a major role in the Battle of Britain, rise to the rank of Group Captain and become a war hero. Based on Paul Brickhill's biography, this is an "official" history maybe, but Lewis Gilbert's screenplay and direction are historically accurate and informed by that very British humour of which More was a natural. The film is graced by a decent supporting cast, and a typically "widescreen" score from John Addison. On the DVD: The black and white prints look and sound excellent. Whereas We Dive at Dawn has 4:3 video aspect ratio, 15 chapter points and no subtitles, the later Reach for the Sky has vivid 16:9 anamorphic reproduction, 20 chapter points, subtitles and detailed biographies of More, Gilbert and Barder. The original theatrical trailer is included, but it would also have made sense to include an interview or documentary footage of Bader himself. Even so, this is an excellent starting-point for investigating a key area of British cinema.--Richard Whitehouse
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