Frivolous Lola is a spirited adult production that keeps very much to Italian director Tinto Brass' modus operandi of making light-hearted sex films with a European art house sensibility. The Lola of the title (played with gusto by Serena Grandi) is a flighty young woman, frustrated by her relationship with local baker's son Masetto. Her constant attempts to seduce him meet with little success, resulting in a passionate affair with her mother's lover, André. As with all of Brass' work, Frivolous Lola is an odd combination of European erotica and Carry On film--not helped by the clumsy English language dubbing and the somewhat bizarre appearance of Britain's own Patrick Mower. Aficionados of the director will also spot his primary fascination with a certain part of the female anatomy as Grandi's bottom dominates the shot at every possible opportunity. On the DVD: Frivolous Lola on disc is digitally remastered, and the picture shows off the lushness of the Italian countryside, even though that was probably the last thing on the director's mind. Extras include an erotic photogallery and an interview with Tinto Brass himself, which does nothing to divert from the image of this man as something of an enigma in his chosen field. --Phil Udell
One of the sunniest of Tinto Brass's erotic comedies, this sets its breezy tone from the opening scene in which Lola (Anna Ammirati) cycles around a small Po Valley town in a flapping skirt that leaves nothing to the imagination. But it's the 1950s, and her baker fiancée Masetto (Max Parodi) is determined that Lola remains a virgin until their wedding night. However, she is equally set on establishing whether or not he's a good lover before they tie the knot. His dough-kneading technique seems promising, but how can she be sure without an expert to compare him with? In short, can Masetto live up to the erotic ideals professed by Lola's mother's lover (Patrick Mower)? Fortunately, the outwardly innocent town turns out to be a hotbed of licentiousness, with opportunities for voyeurism and maybe more around every corner - all in the interests of self-improving research, of course.
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