In Fellini's first feature-length colour film Juliet (Masina) is a middle-aged woman who suspects her husband Giogio (Pisu) of cheating after his initial neglect of her becomes habit. Frightened by the prospect of suffering a failed marriage Juliet receives mixed advice from friends family and the spirit world. After a private detective confirms her worst suspicions Juliet's world is transformed into a surreal sea of memories from here childhood and symbolic fantasies which s
Fellini's most acclaimed work, 8 1/2 won two Oscars ® including Best Foreign Film. Fellini is unanimously voted by film critics - and notably, by filmmakers - as one of the greatest directors of all time. And Fellini's 8 ½ is revered as the most important European film ever made and film buffs' ultimate film of all time! MARCELLO MASTROIANNI is Fellini's alter ego, Guido, a successful filmmaker who, embarking on his next film, discovers he has a complete director's block: he has no story to tell ! Harassed by his producers, his mistress (SANDRA MILO) and his wife (ANOUK AIMEE) while struggling to find the inspiration for his film, he increasingly retreats in dreamy recollections of his life and lovers, until fantasy - personified by the heavenly beautiful CLAUDIA CARDINALE - his memories and reality merge in the director's mind and on screen - in an astonishing, masterful spectacle which culminates in an electrifying triumph of optimism. As Guido, Fellini's alter-ego says at the end of 8 ½: Life is a party, let's live it together Special Features: New unique intimate interview with Sandra Milo the film's co-lead and off-screen real life companion' of Fellini. Filmed especially for this CultFilms release Interview with Lina Wertmuller, Fellini's Assistant Director on 8 ½. Filmed especially for CultFilms. Lost Sequence documentary on the making of 8 ½ with interviews with cast crew and Fellini himself: the focus is on one of film-lore's great mystery! Where a massive sequence was shot with all the cast, but not included in the film, and it was never seen again. Tribute to Fellini's speech on receiving his Academy Award Oscar
La Dolce Vita: Marcello Mastroianni plays a gossip columnist (the term 'paparazzi' derives from a character in the film) who aspires to be a more serious writer but knows he never will be, because like society, he is fascinated by the decadent hedonistic pursuits, which are seemingly everywhere. The Vatican was appalled by the film, but the public adored it, relishing the images Fellini fed them, most notably the now infamous scene of Mastroianni and Anita Ekberg frolicking i...
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