"Actor: Martha Wentworth"

• 101 Dalmations | DVD | (03/09/2012) from £4.98   |  Saving you £4.00 (133.78%)   |  RRP £6.99

  101 Dalmatians has charmed audiences for generations with its irresistible tailwagging stars, memorable story and wonderful blend of humour and adventure. Cruella De Vil, Disney's most outrageous villain, sets the fur-raising adventure in motion when she dognaps all of the Dalmatian puppies in London - including 15 from Pongo and Perdita's family. Through the power of the Twilight Bark, Pongo leads a heroic cast of animal characters on a dramatic quest to rescue them all in a story the whole family will enjoy again and again. Special Features: 101 Pop-Up Trivia Facts For The Family 101 Pop-Up Trivia Facts For The Fan

• 101 Dalmations | Blu Ray | (03/09/2012) from £5.98   |  Saving you £6.00 (150.38%)   |  RRP £9.99

  101 Dalmatians has charmed audiences for generations with its irresistible tailwagging stars, memorable story and wonderful blend of humour and adventure. Cruella De Vil, Disney's most outrageous villain, sets the fur-raising adventure in motion when she dognaps all of the Dalmatian puppies in London - including 15 from Pongo and Perdita's family. Through the power of the Twilight Bark, Pongo leads a heroic cast of animal characters on a dramatic quest to rescue them all in a story the whole family will enjoy again and again. Special Features: Music Video Music and More: Abandoned Songs Deleted Songs Demo Recordings and Alternate Versions Backstage Disney: Redefining the Line Cruella Devil Sincerely Yours Trailers TV Spots Promo Radio Spots

• The Sword In The Stone | DVD | (03/06/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

  As far as Disney is concerned, The Sword in the Stone was a portent of things to come, with slapstick upstaging storytelling, and cultural in-jokes substituting for wonder. Based on TH White's beloved novel The Once and Future King, this Disney version chronicles King Arthur's boyish adventures. There's much to enjoy here as coach Merlin the magician shows the young Arthur, nicknamed Wart, the skills that will help him become the future ruler of the Britons. The transformation sequences, where the boy is turned into a fish, a bird and a squirrel are vintage Disney. The oft-repeated scene of Merlin battling it out with mean old Madame Mim still is worth a few chuckles, but it underlines the problem with most of the film--most of its scenes are only played for laughs. References by Merlin to television and other items of modern life also mar the generally innocuous landscape. Younger children will like it, while older kids will find it slower compared with recent Disney films. --Keith Simanton, Amazon.com

• 101 Dalmations / 101 Dalmations 2 | Blu Ray | (03/09/2012) from £5.93   |  Saving you £16.06 (270.83%)   |  RRP £21.99

  101 Dalmatians 101 Dalmatians has charmed audiences for generations with its irresistible tailwagging stars, memorable story and wonderful blend of humour and adventure. Cruella De Vil, Disney's most outrageous villain, sets the fur-raising adventure in motion when she dognaps all of the Dalmatian puppies in London - including 15 from Pongo and Perdita's family. Through the power of the Twilight Bark, Pongo leads a heroic cast of animal characters on a dramatic quest to rescue them all in a story the whole family will enjoy again and again. 101 Dalmatians 2: Patch's London Adventure Puppies, puppies and more puppies are packed into this entertaining and exciting sequel to Disney's classic, 101 Dalmatians. And now, the 101 Dalmatians II includes even more fun and adventure, with a Patch's Twilight Adventure game, music videos, a behind-the-scenes dog-umentary, and more! The adventure begins when Pongo and Perdita's pup Patch, who is not satisfied being just one out of 101, gets the chance to meet his TV hero, Thunderbolt, the One-Of-A-Kind Wonderdog. When Thunderbolt's trusty sidekick Lightning reveals that the show's producers are on the lookout for a new star, Thunderbolt - with Patch in tow - struts out into the real world to perform true acts of heroism. And when puppy-obsessed Cruella De Vil returns, it's Patch and Thunderbolt's teamwork and friendship that will save the day. Special Features: 101 Dalmatians Music Video Music and More: Abandoned Songs Deleted Songs Demo Recordings and Alternate Versions Backstage Disney: Redefining the Line Cruella Devil Sincerely Yours Trailers TV Spots Promo Radio Spots 101 Dalmatians 2: Patch's London Adventure Backstage Disney: Behind the Scenes Dog-umentary Music and More: Try Again You're the One

• 101 Dalmations / 101 Dalmations 2 | DVD | (03/09/2012) from £9.49   |  Saving you £17.50 (184.40%)   |  RRP £26.99

  101 Dalmatians 101 Dalmatians has charmed audiences for generations with its irresistible tailwagging stars, memorable story and wonderful blend of humour and adventure. Cruella De Vil, Disney's most outrageous villain, sets the fur-raising adventure in motion when she dognaps all of the Dalmatian puppies in London - including 15 from Pongo and Perdita's family. Through the power of the Twilight Bark, Pongo leads a heroic cast of animal characters on a dramatic quest to rescue them all in a story the whole family will enjoy again and again. 101 Dalmatians 2: Patch's London Adventure Puppies, puppies and more puppies are packed into this entertaining and exciting sequel to Disney's classic, 101 Dalmatians. The adventure begins when Pongo and Perdita's pup Patch, who is not satisfied being just one out of 101, gets the chance to meet his TV hero, Thunderbolt, the One-Of-A-Kind Wonderdog. When Thunderbolt's trusty sidekick Lightning reveals that the show's producers are on the lookout for a new star, Thunderbolt - with Patch in tow - struts out into the real world to perform true acts of heroism. And when puppy-obsessed Cruella De Vil returns, it's Patch and Thunderbolt's teamwork and friendship that will save the day. Special Features: 101 Dalmatians 101 Pop-Up Trivia Facts For The Family 101 Pop-Up Trivia Facts For The Fan 101 Dalmatians 2: Patch's London Adventure No Special Features

• 101 Dalmatians | DVD | (24/03/2000) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £19.99

  Back in 1961, Walt Disney got a little hip with 101 Dalmatians, making use of that flat Saturday morning cartoon style that had become so popular. The result is a kitschy change in animation and story. Pongo and Perdita are two lonely Dalmatians who meet in a London park and arrange for their pet humans to marry so they can live together and raise a family. They become proud parents of 15 pups, who are stolen by the dastardly Cruella De Vil, who wants to make a fur coat out of them. Cruella has become the most popular villain in all of Disney--she is flamboyantly nasty and lots of fun. But it is the Dalmatians who shine in this endearing classic, particularly those precocious pups. Telling the story from the dogs' point of view is a clever conceit, a fundamental flaw of Disney's 1996 live-action remake. --Bill Desowitz

• The Stranger | DVD | (07/03/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £3.99

  The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp

• Love Nest | DVD | (22/05/2006) from £5.49   |  Saving you £7.50 (136.61%)   |  RRP £12.99

  Jim and Connie's postwar New York building troubles keep Jim from working on his novel. Ex-WAC from Jim's army days the beautiful Roberta (Monroe) moves in to further upset Connie...

• Stranger | Blu Ray | (15/10/2013) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

• The Sword In The Stone | DVD | (03/06/2002) from £20.13   |  Saving you £-0.14 (N/A%)   |  RRP £19.99

  As far as Disney is concerned, The Sword in the Stone was a portent of things to come, with slapstick upstaging storytelling, and cultural in-jokes substituting for wonder. Based on TH White's beloved novel The Once and Future King, this Disney version chronicles King Arthur's boyish adventures. There's much to enjoy here as coach Merlin the magician shows the young Arthur, nicknamed Wart, the skills that will help him become the future ruler of the Britons. The transformation sequences, where the boy is turned into a fish, a bird and a squirrel are vintage Disney. The oft-repeated scene of Merlin battling it out with mean old Madame Mim still is worth a few chuckles, but it underlines the problem with most of the film--most of its scenes are only played for laughs. References by Merlin to television and other items of modern life also mar the generally innocuous landscape. Younger children will like it, while older kids will find it slower compared with recent Disney films. --Keith Simanton, Amazon.com

• 101 Dalmatians/101 Dalmatians 2: Patch's London Adventure (Disney) | DVD | (03/03/2008) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £29.99

  101 Dalmations (Dir. Wolfgang Reitherman) (1961): When Pongo and Perdita a pair of adorable Dalmatians play Cupid for their human pets wedding bells soon ring! In a short time the dogs become the proud parents of 15 winsome puppies but their happiness is short-lived. The wicked Cruella De Vil wants to buy the all puppies - to make a coat! When her dastardly offer is turned down she orders her bumbling henchmen Horace and Jasper to abscond with the puppies as well as every other Dalmatian puppy in London. Pongo and Perdita must rally a network of animals across England with the 'twilight bark' to help find Cruella's secret hideaway and rescue 99 precious puppies. Patch's London Adventure (Dir. Jim Kammerud & Brian Smith) (2001): Roger Anita and their canine clan are packing for the big move to Dalmatian Plantation a home in the country with plenty of room for the 101 pups and far from the clutches of Cruella DeVil. The feistiest pup Patch feels lost in a sea of spots and longs to be a one-of-a-kind wonderdog like his TV hero Thunderbolt. While watching the Thunderbolt Adventure Hour Patch hears about a chance to appear on the show while it's filming in London. However the family move will interfere with Patch's opportunity - until he's accidentally left behind in the commotion. Patch heads for the audition to meet his hero...

• The Stranger | DVD | (18/03/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £4.99

  The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp

• Edward G. Robinson - Scarlet Street / The Stranger | DVD | (18/03/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

  In a way, Scarlet Street is a remake. It's taken from a French novel, La Chienne (literally, "The Bitch") that was first filmed by Jean Renoir in 1931. Renoir brought to the sordid tale all the colour and vitality of Montmartre; Fritz Lang's version shows us a far harsher and bleaker world. The film replays the triangle set-up from Lang's previous picture, The Woman in the Window, with the same three actors. Once again, Edward G Robinson plays a respectable middle-aged citizen snared by the charms of Joan Bennett's streetwalker, with Dan Duryea as her low-life pimp. The plot closes around the three of them like a steel trap. This is Lang at his most dispassionate. Scarlet Street is a tour de force of noir filmmaking, brilliant but ice-cold. The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture". But even on autopilot Welles still leaves most filmmakers standing. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi to a sleepy New England town where he's living in concealment as a respected college professor. Welles wanted Agnes Moorehead as the investigator and Robinson as the Nazi Franz Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clocktower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: sparse pickings. Both films have a full-length commentary by Russell Cawthorne which adds the occasional insight, but is repetitive and not always reliable. The box claims both print have been "fully restored and digitally remastered", but you'd never guess. --Philip Kemp

• Cinderella / Bambi / Mary Poppins / Alice In Wonderland / Dumbo | DVD | (31/10/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £129.99

  This amazing box set features 10 Disney classics for the whole family to enjoy! Cinderella (2 Disc Special Edition) (1950): Cinderella dreams of romance and a better life while serving the selfish needs of her wicked stepmother and two stepsisters. With the help of her mischievous mice friends Gus and Jaq and a little Bibbidi-Bobbidi-Boo from the magical wand of her Fairy Godmother Cinderella meets the handsome Prince Charming at the Royal Ball. But as she flees the castle before the stroke of midnight breaks the spell Cinderella leaves behind a single glass slipper... Mary Poppins (2 Disc Special Edition) (1964): Julie Andrews stars as the loveable nanny who soars out of the skies and into the hearts of everyone she encounters. Toting a carpetbag full of magical adventures Mary and her fun-loving sidekick Bert deliver endless joy and surprises to a troubled family. Bambi (2 Disc Special Edition) (1942): Bambi a young deer hailed as 'Prince Of The Forest' at his birth is left to fend for himself after his mother is killed by a hunter... Acknowledged for generations as perhaps Disney's greatest animated classic the funny touching and timeless masterpiece that is 'Bambi' was indeed fondly remembered by Walt Disney himself as his favourite animated film. Alice In Wonderland (1951): Lewis Carroll's immortal literary classic comes to life like never before. The surprises begin when a daydreaming Alice encounters a White Rabbit who is frantically running late. She chases him and falls into the magical madcap world of Wonderland with its kaleidoscope of off-the-wall characters. Aristocats (1970): A kind and eccentric millionairess wills her entire estate to her family - a family of adorable high-society cats. Overhearing her plan Edgar the greedy butler catnaps Duchess the elegant soft-spoken mother and her three mischievous kittens and abandons them in the French countryside. The charming Thomas O' Malley a rough-and-tumble alley cat saunters by and offers to escort them home. Dumbo (1941): When a slow stork finally delivers Mrs. Jumbo's pint-sized baby elephant he's the talk of the circus. But with a pair of oversized ears baby Dumbo is laughed at and ridiculed. With remarkable courage and the help of his loyal friend Timothy Mouse Dumbo overcomes all odds in a triumphant celebration of love and determination! Bedknobs and Broomsticks (1971): Angela Landsbury gives a bewitching performance as an amateur witch who reluctantly takes in three precocious orphans. The children soon find themselves swept aboard a flying bed it's magic brass bedknob their ticket to on fantastic adventure after another. Hercules (1998): Bestowed with superhuman strength a young mortal named Hercules sets out to prove himself a hero in the eyes of his father the great god Zeus. Along with his friends Pegasus and Phil Hercules is tricked by the hilarious hotheaded villain Hades who's plotting to take over Mount Olympus! Hercules must now choose between his legendary strength and his true love the Grecian beauty Meg. Robin Hood (1973): The legend of Robin Hood one of the most popular stories of all time is brought magically to life in this full length animated Disney classic. The spirit of fun and romance abounds as Robin Hood the swashbuckling hero of Sherwood Forest and his valiant sidekick Little John plot one daring adventure over another. The Sword In The Stone (1963): A sword mysteriously embedded in a massive stone offers this challenge: whoever can pull it from the stone will become the king of England! Many try to remove the sword and fail and for an awkward young squire in training the quest seems ludicrous! However...

• The Stranger | DVD | (18/10/1999) from £4.99   |  Saving you £8.00 (160.32%)   |  RRP £12.99

  The legendary story that hovers over Orson Welles' The Stranger is that he wanted Agnes Moorehead to star as the dogged Nazi hunter who trails a war criminal to a sleepy New England town. The part went to Edward G. Robinson, who is marvellous, but it points out how many compromises Welles made on the film in an attempt to show Hollywood he could make a film on time, on budget and on their own terms. He accomplished all three, turning out a stylish if unambitious film noir thriller, his only Hollywood film to turn a profit on its original release. Welles stars as unreformed fascist Franz Kindler, hiding as a schoolteacher in a New England prep school for boys and newly married to the headmaster's lovely if naive daughter (Loretta Young). Welles, the director, is in fine form for the opening sequences, casting a moody tension as agents shadow a twitchy low-level Nazi official skulking through South American ports and building up to dramatic crescendo as Kindler murders this little man, the lovely woods becoming a maelstrom of swirling leaves that expose the body he furiously tries to bury. The rest of the film is a well designed but conventional cat-and-mouse game featuring an eye-rolling performance by Welles and a thrilling conclusion played out in the dark clock tower that looms over the little village. --Sean Axmaker

• The Stranger | DVD | (17/11/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £2.99

  The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp

• Wild/Brother Bear | DVD | (01/10/2007) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

  Robin Hood:The legend of Robin Hood one of the most popular stories of all time is brought magically to life in this full length animated Disney classic. The spirit of fun and romance abounds as Robin Hood the swashbuckling hero of Sherwood Forest and his valiant sidekick Little John plot one daring adventure over another. The Sword In The Stone:A young scullery boy named Wart is taught amazing lessons by the wizard Merlin who turns him into a fish a bird and a squirrel so that he might understand the mysteries of life. Such lessons help the boy succeed where for centuries thousands of might men had failed. Whoever removes the wondrous golden sword embedded in a large stone will be crowned Arthur King of England! Brilliantly executed and peopled with unforgettable characters The Sword in the Stone is the best of both worlds: a legend and a Disney Classic!

• The Stranger | DVD | (02/02/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

  The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp