Following on from her guest appearance as Jaime Sommers in The Six Million Dollar Man Lindsey Wagner so impressed the big-wigs at ABC that they offered her the chance to reprise/resurrect her role in this spin-off series The Bionic Woman. Post-parachute accident Jaime Sommers' chances of survival were not looking good. Steve Austin realising the potential rehabilitation Jaime could receive contacted his old boss Oscar Goldman in an effort to save the
In this 1920 silent version of Dr Jekyll and Mr Hyde, John Barrymore is dignified and virtuous as Dr Henry Jekyll, and transforms into Id incarnate as the lascivious Mr. Hyde with almost no make-up beyond his gnarled, knobby fingers and greasy hair, relying almost solely on a bug-eyed grimace, a spidery body language and pure theatrical flourish. He tends to be hammy as the leering beast of a thug but brings a tortured struggle to the repressed doctor, horrified at the demon he's unleashed, guilty that he enjoys Hyde's unrestrained life of drinking and whoring and terrified that he can no longer control the transformations. Martha Mansfield co-stars as his pure and innocent sweetheart, and Nita Naldi (the vamp of Blood and Sand) has a small but memorable role as the world-weary dance-hall darling who first "wakens" Jekyll's "baser nature". --Sean Axmaker, Amazon.com
There's a hip new disc jockey at KDUL Superstation 66 and he's about to make rock and roll history. He's Dangerous Dan O'Dare (Paul Hipp) the most controversial DJ to hit the airwaves and he's going to give his listeners the time of their life. Dangerous Dan is newly employed at KDUL after a six month suspension by the FCC for a stunt he pulled while on the air. He's changing the station's image and contents: from only polka music to a more lively rock and roll. Since he's always the jester Dan is starting out with a bang. Covering the event for Cable World Network is Lisa Cummings (Martha Quinn) who doesn't trust Dan and thinks he's a hoax. She becomes the butt of his jokes when she spots a UFO landing near the radio station and Dan is quick to laugh until the alien breaks into KDUL. The alien is Cosmo who has developed quite a taste for rock and roll and beautiful young women. By using the airwaves at the station Cosmo has found a new way to miniaturize and transport the people listening to the radio. His object is to collect a variety of women to take home to his planet and Dan O'Dare is the only witness! As hard as Dan tries to convince the listeners of what's happening it all backfires as it appears to be another one of his jokes. When Lisa gets miniaturized along with Cookie (Charlie Spradling) and two other women she finally believes Dan and they discover the one thing that will stop the alien DJ and make the airwaves safe again.
An all-star cast headed by Gracie Fields feature in this film about the exploits of a group of American servicemen in their last week in New York City before heading off to Europe to fight during the Second World War.
War Of The Wildcats (Dir. Albert S. Rogell 1943): A cowboy battles with an oil tycoon for drilling rights on Indian lands in Oklahoma during the oil boom days. In Old California (Dir. William McGann 1942): Tom Craig (John Wayne) is a recent arrival to Sacramento California where he is trying to set up his pharmacy. He unfortunately finds out that the town is owned by political boss Britt Dawson (Albert Dekker) who is getting protection money from the townspeople. The town boss meets his match when he tries to frame Craig with poisoned medicine but Craig is ready for a fight.
Back in 1961, Walt Disney got a little hip with 101 Dalmatians, making use of that flat Saturday morning cartoon style that had become so popular. The result is a kitschy change in animation and story. Pongo and Perdita are two lonely Dalmatians who meet in a London park and arrange for their pet humans to marry so they can live together and raise a family. They become proud parents of 15 pups, who are stolen by the dastardly Cruella De Vil, who wants to make a fur coat out of them. Cruella has become the most popular villain in all of Disney--she is flamboyantly nasty and lots of fun. But it is the Dalmatians who shine in this endearing classic, particularly those precocious pups. Telling the story from the dogs' point of view is a clever conceit, a fundamental flaw of Disney's 1996 live-action remake. --Bill Desowitz
Keep 'Em Flying: When a barnstorming stunt pilot decides to join the air corps his two goofball assistants decide to go with him. Since the two are Abbott & Costello the air corps doesn't know what it's in for. Ride 'Em Cowboy: Two peanut vendors at a rodeo show get in trouble with their boss and hide out on a railroad train heading west. They get jobs as cowboys on a dude ranch despite the fact that neither of them knows anything about cowboys horses or anything else.
The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp
Jim and Connie's postwar New York building troubles keep Jim from working on his novel. Ex-WAC from Jim's army days the beautiful Roberta (Monroe) moves in to further upset Connie...
Dracula: Although there have been numerous screen versions of Bram Stoker's classic tale none is more enduring than this 1931 original. Towering ominously among the shadows of the Carpathian Mountains Castle Dracula strikes fear in the hearts of the Transylvanian villagers below... Illuminated by the haunting presence of Bela Lugosi as the Count Tod Browning's direction makes full use of crisp black and white cinematography to create that class chill... House Of Dracula: Dracula appears at Dr. Edelman's office on the pretense of a cure for his vampirism his real intention is the Doctor's beautiful female assistant...
She could hear footsteps from a mile away run more than 60 mph bend steel with her bare hands jump to the roof of a 12 story building catch villians who are endangering National security and still have enough energy and motivation left over to use her talent and knowledge as a schoolteacher. She is the Bionic Woman. 1: Black Magic Jaime is sent to a remote Island to impersonate the niece of the feuding Carstairs family in order to locate the will of Cyrus Carstairs and the location of a top-secret alloy formula. 2: Motorcycle Boogie Jaime enlists the help of daredevil stunt rider Evel Knievel to retrieve a computer tape stolen by the KGB in East Germany. Together they risk their lives as they crash through the East German border in pursuit of the KGB. 3: The Jailing of Jaime Jaime is imprisoned for treason when a forty million dollar decoding machine she was delivering fails to arrive at its destination.
Director William Wyler's suspense classic marks the only time cinema giants Humphrey Bogart and Fredric March worked together. And the result is everything you'd expect: taut terrifying and terrific. Bogart plays an escaped con who has nothing to lose. March is a suburban Everyman who has everything to lose - his family is held hostage by Bogart. As The Desperate Hours tick by the two men square off in a battle of wills and cunning that tightens into an unforgettable fear-drench
Producer & television star David Gest presents a feature length definitive portrait of his best friend Michael Jackson through the eyes of family friends and music legends including Smokey Robinson Dionne Warwick Whitney Houston Nick Ashford & Valerie Simpson Holland-Dozier-Holland Gamble & Huff Freda Payne The Temptations' Dennis Edwards Martha Reeves Paul Anka Petula Clark Jimmy Ruffin Percy Sledge Brenda Holloway Kim Weston Bobby Taylor Russell Thompkins Jr. plus many more. Includes never before seen footage and unprecedented interviews with Michael's Mum Katherine and siblings Tito and Rebbie Jackson covering all the highs and also the lows in the King of Pop's extraordinary life story uniquely told by those who knew him best. Plus fantastic music from The Jackson 5 and other Motown Legends.
Rufus Wainwright & The McGarrigles: A Not So Silent Night
Tormented for years by a sense of guilt after inadvertently bombing a German orphanage during World War Two Parson Dean Hess (Rock Hudson) leaves his pulpit and wife (Martha Hyer) to return to the Air Force as a training officer during the Korean War. Posted near the remote village of Yungsan in South Korea Col. Hess is tasked with instructing the inexperienced Korean pilots but his mission takes a personal twist when he stumbles upon an opportunity to help local orphans. Between his battle against an evil foe and his determination to save the children Hess may just find the redemption he so desperately seeks.
Features the episodes ""Welcome Home Jaime Part 1"" ""Welcome Home Jaime Part 2"" and ""Angel of Mercy"".
Ron Howard's 1989 hit, written by fellow family men Lowell Ganz and Babaloo Mandel (Splash, A League of Their Own), is an original comedy about contemporary life and the eternal responsibilities of raising children. Steve Martin has never been better than as a dedicated husband and father trying (and inevitably failing, as do most of us) to balance the demands of his kids and his job. The actor, like his character, throws himself into the part quite touchingly, particularly in a scene where a hired clown fails to show up at a children's party and Martin's character unabashedly provides the entertainment. Good as Martin is, this is actually an ensemble piece with numerous actors playing members of the same family, with cross-generational joys and disappointments in the air--and parents in conflict, children in love and so on. Jason Robards is very good as a patriarch who finally accepts the reality that the son he adores (Tom Hulce) is a major screw-up. --Tom Keogh, Amazon.com
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