The Bad Boys film series features two main characters, Detectives Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence), who navigate crime and chaos in Miami while maintaining their strong but often tested friendship. Here's a brief summary of each film: 1. **Bad Boys (1995)**: - Mike and Marcus, partners in the Miami Police Department, are tasked with recovering a large amount of heroin stolen from the police vault. The case becomes personal when a key witness, Julie, can only trust Mike, leading to Marcus pretending to be Mike to protect her. The duo faces numerous obstacles, including dangerous criminals and high-stakes shootouts, while trying to solve the case and maintain their cover.2. **Bad Boys II (2003)**: - Mike and Marcus return to tackle a complex case involving a massive ecstasy smuggling operation in Miami. Their investigation leads them to a ruthless drug lord, Johnny Tapia, who is expanding his empire. The film is filled with explosive action sequences, car chases, and the personal dynamics between Mike and Marcus, particularly with Mike secretly dating Marcus's sister, Syd, who is an undercover DEA agent.3. **Bad Boys for Life (2020)**: - In this installment, Mike and Marcus face a midlife crisis as they take on a new enemy, Armando Aretas, who is connected to Mike's past. The duo, along with a new team of younger cops, AMMO, must stop Armando and his mother, Isabel, from enacting a deadly vendetta against Mike. The film explores themes of family, redemption, and the enduring bond between the two detectives.4. **Bad Boys 4 (2024)**: - The world's favourite Bad Boys are back with their iconic mix ofedge-of-your seat action and outrageous comedy but this time with a twist: Miami's finest are now on the run. The series is known for its blend of action, humor, and the dynamic chemistry between Smith and Lawrence.
The Santa Clause: It's the night before Christmas when toy salesman Scott Calvin (Tim Allen) finds himself in an awkward predicament. The real Santa Claus has fallen off his roof and his ""emergency card"" instructs Scott to take his place. But by putting on the Santa suit Scott unknowingly accepts all the responsibilities of the rosy-cheeked legend. With his young son by his side Scott starts a comical new life of weight gain beard growth narrow chimneys and elves with attitude! The Santa Clause 2: Santa's got problems and things quickly go south when he finds out that his son Charlie has landed on this year's ""naughty"" list. Desperate to help his son Scott heads back home leaving a substitute Claus to watch over things at the Pole. But when the substitute redefines naughty and nice putting Christmas at risk it's up to Scott to return with a new bag of magic to try to save Christmas! The Santa Clause 3:Tim Allen reprises his role of Scott Calvin-aka Santa as he juggles a full house of family and the mischievous Jack Frost (Martin Short) whose chilling Santa envy has him trying to take over the ""big guy's"" holiday. At the risk of giving away its secret location Scott invites his in-laws Sylvia and Bud Newman (Ann-Margret and Alan Arkin) to the North Pole to share in the holiday festivities and be near their daughter Carol (Elizabeth Mitchell)-aka Mrs. Claus- as she prepares for the eagerly anticipated birth of baby Claus.
The complete sixth season of the multi-award winning Emergency Room. In this series: Dr. Carter finds himself on crutches; Dr. Greene is looking after his elderly dying father; Kovac witnesses a hit and run; and there's a fire in an old people's home. Episodes Comprise: 1. Leave It To Weaver 2. Last Rites 3. Greene With Envy 4. Sins If The Fathers 5. Truth And Consequences 6. The Peace Of Wild Things 7. Humpty Dumpty 8. Great Expectations 9. How The Finch Stole Christm
AliceA woman develops magical powers, thanks to an Asian herbalist. Annie HallComedian Alvy Singer falls for ditzy but delightful Annie Hall in this Best Picture OSCAR Winner. Another WomanA writer eavesdrops on the therapy sessions of a stranger. BananasFielding Mellish becomes the president of a banana republic. Broadway Danny RoseA talent manager gets dragged into a life-threatening love triangle. Crimes And MisdemeanorsMartin Landau plays an adulterous husband contemplating murder. Everything You Always Wanted To Know About Sex* But Were Afraid To AskOutrageously funny answers to provocative questions about sex. Hannah And Her SistersMichael Caine and Dianne Wiest won OSCARS for their supporting roles in this film brimming with laughter and tears. InteriorsAn intimate drama about a mother and her three daughters. Love And DeathA cowardly Russian finds himself on the war front. ManhattanA divorced writer falls for his best friend’s mistress. Melinda And MelindaA seriously funny love story told as both a comedy and a drama. A Midsummer Night's Sex ComedyLove blooms in the countryside for a crackpot inventor and his guests. The Purple Rose Of CairoA movie character steps off the screen and into the real world. Radio DaysA coming-of-age story set during the golden age of radio. SeptemberUnrequited love and secrets from the past haunt a fragile woman. Shadows And FogAn all-star cast lights up this dark comedy about a killer on the loose. SleeperThe future is funny in this sci-fi spoof about a man out of time. Stardust MemoriesA filmmaker grapples with fawning fans and the meaning of life. ZeligA human chameleon fascinates America in this mock documentary.
After following Commander Michael Burnham into a wormhole, the U.S.S. Discovery lands in an unrecognizable world 1,000 years in the future. With Starfleet and the Federation on the brink of collapse due to a catastrophic event known as The Burn, the Discovery crew, with the help of new and mysterious allies Book (David Ajala) and Adira (Blu del Barrio), must uncover what caused The Burn and restore hope to the galaxy. Bonus Features Deleted Scenes Writer's Log: Michelle Paradise Star Trek: Discovery: The Voyage of Season 3 Stunted Being Michael Burnham Kenneth Mitchell: To Boldly Go Bridge Building Gag Reel and more!
After being murdered for quitting his role as a ruthless yet moral government assassin, Al Simmons (Michael Jai White) is sent to Hell, where he makes a pact with the demon Malebolgia--if Simmons is allowed to see his lover, Wanda, again, he will agree to lead the demon's armies to storm the gates of Heaven. Transformed into a superhuman entity with shape-shifting powers and quick regeneration capabilities, Simmons (soon to be dubbed "Spawn" by Malebolgia's crony, the Violator) returns to Earth and attempts to reunite with Wanda, not knowing that five years have passed. He also seeks revenge on his former boss and killer, Jason Wynn (Martin Sheen), who has made a deal with the Violator to develop a lethal virus to take over the world, where Wynn is promised to be king. Spawn wages an inner battle between good and evil as he tries to come to terms with selling his soul and what it could mean for humankind. Despite excellent special effects and great potential, Spawn seems to come up short. While White certainly displays verve in his characterisation of the twisted hero, he cannot overcome some forced dialogue. On the flip side, the usually engaging John Leguizamo portrays the sinister Violator--an evil monster masquerading as a rotund, weird-looking clown--as an irritating lackey who spews overbearing sarcasm and incessantly banal one-liners. Admitted, many of Spawn's action sequences are fun, and the transitions effectively brisk, but more could have been done to explore how Simmons grapples with his humanity in these daunting circumstances. But if you want sizzling action sequences and digital effects, this film should keep you happy. --Bryan Reesman
The Innocents tells of an impressionable and repressed governess Miss Giddens (Deborah Kerr) who agrees to tutor two orphaned children Miles (Martin Stephens) and Flora (Pamela Franklin). On arrival at Bly House she becomes convinced that the children are possessed by the perverse spirits of former governess Miss Jessel (Clytie Jessop) and her Heathcliffe-like lover Quint (Peter Wyngarde) who both met with mysterious deaths. Based on the novel The Turn Of The Screw by Henry James.
Wag the Dog (1997) is a rarity: an intelligent, sophisticated and very funny film about American politics. Just before an election the President--in an uncanny anticipation of real life--gets sexually involved with a young woman, leaving spin-doctor Robert De Niro to think of something quick. He enlists Hollywood producer Dustin Hoffman to help him concoct a war against Albania to take the public's mind off the President's peccadilloes. Both stars are in top form, with Hoffman particularly funny as the larger than life producer. Scripted by David Mamet (House of Games, Glengarry Glen Ross) and directed by Barry Levinson, (whose previous comedies include Good Morning, Vietnam with Robin Williams and Tin Men with Danny De Vito) Wag the Dog manages to make you laugh even while you're thinking about how true the insights are, and how politics is getting more like the media every day. On the DVD: The so-called platinum DVD is packed with features. There is a series of production shots, assembled in no particular order, some showing the director watching filming on his monitor. There are interview clips with Hoffman, De Niro, Anne Heche, William H Macy and Barry Levinson talking about the film, plus scrolled filmographies. There's an audio commentary on the whole film by Levinson and Hoffman, occasionally rambling but with some interesting insights. In another feature, Macy talks at some length about David Mamet. There are extensive scroll-down production notes giving useful information (such as the film's budget), and finally a 50-minute documentary in which producer Jane Rosenthal talks about the relationship between the film and real-life politics. Her comments are supplemented by such luminaries as writer Budd Schulberg, director John Frankenheimer, newscaster Tom Brokaw and Dee Dee Myers, former White House press secretary. The Dolby Digital soundtrack is good quality, as is the image in 16:9 ratio. --Ed Buscombe
Martin Clunes stars in a TV adaptation of the classic story about a shy and dedicated teacher, Charles Edward Chipping, who finds love while walking in the alps. The unconvential Katherine Bridges (Victoria Hamilton) shakes up Chipping's mundane life and brings him great happiness; but due to an unforseen tragedy, the couple's life together is to be short lived. James Hilton's novel was previously adapted as an Oscar-winning classic starring Robert Donat and Greer Garson in 1939, and as a 196...
Woody Allen's gentlest and most unassuming movie, Radio Days isn't so much a story as a series of anecdotes loosely linked together by a voice-over spoken by the director. The film is strongly autobiographical in tone, presenting the memories of a young lad Joe (clearly a stand-in for Allen himself) growing up in a working-class Jewish family in the seafront Brooklyn suburb of Rockaway during the late 1930s and early 40s. In this pre-TV era the radio is ubiquitous, a constant accompaniment churning out quiz shows, soap operas, dance music, news flashes and Joe's favourite, the exploits of the Masked Avenger. Given Allen's well-publicised gallery of neuroses, you might expect childhood traumas. But no, everything here is rose-tinted and even the outbreak of war makes little impact on the easygoing, protective tenor of family life. Now and then Allen counterpoints his family album with the doings of the radio folk themselves (blink, and you'll miss a young William H Macy in the studio scene when the news of Pearl Harbour comes through). The rise to fame of Sally (Mia Farrow), a former night-club cigarette girl turned crooner, is the nearest the film comes to a coherent storyline. But most of the time Allen is content to coast on a flow of easy nostalgia, poking affectionate fun at the broadcasting conventions of the period and basking in the mildly rueful Jewish humour and small domestic crises of Joe's extended family. There aren't even any of his snappy one-liners, and the humour is kept low-key, raising at most an indulgent smile. A touch of Allen's usual acerbity wouldn't have come amiss. But for anyone who shares these memories, Radio Days will surely be a delight. On the DVD: Not much besides the theatrical trailer, scene menu and a choice of languages. The screen's the full original ratio, but nothing seems to have been done to enhance the soundtrack, and the dialogue's not always clear. A boost in volume may help.--Philip Kemp
NOTICE: Polish Release, cover may contain Polish text/markings. The disk has English audio.
A slick, smart vehicle for Steve Martin and Goldie Hawn, Housesitter offers an acceptably daffy premise and enough inventive business to sustain it through to the, not unexpected, happy ending. Architect Martin builds a dream home for his childhood sweetheart (Dana Delaney) only to be rejected when he proposes marriage. After a one-night stand, Hawn--a daffy waitress with a gift for making up improbable but convincing lies--moves into Martin's house and tells his parents (Donald Moffatt, Julie Harris) and the whole community that she is his surprise new wife. When he sees how this impresses Delaney, Martin goes along with the charade, encouraging wilder and wilder fictions and doing his best to join in so that he can rush through to a divorce and move on to the woman he has always wanted. Hawn has to recruit a couple of winos to pose as her parents and impress Martin's boss into giving him a promotion, but we glimpse her real misery at his eventual intention to toss her out of the make-believe world she has created because her own real background is so grim. Its sit-com hi-jinx are manic enough not to be strangled by an inevitable dip in to sentiment towards the end, and Hawn, who always has to work hard, is better matched against the apparently effortless Martin than in their subsequent pairing in Out-of-Towners. Martin, often wasted in comparatively straight roles, has a few wild and crazy scenes as Hawn prompts him into joining her improvised fantasies. Director Frank Oz, a frequent Martin collaborator (Dirty Rotten Scoundrels, Little Shop of Horrors, Bowfinger), is the model of a proper, competent, professional craftsman when he sets out to put a comedy together--but the film misses streaks of lunacy or cruelty that might have made it funnier and more affecting. On the DVD: The disc offers a pristine widescreen non-anamorphic transfer, letterboxed to 1.85:1. There are no extra features to speak of, just text-based production notes, cast and director bios, plus a trailer and an assortment of language and subtitle options. --Kim Newman
John Wayne recovered from his first bout of cancer to appear in 1965's The Sons of Katie Elder as the brother of Dean Martin, Earl Holliman and Michael Anderson Jr. All four characters are wandering souls prone to trouble, but after the funeral of their frontier mother, they set out to avenge her death. Directed by Henry Hathaway (Wayne's director on True Grit), the film moves like a conventional, latter-day Western, with good performances from Wayne and Martin, who'd already costarred with the Duke in Howard Hawks' Rio Bravo. There's also nice support from Dennis Hopper (who had a legendary conflict with Hathaway on this film), Strother Martin and George Kennedy. --Tom Keogh
Season Four of Star Trek: Discovery finds Captain Burnham and the crew of the U.S.S. Discovery facing a threat unlike any they've ever encountered. With Federation and non-Federation worlds alike feeling the impact, they must confront the unknown and work together to ensure a hopeful future for all.
Jean-Pierre Melville's second film, made in 1950, became a significant influence among French film-makers and earned Melville renown as a maverick who could do wonderful things outside his country's studio system. (Melville's independence was a forerunner of that enjoyed later in the decade by New Wave figures such as François Truffaut and Jean-Luc Godard.) Les Enfants Terribles is based on a 1929 novel by poet and film-maker Jean Cocteau, who also wrote the script with Melville and according to some people interfered in everything from the casting (the rather stiff male lead was a Cocteau protégé) to the photography. Nevertheless, the story of a sister (an outstanding performance by Nicole Stephane) and brother (Edouard Dhermite) who withdraw into their own, insulated world to play out suggestively erotic dramas, has a fluid, lyrical movement that is part of a visionary whole. In some ways a harbinger of the coming pop narcissism of youth culture, Les Enfants Terribles is also a timeless tale of mythic exploration of existence and purpose. --Tom Keogh, Amazon.com
Based on Andy Nyman and Jeremy Dyson's original Olivier nominated stage production, the same team have co-written and directed this adaptation for the big screen. Starring Martin Freeman, Alex Lawther, Andy Nyman, Paul Whitehouse, and Kobna Holdbrook-Smith. Phillip Goodman (Andy Nyman), professor of psychology, arch-skeptic, the one-man belief buster' has his rationality tested to the hilt when he receives a letter apparently from beyond the grave. His mentor Charles Cameron, the original' TV parapsychologist went missing fifteen years before, presumed dead and yet now he writes to Goodman saying that the pair must meet. Cameron, it seems, is still very much alive. And he needs Goodman to find a rational explanation for three stories that have shaken Cameron to his core. As Goodman investigates, he meets three haunted people, each with a tale more frightening, uncanny and inexplicable than the last.
Here's how American critic Roger Ebert described the unique and lasting value of George Lucas' 1973 box-office hit, American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semi-autobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for Star Wars.) The action is propelled by the music of DJ Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots, American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realised through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic. --Jeff Shannon, Amazon.com
Two heroes are manipulated by the villain into participating in an illegal martial arts competition funded by bloodthirsty high rollers. The contests often end in death for the loser and the two heroes must face each other after the preliminary rounds are over. It'll tear your heart out!
Poltergeist: They're here, playful at first...but not for long. Little Carol Anne Freeling is whisked into a spectral void. As her family confronts horrors galore, something else is here too: a new benchmark in Hollywood ghost stories. Producers Steven Spielberg and Frank Marshall and director Tobe Hooper head the elite scream team of this classic chiller. Poltergeist II: The Other Side The sinister supernatural forces return in this thrilling follow-up to the smash hit Poltergeist. The Freeling family settles into a new home, but the spirits of the dead are still hell-bent on luring daughter Carol Anne to the other side. Poltergeist III: In this riveting finale to the Poltergeist trilogy, Carol Anne is sent to live in a Chicago high-rise with her aunt and uncle. She must face otherworldly demons more frightening than ever before as they take over the entire skyscraper.
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