This new CGI comedy tells the simple story of a 10 year-old boy... his robot dog... battling evil... rescuing his parents... saving the Earth... and returning home in time for dinner!
Steve Martin and Michael Caine are Dirty Rotten Scoundrels, and they're absolutely ruining the Riviera in this wonderfully crafted, absolutely charming, classy and consistently amusing (Variety) comedy. Martin is Freddy Benson, a small-time con man sleazing his way through Europe on whatever handouts he can scam. Caine is Lawrence Jamieson, an impeccably dressed and high-minded artiste who thinks Freddy is giving him - and all con men - a bad name. At first, Lawrence agrees to help Freddy spruce up his talents and his wardrobe. But when it becomes apparent that the Riviera isn't big enough for the both of them, they make a winner-take-all wager over the fortunes of a naive American soap heiress (Glenne Headly). Charged with hysterical performances, Dirty Rotten Scoundrels is a hilarious battle of wits and double-crosses (Boxoffice) that couldn't be more delightful (The Wall Street Journal)!
As the private eye of private eyes Steve Martin is Rigby Reardon. He's tough rough and ready to take on anything when Juliet Forrest appears on the scene with a case: her father a noted scientist philanthropist and cheesemaker has died mysteriously. Reardon immediately smells a rat and follows a complex maze of clues that lead to the 'Carlotta Lists'. With a little help from his 'friends' Alan Ladd Barbara Stanwyck Ray Milland Burt Lancaster Humphrey Bogart Charles Laughton
Streets Of Laredo is the third title in the Lonesome Dove Saga. An exhilarating tale of legend and heroism continues the epic of the waning years of the Texas Rangers. Captain Woodrow Call is long in the tooth but still a legendary hunter. He is hired to track down a young Mexican train robber and killer Joey Garza. Riding with Call are an Eastern city slicker a witless deputy and one of the last remaining members of the Hat Creek outfit Pea-Eye Parker. Their long chase leads the
Director Gillo Pontecorvo's 1966 movie The Battle of Algiers concerns the violent struggle in the late 1950s for Algerian independence from France, where the film was banned on its release for fear of creating civil disturbances. Certainly, the heady, insurrectionary mood of the film, enhanced by a relentlessly pulsating Ennio Morricone soundtrack, makes for an emotionally high temperature throughout. With the advent of the "war against terror" in recent years, the film's relevance has only intensified. Shot in a gripping, quasi-documentary style, The Battle of Algiers uses a cast of untrained actors coupled with a stern voiceover. Initially, the film focuses on the conversion of young hoodlum Ali La Pointe (Brahim Haggiag) to FLN (the Algerian Liberation Front.) However, as a sequence of outrages and violent counter-terrorist measures ensue, it becomes clear that, as in Eisenstein's October, it is the Revolution itself that is the true star of the film. Pontecorvo balances cinematic tension with grimly acute political insight. He also manages an even-handedness in depicting the adversaries. He doesn't flinch from demonstrating the civilian consequences of the FLN's bombings, while Colonel Mathieu, the French office brought in to quell the nationalists, is played by Jean Martin as determined, shrewd and, in his own way, honourable man. However, the closing scenes of the movie--a welter of smoke, teeming street demonstrations and the pealing white noise of ululations--leaves the viewer both intellectually and emotionally convinced of the rightfulness of the liberation struggle. This is surely among a fistful of the finest movies ever made. --David Stubbs
The ultimate small-screen representation of Loaded-era lad culture--albeit a culture constantly being undermined by its usually sharper female counterpart--there seems little argument that Men Behaving Badly was one of 1990s' definitive sitcoms. Certainly the booze-oriented, birds-obsessed antics of Martin Clunes' Gary and Neil Morrissey's Tony have become every bit as connected to Britain's collective funny bone as Basil Fawlty's inept hostelry or Ernie Wise's short, hairy legs. Yet, the series could easily have been cancelled when ITV viewers failed to respond to the original version, which featured Clunes sharing his flat with someone named Dermot, played by Harry Enfield. Indeed, it was only when the third series moved to the BBC and was then broadcast in a post-watershed slot--allowing writer Simon Nye greater freedom to explore his characters' saucier ruminations--that the show began to gain a significant audience. By then, of course, Morrissey had become firmly ensconced on the collective pizza-stained sofa, while more screen time was allocated to the boys' respective foils, Caroline Quentin and Leslie Ash. Often glibly dismissed as a lame-brained succession of gags about sex and flatulence, the later series not only featured great performances and sharp-as-nails writing but also sported a contemporary attitude that dared to go where angels, and certainly most other sitcoms, feared to tread. Or, as Gary was once moved to comment about soft-porn lesbian epic Love in a Women's Prison: "It's a serious study of repressed sexuality in a pressure-cooker environment." Series 5 includes: "Hair" in which Tony returns from holiday to discover Dorothy has convinced Gary she should move in. And that Tony should move out; "The Good Pub Guide" in which our heroes are dismayed when The Crown gets a new look and new landlord (The Fast Show's John Thomson). Tony rescues the pub's old condom machine as a present for Deborah ("I thought it was something we could enjoy together."); "Cowardice" in which Tony becomes convinced Deborah is going through a lesbian phase; "Your Mate Vs Your Bird" in which increased tension in the household persuades Dorothy to reconsider her living arrangements; "Cardigan" in which Gary, concerned he's becoming middle-aged, suggests they go to a rave; "Rich and Fat" in which Tony goes on a diet after Gary accuses him of being "a bit of a podgemeister"; "Home Made Sauna" in which temptation comes Gary's way when Dorothy and Deborah go away for a sailing weekend. The DVD version also features aquiz.
The seventh and final series of this wonderful Highland drama brings with it a host of new problems for the McDonald family to contend with introducing a few new faces as well as revisiting one or two old ones. Following the sudden death of his partner Meg Golly now finds himself as a single parent struggling to cope with the demands of both his son and his job. He soon learns that he is not alone and he and Molly become become closer than they have been for a long time. Meanwhile
Series OneJohn Major had it all: wife, best friend, glittering career in the police force... when his cover was blown and he met an untimely death. One year later, he's back - part AI and better than ever... or so he'd like to believe. Full of glitches, he's got to track down the person who shot him, prove himself as a cop so as not to get shut down, save his marriage and his friendship with his partner to boot.Series TwoDI John Major and DI Roy Carver were the top crime fighting duo in the Unit but when an undercover sting went horribly wrong, Major was gunned down on the job and killed. As an asset' considered too valuable to lose, his body was fast-tracked into an experimental Artificial Intelligence project to bring him back from the dead. The only problem is, Major 2.0 may look like and sound like the original, but something was lost in translation - quite a lot actually.Oh, and if that wasn't enough, thinking her husband is dead, Major's wife has fallen in love with Carver. Somehow, Major's error-strewn hunches and Carver's scrambling to make good allows them to just about scrape by but for how long?
Burt Lancaster and Kirk Douglas star as larger-than life heroes in this classic Western epic directed by John Sturges. Frontier lawman Wyatt Earp (Lancaster) joins his three brothers in their feud against the villainous Clanton gang, a local clan of cattle thieves in Tombstone, Arizona. When Earp defends the sickly gambler John Doc Holliday (Douglas) and puts a stop to the Clanton's lawlessness, the ruthless outlaws seek revenge and murder one of Earp's brothers. This leads the men into the most devastating showdown in Wild West history! Gunfight at the O.K. Corral is a timeless, cinematic tale of good versus evil.
Based on Andy Nyman and Jeremy Dyson's original Olivier nominated stage production, the same team have co-written and directed this adaptation for the big screen. Starring Martin Freeman, Alex Lawther, Andy Nyman, Paul Whitehouse, and Kobna Holdbrook-Smith. Phillip Goodman (Andy Nyman), professor of psychology, arch-skeptic, the one-man belief buster' has his rationality tested to the hilt when he receives a letter apparently from beyond the grave. His mentor Charles Cameron, the original' TV parapsychologist went missing fifteen years before, presumed dead and yet now he writes to Goodman saying that the pair must meet. Cameron, it seems, is still very much alive. And he needs Goodman to find a rational explanation for three stories that have shaken Cameron to his core. As Goodman investigates, he meets three haunted people, each with a tale more frightening, uncanny and inexplicable than the last.
As noted critic Pauline Kael wrote, the 1987 box-office hit The Untouchables is "like an attempt to visualise the public's collective dream of Chicago gangsters". In other words, this lavish reworking of the vintage TV series is a rousing pot-boiler from a bygone era, so beautifully designed and photographed--and so craftily directed by Brian De Palma--that the historical reality of Prohibition-era Chicago could only pale in comparison. From a script by David Mamet, the film pits four underdog heroes (the maverick lawmen known as the Untouchables) against a singular villain in Al Capone, played by Robert De Niro as a dapper Caesar holding court (and a baseball bat) against any and all challengers. Kevin Costner is the naive federal agent Eliot Ness, whose lack of experience is tempered by the streetwise alliance of a seasoned Chicago cop (Sean Connery, in an Oscar-winning performance), a rookie marksman (Andy Garcia) and an accountant (Charles Martin Smith) who holds the key to Capone's potential downfall. The movie approaches greatness on the strength of its set pieces, such as the siege near the Canadian border, the venal ambush at Connery's apartment and the train-station shootout partially modelled after the "Odessa steps" sequences of the Russian classic Battleship Potemkin. It's thrilling stuff, fuelled by Ennio Morricone's dynamic score, but it's also manipulative and obvious. If you're inclined to be critical, the film gives you reason to complain. If you'd rather sit back and enjoy a first-rate production with an all-star cast, The Untouchables may very well strike you as a classic. --Jeff Shannon, Amazon.com
THE LUCKY ONES DIED FIRST... Horror master Wes Craven achieved critical and commercial success with the likes of Scream and A Nightmare on Elm Street but for many genre fans, the director s seminal 1977 effort The Hills Have Eyes remains his masterpiece. Taking a detour whilst on route to Los Angeles, the Carter family run into trouble when their campervan breaks down in the middle of the desert. Stranded, the family find themselves at the mercy of a group of monstrous cannibals lurking in the surrounding hills. With their lives under threat, the Carters are forced to fight back by any means necessary. As gruelling a viewing experience today as it was upon initial release, The Hills Have Eyes stands alongside the likes of The Texas Chain Saw Massacre and Night of the Living Dead as one of the defining moments in American horror cinema.
Adapted from the critically acclaimed off-Broadway rock theatre hit, Hedwig and The Angry Inch tells the story of an "internationally ignored" rock singer, Hedwig, and her search for stardom and love.
Martin Seymour-Smith and James Gibson present a profile on the writer Thomas Hardy includes locations featured in his novels and his family life.
Spanning the three series of this superb sitcom, The Very Best of The Royle Family is a prime taster for those not familiar with the series. Co-created by Caroline Aherne and Craig Cash, who star as Denise and Dave respectively, The Royle Family deserves its own comedic category. They had a hard fight persuading the BBC to leave a laughter track off the show, which would have disrupted its unique ambience and chemistry. Never departing from the house of lazy, good-for-nothing but defiantly sardonic Jim Royle (Ricky Tomlinson) and wife Barbara (Sue Johnston), The Royle Family chronicles the everyday chat and banal comings and goings of this Northern household, which barely qualifies as "working" class, since mostly they are slumped on the sofa in front of the telly in a cathode-induced stupor. Confused viewers waiting for something to "happen" in the conventional sitcom manner will be disappointed. What they'll get instead is an irresistible stream of dialogue that captures unerringly the humdrum cadences of "ordinary" people. These episodes capture the Royles in customary, festive mood--Denise's marriage, Christmas, baby David's birthday party and so forth--which is good, as we get to see more of Liz Smith's magnificent Nana. As each seemingly inconsequential scene vividly illustrates, this is hardly a romanticised family. Denise is an appallingly negligent mother, there's probably never been a green vegetable in the house, most of their friends, including Darren, are well dodgy, and mum Barbara is unfairly put-upon ("Eh, I've been so busy this morning I haven't had time to smoke", she laments at one point). Yet undoubtedly, unlike their regal counterparts, this Royle Family are close-knit, somehow getting by. The family that watches telly together stays together. On the DVD: The Very Best of the Royle Family, disappointingly, has no extra features. --David Stubbs
Harry, a drifter (Don Johnson, Miami Vice) rolls into town and talks his way into a job at a car dealership where he becomes caught between two beautiful women, the boss's conniving wife Dolly (Virginia Madsen, Candyman) and Gloria (Jennifer Connelly, Requiem for a Dream) a naive young accountant whose life is complicated by blackmail. When Harry plans to rob the local bank, he becomes enmeshed in a lethal web of lust, greed and extortion, whose only escape is murder. Adapted from Hell Hath No Fury by Charles Williams, The Hot Spot is a dusty, sweaty modern noir that updates the pulp formula of twists and turns with an intensity to match director Dennis Hopper's earlier film roles. Directed by Hopper (Easy Rider, Out of the Blue) with verve, the stellar cast are supported by William Sadler (The Shawshank Redemption), Charles Martin Smith (The Untouchables) and Jack Nance (Eraserhead) accompanied by a brilliant soundtrack featuring Miles Davis, John Lee Hooker, Taj Mahal and original music by Jack Nitzsche. Limited Edition Features 2K restoration by Kino Lorber, overseen and approved by cinematographer Ueli Steiger Uncompressed mono PCM audio Archival interview with Dennis Hopper who discusses The Hot Spot and features footage of John Lee Hooker and images from the set (1991) Interviews with stars Virginia Madsen (2021, 7 mins) and William Sadler (2021, 7 mins) Nick Dawson on Dennis Hopper and The Hot Spot, an interview with the editor of Dennis Hopper: Interviews (2023) Duane Swierczynski on Charles Williams' source novel, the crime writer and expert looks at the adaptation and provides a background of the author (2023) Trailer English subtitles for the deaf and hard of hearing Reversible sleeve featuring original and new artwork by Time Tomorrow Limited edition booklet featuring new writing by critics Elena Lazic on the film; Leslie Byron Pitt on the erotic thriller genre and the film's place within it; and an archival piece on the film featuring an interview with Hopper by RJ Smith Limited edition of 3000 copies, presented in full-height Scanavo packaging with removable OBI strip leaving packaging free of certificates and markings
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