Eleven friends who know each other from World War II service plan to rob five of the biggest casinos in Las Vegas in one night. They develop a master plan but after the whole thing is over, something goes wrong...
Here's how director Sam Peckinpah described his motivation behind The Wild Bunch at the time of the film's 1969 release: "I was trying to tell a simple story about bad men in changing times. The Wild Bunch is simply what happens when killers go to Mexico. The strange thing is you feel a great sense of loss when these killers reach the end of the line." All of these statements are true, but they don't begin to cover the impact that Peckinpah's film had on the evolution of American movies. Now the film is most widely recognized as a milestone event in the escalation of screen violence, but that's a label of limited perspective. Of course, Peckinpah's bloody climactic gunfight became a masterfully directed, photographed, and edited ballet of graphic violence that transcended the conventional Western and moved into a slow-motion realm of pure cinematic intensity. But the film--surely one of the greatest Westerns ever made--is also a richly thematic tale of, as Peckinpah said, "bad men in changing times." The year is 1913 and the fading band of thieves known as the Wild Bunch (led by William Holden as Pike) decide to pull one last job before retirement. But an ambush foils their plans, and Peckinpah's film becomes an epic yet intimate tale of betrayed loyalties, tenacious rivalry, and the bunch's dogged determination to maintain their fading code of honor among thieves. The 144-minute director's cut enhances the theme of male bonding that recurs in many of Peckinpah's films, restoring deleted scenes to deepen the viewer's understanding of the friendship turned rivalry between Pike and his former friend Deke Thornton (Robert Ryan), who now leads a posse in pursuit of the bunch, a dimension that adds resonance to an already classic American film. The Wild Bunch is a masterpiece that should not be defined strictly in terms of its violence, but as a story of mythic proportion, brimming with rich characters and dialogue and the bittersweet irony of outlaw traditions on the wane. --Jeff Shannon
Leave it to the Chairman of the Board to rope in a great director for the first Rat Pack movie, Ocean's Eleven. Lewis Milestone (All Quiet on the Western Front) did indeed direct this 1960 caper movie starring Frank Sinatra, Dean Martin, Sammy Davis Jr, Peter Lawford and Joey Bishop; but the results now seem like more of a historical artefact than a good piece of entertainment. The tone of the film is curiously serious--much more so than Steven Soderbergh's fluffy 2002 remake--one somehow expected that the Rat Pack would have made a more buoyant first picture. But it is something to see these guys together, if only for reasons of nostalgia.--Tom Keogh, Amazon.com
Features the complete episodes from the fifth series of the drama. President Bartlet must tackle, amongst other things: terrorist threats, the devastation caused by a tornado, a hostage situation, and a Christmas family gathering...
Peter Parker returns in Spider-Manâ¢: Far From Home, the next chapter of the Spider-Manâ¢: Homecoming series! Our friendly neighborhood Super Hero decides to join his best friends Ned, MJ, and the rest of the gang on a European vacation. However, Peter's plan to leave super heroics behind for a few weeks are quickly scrapped when he begrudgingly agrees to help Nick Fury uncover the mystery of several elemental creature attacks, creating havoc across the continent! Click Images to Enlarge
Season Four of Star Trek: Discovery finds Captain Burnham and the crew of the U.S.S. Discovery facing a threat unlike any they've ever encountered. With Federation and non-Federation worlds alike feeling the impact, they must confront the unknown and work together to ensure a hopeful future for all.
US police chief Bill Hixon lands in Lincolnshire with his 14 year-old daughter Kelsey, hoping to flee their recent painful past. New community forces Bill to question everything about himself.
Whats New Pussycat (Dir. Clive Donner 1965): O'Toole stars as a fashion editor in Paris who is constantly surrounded by beautiful women - a leggy American stripper a blonde daredevil and a neurotic nymphomaniac. The problem is that they all find him irresistable which makes it almost impossible for O'Toole to settle down with his marriage-minded girlfriend. Woody Allen makes his film debut as O'Toole's sex-starved friend who would kill to have such problems! Peter Sellers in a dazzlingly demented performance plays a famed psychotherapist who is crazier than his patients. Combining satire slapstick and good old-fashioned sex appeal Woody Allen's wildly original script pokes fun at everything from Freud to Fellini culminating in one of the most outrageous finales ever filmed! The Party (Dir. Blake Edwards 1968): Hollywood mogul Fred Clutterbuck isn't just giving a party he's giving 'The Party'. Absolutely everyone who's anyone will be there: gorgeous models ravishing starlets powerful producers - even a baby elephant! And by mistaken invitation accident-prone Indian actor Hrundi V. Bakshi (Peter Sellers) will be there too. He wouldn't miss it for the world and if you enjoy side-splitting gags neither should you! Casino Royale (Dir. Val Guest 1967: Things are looking decidedly bleak for British Intelligence in both senses of the term. SMERSH has begun to sabotage global stability no less than 11 agents have been lost and to make matters worse our greatest secret agent 007 is languishing in stately retirement. M - together with the heads of the CIA and KGB - have only one hope: to bring Sir James Bond (David Niven) out of retirement and into the field. Finding himself pitched against an opposition of fiendish intensity - an array of female secret agents armed with explosive grouse; a baccarat-playing illusionist (Orson Welles) and a neurotic megalomaniac (Woody Allen) - Bond launches his brilliant plan... After the Fox (Dir. Vittorio De Sica 1966): Millions of dollars worth of gold bullion is on its way from Cairo to an unknown Italian destination. There is only one criminal mastermind capable of stealing it: Aldo Vanucci (Peter Sellers) also known as ""the Fox."" Aldo devises the perfect plan to seize the gold: Posing as a flamboyant film director he casts an aging egotistical film star (Victor Mature) and his own voluptuous sister (Britt Ekland) in a fake film about a gold theft! But the action really heats up when the boat with the real gold arrives. The World of Henry Orient (Dir. George Roy Hill 1964): Two starry-eyed schoolgirls spy stalk and scheme their way into the life of a concert pianist (Sellers) in this ""wacky piece of inspired lunacy"" (The Hollywood Reporter). With half of New York - including a bevy of befuddled cops and one man-hungry mom - in tow these precocious teens do all they can to keep tabs on their harried hero turning The World Of Henry Orient entirely upside down! Pink Panther (Dir. Blake Edwards 1963): When the famous Pink Panther diamond goes missing the bumbling Inspector Clouseau goes on the trail of notorious jewel thief The Phantom but looks everywhere except in the right place!
The epic conclusion to the adventure of Bilbo Baggins. The Extended Edition film is 19 minutes longer with new and extended scenes, not seen in the theatrical release.
The director of "Bend it Like Beckham" adds a little Bollywood style to Jane Austen's classic tale, "Pride and Prejudice."
A down on his luck producer and his accountant plan to get rich quick in this remake.
This Christmas the pupils of St Bernadette’s and their much-loved, madcap teacher Mr Poppy (Marc Wootton) are back for their biggest adventure yet involving fantastic flashmobs, excitable elves, Christmas carols and of course Archie the donkey. When their new teacher Mr Shepherd (Martin Clunes) loses his memory and forgets all about Christmas, as well as his fiancée Sophie (Catherine Tate) and the whereabouts of the beloved Archie, it’s up to the pupils of St Bernadette’s to save the day. Led by the ever enthusiastic Mr Poppy, they embark on a Christmas journey like never before - but time is against them if they are to help Mr Shepherd get to New York in time for his magical yuletide wedding.
Please note: This title is available to pre-order. A release date is not currently available but we will let you know as soon as it is confirmed.
Three-episode crossover event featuring DC superheroes from 'Arrow', 'The Flash', 'Supergirl' and 'DC's Legends of Tomorrow'. When Barry Allen aka The Flash (Grant Gustin) investigates a meteor that's crashed outside Central City he discovers a race of aliens called the Dominators whose spaceship has crash-landed on Earth. To combat the threat of the alien race, Barry and his team at S.T.A.R. Labs join forces with Team Arrow, Supergirl (Melissa Benoist) and the Legends of Tomorrow to save the planet from the extraterrestrial threat.
A study of four young Italian-Americans and their involvement with the Mafia and local crooks.
Anchor Bay presents seven films from Showtime's much-anticipated Masters Of Horror series!
In 1976 The Omen was a hit among critics and audiences hungry for more after The Exorcist with its mixture of Gothic horror and mystery and its plot about a young boy suspected of being the personification of the Antichrist. Directed by Richard Donner (best known later for his Superman and Lethal Weapon films), The Omen gained a lot of credibility from the casting of Gregory Peck and Lee Remick as a distinguished American couple living in England, whose young son Damien bears "the mark of the beast". At a time when graphic gore had yet to dominate the horror genre, this film used its violence discreetly and to great effect, and the mood of dread and potential death is masterfully maintained. It's all a bit contrived, with a lot of biblical portent and sensational fury, but few would deny it's highly entertaining. Jerry Goldsmith's Oscar-winning score works wonders to enhance the movie's creepy atmosphere. --Jeff Shannon, Amazon.com On the DVD: The all-new 45-minute documentary, "666: The Omen Revealed", has contributions from all the major behind-the-scenes players, including director, editor, screenwriter (who confesses the movie was only set in England because he wanted a free trip to London), producer and composer. The latter, Jerry Goldsmith, has his Oscar-winning contribution to the movie recognised with a separate feature in which he talks through four key musical scenes in the score. There's also a thought-provoking short called "Curse or Coincidence?" in which the many bizarre accidents that happened during shooting are related, including the terrible story of what happened to the girlfriend of the man responsible for designing the decapitation scene--spooky. Director Richard Donner and editor Stuart Baird provide a chatty audio commentary to the film, and the DVD package is completed by the original theatrical trailer. --Mark Walker
1880's London. The popular comic operas of Gilbert (words) and Sullivan (music) have never failed, but their latest, 'Princess Ida' receives a lukewarm press.
Scorsese's invigorating history of American movies avoids the straitjacket of chronology. Although he makes dutiful nods in the direction of Edwin S. Porter, D.W. Griffith and Orson Welles, he is equally interested in figures working at the margins, film-makers such as Andre De Toth, Ida Lupino, Sam Fuller and Edgar Ulmer, "who circumvented the system to get their vision onto the screen". He describes them as "illusionists", "smugglers", con artists who managed to hoodwink the money men into allowing them to make the films they wanted. Some worked in B-movies ("less money, more freedom") others (like Scorsese himself) struck their own Faustian bargains with the studios, making "one movie for them, one for yourself"His heroes are the outsiders, the film-makers who chafe against the assurances of the American dream. He offers a vivid, guilty vignette of himself as a four-year-old child, sitting in a darkened auditorium watching in amazement as Gregory Peck overpowers Jennifer Jones in Duel in the Sun, one of the first films his mother took him to. "The savage intensity of the music, the burning sun, the overt sexuality ... it seems that the two could only consummate their passion by killing each other". There's a certain irony in Scorsese, who once seriously considered becoming a priest, succumbing to a David O. Selznick Technicolor extravaganza which had already been condemned by the church.While often sounding like a serious-minded apprentice who watches old movies to pick up tips which will help him in his own work ("study the old masters, enrich your palette, expand the canvas-there's always so much more to learn") he never overlooks the illicit pleasure that cinema can bring. "I don't really see a conflict between the church and the movies, the sacred and the profane". --Geoffrey Macnab
Martin Clunes embarks on an epic journey around a remarkably varied range of islands that just happens to be in our own backyard. He will travel from Britain''s far northern coastline to the southerly shores to visit some of the hundreds of islands that pepper our shores.
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