Stomping out their usual cuteness and carbon copying Disney's grand animation style to a tee, directors Don Bluth and Gary Goldman (An American Tail) create a successful musical comedy from the story of the lost Russian princess. Adapting the story of imperialism and revolution is tricky, and subsequently the film's opening is weak. Once Anya (voiced by Meg Ryan, sung by Liz Callaway) is a teenager and on her own (suffering from some degree of amnesia), Anastasia is quite pleasing though never refreshingly new. 20th Century Fox's big-money gamble to horn in on Disney's realm is worthy. The songs, especially the recurrent "Once Upon a December" by Broadway team Lynn Ahrens and Stephen Flaherty, are better than Disney's recent efforts. It's worth picking up the soundtrack. The mix of cell animation and computer work is vivid. The collection of vocal talent is also strong, from John Cusack (as Dimitri, who wants to earn the reward by bringing Anya to Paris) to Hank Azaria as an amusing albino bat. Kelsey Grammer helps turn a roly-poly sidekick into a warm and strong supporting character. The biggest drawback is Bluth/Goldman's insistence on having a typical villain. Surprisingly, the story would be strong enough without one and the undead corpse of Rasputin (Christopher Lloyd) is unneeded and unoriginal. --Doug Thomas
The much-loved drama returns for an eighth series! Martin Clunes reprises his role as the gruff but affable GP Martin Ellingham. Having rekindled their relationship, Martin and Louisa must navigate their way through busy jobs, a teething toddler and the medical needs of Portwenn's residents.
Enjoy all the spellbinding episodes of pretty teen witch Sabrina Spellman (Melissa Joan Hart) and her talking black cat, Salem (voice of Nick Bakay), as they conjure up outrageous mischief. Sabrina The Teenage Witch⢠brilliantly combines the supernatural world of magic with the normal life of a teenage girl. Enjoy all 162 spellbinding episodes in this 24 - disc, 7- season collection, now on DVD!
From the creators of the Oscar-nominated films, The Gruffalo and Room on the Broom, comes a new animated short film, Stick Man, based on the picture book written by Julia Donaldson and illustrated by Axel Scheffler. Out for his regular jog, Stick Man is picked up by a playful dog and launched on a series of unfortunate adventures which take him ever further away from his family tree. As the seasons pass, Stick Man meets a surprising friend who might just be able to help him home. But will he make it time for Christmas? An exciting and heart warming adventure with the voices of Hugh Bonneville, Rob Brydon, Martin Freeman, Sally Hawkins, Jennifer Saunders, Russell Tovey.
Follow the trials and tribulations of the Bartlet administration in this monolith of a box set featuring 43 discs and all 159 episodes of the critically acclaimed US political drama. Packed with an awesome array of special features this is one the hard core fans won't be able to resist! For episode listings please refer to the individual seasons.
Roman Polanski's adaptation of the Shakespearean tragedy Macbeth remains one of the most infamous for a number of reasons: the copious amounts of bloody gore, its expert use of location settings (filmed in North Wales) and Lady Macbeth's nude sleepwalking scene. Despite its notoriety, though, this does remain one of the more compelling film adaptations of the Scottish tragedy, if one of the more pessimistic takes on the story of Macbeth and his overreaching ambition. If you think the play is normally a bit of a downer, you haven't seen Polanski's bleak version of it, made in reaction to the murder of his wife, Sharon Tate, by the Manson "family". Jon Finch (Hitchcock's Frenzy) is a forceful Macbeth, bringing out the Scot's warrior instincts, and Francesca Annis is a memorable Lady Macbeth but the main thrust of the film belongs to Polanski's and noted British playwright and critic Kenneth Tynan's take on the play: extremely violent, nihilistic and visceral; this is down-in-the-dirt, no-holds-barred Shakespeare, not fussy costume drama. Pay close attention to the end, a silent coda that puts a chilling twist on all the action that has come beforehand and foreshadows more tragedy to come. --Mark Englehart
Aaron Sorkin's American political drama The West Wing is more than mere feel-good viewing for sentimental US patriots. It is among the best-written, sharpest, funniest and most moving American TV series of all time. In its first series, The West Wing established the cast of characters comprising the White House staff. There's Chief of Staff Leo McGarry (John Spencer), a recovering alcoholic whose efforts to be the cornerstone of the administration contribute to the break-up of his marriage. CJ (Alison Janney) is the formidable Press Spokeswoman embroiled in a tentative on-off relationship with Timothy (Thirtysomething) Busfield's reporter. Brilliant but grumpy communications deputy Toby Ziegler, Rob Lowe's brilliant but faintly nerdy Sam Seaborn and brilliant but smart-alecky Josh Lyman make up the rest of the inner circle. Initially, the series' creators had intended to keep the President off-screen. Wisely, however, they went with Martin Sheen's Jed Bartlet, whose eccentric volatility, caution, humour and strength in a crisis make for such an impressively plausible fictional President that polls once expressed a preference for Bartlet over the genuine incumbent. The issues broached in the first series have striking, often prescient contemporary relevance. We see the President having to be talked down from a "disproportionate response" when terrorists shoot down a plane carrying his personal doctor, or acting as broker in a dangerous stand-off between India and Pakistan. Gun control laws, gays in the military and fundamentalist pressure groups are all addressed--the latter in a most satisfying manner ("Get your fat asses out of the White House!")--while the episode "Take This Sabbath Day" is a superb dramatic meditation on capital punishment. Handled incorrectly, The West Wing could have been turgid, didactic propaganda for The American Way. However, the writers are careful to show that, decent as this administration is, its achievements, though hard-won, are minimal. Moreover, the brisk, staccato-like, almost musical exchanges of dialogue, between Josh and his PA Donna, for instance, as they pace purposefully up and down the corridors are the show's abiding joy. This is wonderful and addictive viewing. --David Stubbs
Danny Dyer stars in this movie about criminals living the high life in the South of Spain.
Jack Putter feels funny today, nothing new to this 25-hour-a-day hypochondriac. What's new is that Jack hears something. I'm possessed! he cries. And you're about to be possessed by laughter. Gremlins executive producer Steven Spielberg and director Joe Dante again rev their imaginations into overdrive for this comic adventure that won a 1987 Best Visual Effects Academy Award. The voice Jack (Martin Short) hears is that of hotshot Navy pilot Tuck Pendleton (Dennis Quaid), subject of a secret miniaturization project gone awry and accidentally injected into Jack. And before frazzled Jack can say I've got you under my skin, his unlikely partner propels him into the craziest escapade of his life.
For the first time in the cinematic history of Spider-Man, our friendly neighborhood hero's identity is revealed, bringing his Super Hero responsibilities into conflict with his normal life and putting those he cares about most at risk. When he enlists Doctor Strange's help to restore his secret, the spell tears a hole in their world, releasing the most powerful villains who've ever fought a Spider-Man in any universe. Now, Peter will have to overcome his greatest challenge yet, which will not only forever alter his own future but the future of the Multiverse.
It's here every side-splitting episode of the acclaimed comedy series Still Game in one box set! So come to Craiglang, pour yourself a Midori and enjoy a comic feast with Jack, Victor and the rest of the gang as Britain's favourite OAPs take on the world and all it has to throw at them. Created, written by and starring Ford Kiernan and Greg Hemphill Features: Series 1 Series 2 Series 3 Series 4 Series 5 Series 6 Christmas & Hogmanay Specials Series 7 Series 8 Series 9
TULSA KING follows New York mafia capo Dwight "The General" Manfredi (Oscar nominee Sylvester Stallone) just after he is released from prison after 25 years and unceremoniously exiled by his boss to set up shop in Tulsa, Oklahoma. Realising that his mob family may not have his best interests in mind, Dwight slowly builds a "crew" from a group of unlikely characters to help him establish a new criminal empire in a place that to him might as well be another planet.
Gandhi is a great subject, but is Gandhi a great film? Undoubtedly it is, not least because it is one of the last old-school epics ever made, a glorious visual treat featuring tens of thousands of extras (real people, not digital effects) and sumptuous Panavision cinematography. But a true epic is about more than just widescreen photography, it concerns itself with noble subjects too, and the life story of Mahatma Gandhi is one of the noblest of all. Both the man and the film have profound things to say about the meaning of freedom and racial harmony, as well as how to achieve them. Ben Kingsley, in his first major screen role, bears the heavy responsibility of the central performance and carries it off magnificently; without his magnetic and utterly convincing portrayal the film would founder in the very first scene. Sir Richard Attenborough surrounds his main character with a cast of distinguished thespians (Trevor Howard, John Mills, John Gielgud and Martin Sheen, to name but four), none of whom do anything but provide the most sympathetic support. John Briley's literate screenplay achieves the almost impossible task of distilling the bewildering complexities of Anglo-Indian politics. Attenborough's treatment is openly reverential, but, given the saint-like character of his subject, it's hard to see how it could have been anything else. He doesn't flinch from the implication that the Mahatma was naïve to expect a unified India, for example, but instead lets Gandhi's actions speak for themselves. The outstanding achievement of this labour of love is that it tells the story of an avowed pacifist who never raised a hand in anger, of a man who never held high office, of a man who shied away from publicity, and turns it into three hours of utterly mesmerising cinema.On the DVD: The anamorphic (16:9) picture of the original 2.35:1 image has a certain softness to it that may reflect the age of the print, but somehow seems entirely in keeping with the subject . Sound is Dolby 5.1. The extras are fairly brief, but worthwhile: original newsreel footage of Gandhi includes an astonishingly patronising British news account of his visit to England; in a recent interview, Ben Kinglsey chats enthusiastically about the film and the difficulties he experienced bringing the character to life. The dull "making-of" feature is simply a montage of stills. --Mark Walker
Sherlock returns to BBC One with three brand-new feature length episodes, promising laughter, tears, shocks, surprises and extraordinary cases. The eagerly anticipated fourth series, produced by Hartswood Films, begins with the nation's favourite detective, the mercurial Sherlock Holmes, back once more on British soil, as Doctor Watson and his wife, Mary, prepare for their biggest ever challenge - becoming parents for the first time. Benedict Cumberbatch and Martin Freeman reprise their iconic roles as Sherlock Holmes and Doctor Watson in the hit drama written and created by Steven Moffat and Mark Gatiss, and inspired by the works of Sir Arthur Conan Doyle. Episode List: Episode 1 - The Six Thatchers Episode 2 The Lying Detective Episode 3 (TBC)
From the creator and producers of Bodyguard. This thrilling British police drama has earned universal praise for its nail-biting action, complex characters, and intricate plotting (TV Guide). At anti-corruption unit AC-12, Superintendent Ted Hastings (Adrian Dunbar, Blood) leads his team of DS Steve Arnott (Martin Compston, The Nest) and DC Kate Fleming (Vicky McClure, This Is England) in investigating suspected cases of police corruptionand in the process, they begin to uncover a conspiracy that reaches to the heights of the force. Includes: Five behind-the-scenes featurettes, Actor filmographies, picture galleries.
After tragedy forces yound Prince T'Challa to assume Wakanda's throne, he is faced with the ultimate test, putting the fate of his country and the entire world at risk. Pitted against his own family, the new king must rally his allies and release the full power of Black Panther to defeat his foes and embrace his future as an Avenger. Features: Play Movie With Director Ryan Coogler's Intro Featurettes From Page To Screen: A Roundtable Discussion Marvel Studios: The First Ten Years - Connecting The Universe Exclusive Sneak Peek At Ant-Man And The Wasp Gag Reel Deleted Scenes Audio Commentary
Follow Wendy Darling as she strikes out in an attempt to rescue her brother Michael from the clutches of the evil Peter Pan.
The thrilling third series of the award-winning Line of Duty introduces Sergeant Danny Waldron (Danny Mays), the highly proficient leader of a police Armed Response Unit whose unpredictable behaviour is becoming a threat to colleagues and suspects alike. When AC-12 are called in, DS Steve Arnott (Martin Compston) clashes with Danny, and it's left to DC Kate Fleming (Vicky McClure) to investigate undercover. As the inquiry intensifies, Supt. Ted Hastings (Adrian Dunbar) begins to suspect the case is linked to AC-12's past and a possible traitor in their midst.
COBRA KAI takes place over 30 years after the events of the 1984 All Valley Karate Tournament with the continuation of the inescapable conflict between Daniel LaRusso (Ralph Macchio) and Johnny Lawrence (William Zabka). Season Three finds everyone reeling in the aftermath of the violent high school brawl between their dojos, which has left Miguel in a precarious condition. While Daniel searches for answers in his past and Johnny seeks redemption, Kreese further manipulates his vulnerable students with his own vision of dominance. The soul of the Valley is at stake, and the fate of every student and sensei hangs in the balance.
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