A slick, smart vehicle for Steve Martin and Goldie Hawn, Housesitter offers an acceptably daffy premise and enough inventive business to sustain it through to the, not unexpected, happy ending. Architect Martin builds a dream home for his childhood sweetheart (Dana Delaney) only to be rejected when he proposes marriage. After a one-night stand, Hawn--a daffy waitress with a gift for making up improbable but convincing lies--moves into Martin's house and tells his parents (Donald Moffatt, Julie Harris) and the whole community that she is his surprise new wife. When he sees how this impresses Delaney, Martin goes along with the charade, encouraging wilder and wilder fictions and doing his best to join in so that he can rush through to a divorce and move on to the woman he has always wanted. Hawn has to recruit a couple of winos to pose as her parents and impress Martin's boss into giving him a promotion, but we glimpse her real misery at his eventual intention to toss her out of the make-believe world she has created because her own real background is so grim. Its sit-com hi-jinx are manic enough not to be strangled by an inevitable dip in to sentiment towards the end, and Hawn, who always has to work hard, is better matched against the apparently effortless Martin than in their subsequent pairing in Out-of-Towners. Martin, often wasted in comparatively straight roles, has a few wild and crazy scenes as Hawn prompts him into joining her improvised fantasies. Director Frank Oz, a frequent Martin collaborator (Dirty Rotten Scoundrels, Little Shop of Horrors, Bowfinger), is the model of a proper, competent, professional craftsman when he sets out to put a comedy together--but the film misses streaks of lunacy or cruelty that might have made it funnier and more affecting. On the DVD: The disc offers a pristine widescreen non-anamorphic transfer, letterboxed to 1.85:1. There are no extra features to speak of, just text-based production notes, cast and director bios, plus a trailer and an assortment of language and subtitle options. --Kim Newman
The Breakfast Club (Dir. John Hughes 1985): Without doubt John Hughes' The Breakfast Club is one of the greatest teen movies of all-time if not the best. Without it we might not have witnessed the phenomenal rise of the 'Brat Pack'; the group of actors synonymous with the teen films of the '80s. They were five teenage students with nothing in common faced with spending a Saturday detention together in their High School library. At 7am they had nothing to say but
Although indisputably a film by Woody Allen, Interiors is about as far from "a Woody Allen film" as you can get--and maybe more people could have seen what a fine film it is if they hadn't been expecting what Allen himself called "one of his earlier, funnier movies." An entirely serious, rather too self-consciously Bergmanesque drama about a divorcing elderly couple and their grown daughters, it is slow, meditative and constructed with a brilliant, artistic eye. There is no music--a simple effect that Allen uses with extraordinary power. In fact, half the film is filled with silent faces staring out of windows, yet the mood is so engaging, hypnotic even, that you never feel the director is poking you in the ribs and saying, "sombre atmosphere". Diane Keaton, released for once from the ditzy stereotype, shines as the "successful" daughter. Some of the dialogue is stilted and it's hard to tell whether this is a deliberate effect or simply the way repressed upscale New Yorkers talk after too many years having their self-absorption sharpened on the therapist's couch. Fanatical, almost childish self-regard is the chief subject of Allen's comedy--it's remarkable that in this film he was able to remove the comedy but leave room for us to pity and care about these rather irritating people. --Richard Farr
Tracks include: Together Again Stand Beside Me Sing Me An Old Irish Song Help Me Make It Through The Night Tennessee Waltz Pretty Little Girl From Omagh My Happiness (duet with Mary Duff) Blackboard Of My Heart The Mountains Of Mourne Then The World Will Know Coat Of May Colours Medley: Day Dream Believer/Come On Over To My Place Medley: Sweet Caroline/There Goes My Everything Medley: All Shook Up/Show Me The Way To Amarillo Our House Is A Home Medley: Forty Shades O
Two performances from Mary Duff available for the first time ever on DVD! Mary Duff recorded live in concert at the Whitehall Theatre in Dundee. The tracklist includes: 'Come On In' 'From A Distance' 'Yellow Roses' 'Amazing Grace' 'Chicken Every Sunday' and 'Forever And Ever Amen'. Further track list: 'Come On In' 'Your One And Only' 'Homeland' 'Just Loving You' 'I'll Fly Away' 'Sunshine And Rain' 'I Quit' 'Goin' Home' 'The Cliffs Of Dooneen' and '
Tracklist: 1. Give A Little Love - Daniel O'Donnell (Promotional Video) 2. Eileen McManus - Daniel O'Donnell & Mary Duff (The Classic Live Concert) 3. Wounded Hearts - Mary Duff (TV performance) 4. Just Walking In The Rain - Daniel O'Donnell (The Classic Live Concert) 5. Timeless - Daniel O'Donnell & Mary Duff (Promotional Video) 6. The Power Of Love - Mary Duff (An Evening With Mary Duff) 7. Limerick You're A Lady - Daniel O'Donnell (The Classic Live Concert) 8. Homeland - Mary Duff (Promotional Video) 9. Whispering Hope - Daniel O'Donnell & Mary Duff (The Classic Live Concert) 10. Singing The Blues - Daniel O'Donnell (Just For You) 11. Goin' Home - Mary Duff (An Evening With Mary Duff) 12. I Just Want To Dance With You - Daniel O'Donnell (Daniel O'Donnell & Friends Live) 13. Strangers - Mary Duff (The Best Of Country & Irish) 14. Never Be Anyone Else But You - Daniel O'Donnell (The Best Of Country & Irish) 15. Will The Circle Be Unbroken - Daniel O'Donnell & Mary Duff (The Classic Live Concert)
15 CLASSIC IRISH SONGS
32 year old Jack Lyne is forced to return to Los Angeles when his father dies. Confronted by family rivalries and intrigues Jack is wracked with ever more indecision and doubt not least about his father's death. Something tells him it was murder but why and by whom?
LIVE IN CONCERT DVD & 20 TRACK GREATEST HITS CD.
Directed by cult filmmaker Tim Ritter the film centers on a guy named Mike Strauber who finds out that his wife is cheating on him goes crazy engages in some self-mutilation and eventually dons a copper mask and goes on a killing spree! What more could you want? Future member of the Backstreet Boys A.J. Mclean makes an appearance as the young Mike Strauber!
A slick, smart vehicle for Steve Martin and Goldie Hawn, Housesitter offers an acceptably daffy premise and enough inventive business to sustain it through to the, not unexpected, happy ending. Architect Martin builds a dream home for his childhood sweetheart (Dana Delaney) only to be rejected when he proposes marriage. After a one-night stand, Hawn--a daffy waitress with a gift for making up improbable but convincing lies--moves into Martin's house and tells his parents (Donald Moffatt, Julie Harris) and the whole community that she is his surprise new wife. When he sees how this impresses Delaney, Martin goes along with the charade, encouraging wilder and wilder fictions and doing his best to join in so that he can rush through to a divorce and move on to the woman he has always wanted. Hawn has to recruit a couple of winos to pose as her parents and impress Martin's boss into giving him a promotion, but we glimpse her real misery at his eventual intention to toss her out of the make-believe world she has created because her own real background is so grim. Its sit-com hi-jinx are manic enough not to be strangled by an inevitable dip in to sentiment towards the end, and Hawn, who always has to work hard, is better matched against the apparently effortless Martin than in their subsequent pairing in Out-of-Towners. Martin, often wasted in comparatively straight roles, has a few wild and crazy scenes as Hawn prompts him into joining her improvised fantasies. Director Frank Oz, a frequent Martin collaborator (Dirty Rotten Scoundrels, Little Shop of Horrors, Bowfinger), is the model of a proper, competent, professional craftsman when he sets out to put a comedy together--but the film misses streaks of lunacy or cruelty that might have made it funnier and more affecting. On the DVD: The disc offers a pristine widescreen non-anamorphic transfer, letterboxed to 1.85:1. There are no extra features to speak of, just text-based production notes, cast and director bios, plus a trailer and an assortment of language and subtitle options. --Kim Newman
New York Minute (Mary-Kate And Ashley Olsen): This action comedy follows one monumental day in the lives of sisters Roxanne and Jane Ryan. The academic and sophisticated Jane is due to deliver a speech to qualify for an Oxford scholarship. Meanwhile laid-back punk rocker Roxy is hoping to get a demo for her band. But their plans go astray and they end up in the middle of a shady black market deal. The girls must work together to get themselves out of trouble despite being pursued by their truant officer. (Dir. Dennie Gordon 2004) A Cinderella Story: Meet high school student Sam (Hilary Duff) who scrubs floors at a diner copes with her wicked stepmother and stepsisters and all the while dreams of Princeton (the perfect spot for a would-be princess to find a prince). But maybe she has a Prince Charming already: her anonymous e-mail buddy (Chad Michael Murray) who arranges to meet her at the Halloween dance. Sam panics when Mr. Anonymous turns out to be the coolest guy on campus. Can he love a girl who isn't part of the in crowd? Can fairy tales come true? Sure - but only if Sam stands up for herself and turns her dreams into reality. (Dir. Mark Rosman 2004 Cert. PG) The Prince And Me: This fairy tale is about to get real. Paige (Julia Stiles) has her future all mapped out. A fastidious pre-med student at the University of Wisconsin she's vowed nothing will deter her from becoming a doctor... Until she meets Edward (Luke Mably); the dashing playboy Crown Prince of Denmark who's trying to escape a life he never chose. He's enrolled incognito at Paige's school to ""find himself"" and to take a detour from his destiny as king. Paige and ""Eddie"" end up as lab partners and discover there's more chemistry between them than just the classroom variety. Will he step away from his place in the Danish monarchy to be with her? Will she lose sight of her dream to become a doctor? (Dir. Martha Coolidge 2004 Cert. PG)
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