Although indisputably a film by Woody Allen, Interiors is about as far from "a Woody Allen film" as you can get--and maybe more people could have seen what a fine film it is if they hadn't been expecting what Allen himself called "one of his earlier, funnier movies." An entirely serious, rather too self-consciously Bergmanesque drama about a divorcing elderly couple and their grown daughters, it is slow, meditative and constructed with a brilliant, artistic eye. There is no music--a simple effect that Allen uses with extraordinary power. In fact, half the film is filled with silent faces staring out of windows, yet the mood is so engaging, hypnotic even, that you never feel the director is poking you in the ribs and saying, "sombre atmosphere". Diane Keaton, released for once from the ditzy stereotype, shines as the "successful" daughter. Some of the dialogue is stilted and it's hard to tell whether this is a deliberate effect or simply the way repressed upscale New Yorkers talk after too many years having their self-absorption sharpened on the therapist's couch. Fanatical, almost childish self-regard is the chief subject of Allen's comedy--it's remarkable that in this film he was able to remove the comedy but leave room for us to pity and care about these rather irritating people. --Richard Farr
The Marx Brothers Chico, Groucho, Harpo and Zeppo are one of the cornerstones of American comedy. Starting out in vaudeville, they conquered Broadway and the big screen in their own inimitable style, at once innovative, irreverent, anarchic, physical, musical, ludicrous and hilarious.With the advent of the 'talkies', the Brothers signed to Paramount Pictures and brought their stage act to cinema audiences. They made five films in five years, all of which are collected here: The Cocoanuts (1929), Animal Crackers (1930), Monkey Business (1931), Horse Feathers (1932) and one of the greatest comedies of all time, Duck Soup (1933).The Paramount era represents the Marx Brothers at their absolute finest, retaining all of the energy and controlled chaos of their stage shows. Plots are unimportant it's the gags, set-pieces and one-liners that matter: Why a duck? , Hello, I Must Be Going , Hooray for Captain Spaulding , That's the bunk! , Horse Feathers' Swordfish scene and classic mirror sequence in Duck Soup.Special Features:High Definition Blu-ray (1080p) presentations of all five features, each scanned and restored in 4K from original film elements by UniversalOriginal 1.0 mono audioOptional English subtitles for the deaf and hard-of-hearingCommentary on The Cocoanuts by film scholar Anthony SlideCommentary on Animal Crackers by film historian Jeffrey VanceCommentary on Monkey Business by Marx Brothers historian Robert S Bader and Bill Marx, son of Harpo MarxCommentary on Horse Feathers by film critic FX FeeneyCommentary on Duck Soup by Bader and film critic Leonard MaltinThe Marx Brothers: Hollywood's Kings of Chaos, a feature-length documentary containing interviews with Leonard Maltin, Dick Cavett and others Three excerpts from NBC's The Today Show featuring interviews with Harpo Marx, Groucho Marx and Bill MarxSibling Revelry, an introduction to the Marx Brothers by critic David CairnsMONKEYNUTCRACKERDUCKFEATHERS, a video essay about the films by David Cairns
A rebellious American teenager's plan to assert her independence runs an explosively violent course when she falls for the charms of an alluring ex-convict in Stolen Innocence a gripping drama based on a true story. Eighteen-year-old Stacy Sapp (Gold) runs away from her overbearing mother Becky (Armstrong) and passive father John (Searcy) for a life of freedom and adventure on the road. The nave girl meets Richard Brown (Calabro) a handsome charismatic young man travelling
A teenage girl becomes infatuated with a criminal who attempts to extract money from her parents...
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