There is no letdown in talent or skill for the third season of this blue ribbon drama. One could say these 22 episodes play as a continuation of the second season; there are no major new characters or earth-shattering plots and the Emmys rewarded the series with its third straight award for Best Drama (and unlike season 4, no one argued about the laurels). The third year starts with a stand-alone episode "Isaac & Ishmael", a special show created, shot, and broadcast 22 days after the 9/11 events. Although the final results tend to be sermonic, the fact the show was able to drop everything and commit to a new season opener is evident not only of talent, but of a disciplined work force operating at the top of their game. President Bartlet's (Martin Sheen) decision to run for reelection after the disclosure of suffering MS fuels the fire for the first half of the season. Depositions are filed against the staff, minor mistakes take on more significance, and the White House consul (Oliver Platt) has the run of the table warning of worst-case scenarios. The focus soon turns to the First Lady (Stockard Channing) as the potential "Lady Macbeth" of the scandal. Channing aces her role and turns her birthday celebration ("Dead Irish Writers") into one of the season's highlights. Assistant Donna (Janel Moloney), her boss Josh Lyman (Bradley Whitford), and press secretary C.J. (Alison Janney) all have charismatic romances, but the ace supporting player this year is John Spencer as the relentlessly loyal Chief of Staff Leo McGarry. Whether delivering the hard truth, accepting the proverbial bullet for the President, or being our guide to how Bartlet ran in the first place (in another wonderful flashback episode, "Bartlet for America"), all roads lead to McGarry. Acting Emmys went to Channing, Spencer, and Janney, but the strength of this show is that the entire cast has glorious moments (Toby's taking on the President's mode of operation, Sam's belief in government, or the President's peculiarities of Thanksgiving are just a few). Recurring guest stars--the likes of Ron Silver, Tim Matheson, Mary Louise Parker, and Mark Harmon--deliver some of their career-best work. Crack writing, a breathless pace, plus you learn a bit about government. What else do you want from a TV drama? --Doug Thomas
In Some Kind of Wonderful, John Hughes crystallises, for good and ill, much of the stock material of the modern high-school romantic comedy. There is the outsider boy Keith (Eric Stolz) with artistic talent and sexual ambitions above his lowly status in a hierarchy based on wealth and popularity. There is Watts, (Mary Stuart Masterson) the tomboy next door, whose good looks and love for him he has somehow always failed to notice. And, most interestingly, there is Amanda Jones (Lea Thompson), who has parlayed her looks into running with the rich kids, but is starting to realise she has the worst of the bargain. There are some odd ambiguities here--all three take passive-aggressive behaviour to a level that is not entirely sympathetic--as well as some slick plotting: Keith's attempt to befriend Amanda by following her into detention brings him into contact with delinquents like Duncan, a terrifying skinhead who is more than he seems. In the end, there is just enough edge and invention here to keep it from being as crass and sentimental as films which have imitated its formula. On the DVD: Some Kind of Wonderful is presented in 1.78:1 visual aspect ratio and has Dolby 5:1 sound in English, surround sound in Italian and mono in German and Italian--it also has subtitles in those languages and Danish, Dutch, French, Norwegian, Swedish and Turkish and no other special features whatever. --Roz Kaveney
Elvis in his last scripted screen role plays a hip young doctor who sets up a clinic in the inner-city slums of New York. Three nuns forsake their habits to join forces with the doctor and help him out in his clinic full of abused children and stubborn parents. One of the nurses (Mary Tyler Moore) falls in love with the guitar-playing doctor and has to decide whether to stay with him or go back to the church.
Annie Hall (1977): Starring Allen as New York comedian Alvy Singer and Diane Keaton (in a Best Actress Oscar-winning role) as Annie the film weaves flashbacks flash forwards monologues a parade of classic Allen one-liners and even animation into an alternately uproarious and wistful comedy about a witty and wacky on-again off-again romance. Manhattan (1979): 42-year-old Manhattan native Isaac Davis (Allen) has a job he hates a seventeen-year-old girlfriend (Mariel Hemingway) he doesn't love and a lesbian ex-wife Jill (Meryl Streep) who's writing a tell-all book about their marriage... and whom he'd like to strangle. But when he meets his best friend's sexy intellectual mistress Mary (Diane Keaton) Isaac falls head over heels in lust! Leaving Tracy bedding Mary and quitting his job are just the beginning of Isaac's quest for romance and fulfillment in a city where sex is as intimate as a handshake - and the gate to true love... is a revolving door. Everything You Always Wanted To Know About Sex (But Were Afraid To Ask) (1972): Woody Allen pushes the frontiers of comedy by consolidating his madcap sensibility and wickedly funny irreverence with his developing penchant for visually arresting humor. Giving complete indulgence to the zany eccentricity of his medium Allen revels himself as a filmmaker of wit sophistication and comic insight rising to the occasion with several hysterical vignettes that probe sexuality's stickiest issues! Aphrodisiacs prove effective for a court jester (Allen) who finds the key to the Queen's (Lynn Redgrave) heart but learns that the key to her chastity belt might be more useful... Sleeper (1973): When cryogenically preserved Miles Monroe (Allen) is awakened 200 years after a hospital mishap he discovers the future's not so bright: all women are frigid all men are impotent and the world is ruled by an evil dictator: a disembodied nose! Pursued by the secret police and recruited by anti-government rebels with a plan to kidnap the dictator's snout before it can be cloned Miles falls for the beautiful - but untalented - poet Luna (Diane Keaton). But when Miles is captured and reprogrammed by the government to believe he's Miss America it's up to Luna to save Miles lead the rebels and cut off the nose just to spite its face. Love And Death (1975): Woody Allen reinvents himself again with the epic historical satire Love and Death. A wonderfully funny and eclectic distillation of the Russian literary soul the film represents a bridge between Allen's early slapstick farces and his darker autobiographical comedies. One of his most visual philosophical and elaborately conceived films 'Love And Death' demonstrates again that Allen is an authentic comic genius. Bananas (1971): When bumbling product-tester Fielding Mellish (Allen) is jilted by his girlfriend Nancy (Louise Lasser) he heads to the tiny republic of San Marcos for a vacation only to become kidnapped by rebels!
When Kylie and Taylor Hunter turn sweet sixteen they head out to Utah for their very first road trip sans parents and get into all kinds of on the road adventures...
Chuck 'Tiger' Warsaw returns to his home town after an absence of 15 years precipitated by an act of irresponsibility which destroyed his sister's wedding and left his father mentally unstable. His home-coming is shunned by his family but he tries desperately to overcome the problems and gain forgiveness.
A very special box set, featuring the infamous Vera ‘Vinegar Tits’ Bennett’s last episodes. There’s upset in the laundry with sabotage and strikes leading the way. Bea gets transferred and gets amnesia…or does she? New officer Terry causes chaos with the women and allegedly a murder, but his time at Wentworth ends in argument and a gun shot from a passing car. Meanwhile, Lizzie gets a marriage proposal and it’s Margo’s turn in isolation. Then visitor Lori Young arrives, saying she is Judy’s daughter. Welcome to 8 DVD’s and over 25 hours of brilliant PCBH action.
Volume 1 includes: 'The Tale of Peter Rabbit & Benjamin Bunny' 'The Tale of Flopsy Bunnies & Mrs. Tittlemouse' and 'The Tale of Tom Kitten and Jemima Puddleduck'.
Minnie Driver and Mary McCormack star in this London action comedy as friends, a nurse and a teacher, who overhear a conversation on a mobile phone about a robbery and decide to try and con the money from the thieves.
The Honeymoon Killers is based on the true story of American serial killers Raymond Fernandez and Martha Beck who went on a spree of murder and mayhem in the late 1940's.Posing as brother and sister the pair befriend and ultimately murder lonely women for their savings.This chilling movie is a cult classic and features fine performances from the two leads in the roles of the real life 'lonely hearts killers'.
Though it was pre-produced by Martin Scorsese, who left the project after arguments with the producers, The Honeymoon Killers wound up being written and directed by Leonard Kastle, one of cinema's great one-hit wonders. The Henry: Portrait of a Serial Killer of 1969, The Honeymoon Killers follows hefty nurse Martha Beck (Shirley Stoler, who looks like a humourlessly malevolent Roseanne) and her low-rent gigolo lover Raymond Fernandez (Tony Lo Bianco) as they take up serial murder for profit and passion, luring middle-aged women into marriage through lonely-hearts ads, then killing them and raiding their savings. Based on a genuine crime case history, it is filmed in the candid-camera style of a Frederick Wiseman documentary. The intense scenes (such as the couple's frightening love-play: escalating arguments that end in awkward killings) unfold with a fly-on-the-wall dryness, showcasing the extraordinary acting of the leads and their cameo victims. A rare film in which genuine romantic love does not excuse the central couple's amoral behaviour, this still manages to generate some sympathy for the truly monstrous Martha. The washed-out black and white photography and sometimes scratchy soundtrack (the score is sampled from Mahler) have a deliberately amateurish feel which adds to the film's chilling power, lodging it into the memory. On the DVD: Along with a lurid trailer and gallery of images are filmographies for Stoler, Lo Bianco and (redundantly) Kastle. The widescreen transfer is excellent, representing perfectly the film's rough-hewn look but also bringing out a lot of detail--like Stoler's freckles, which have looked like grain on video releases. --Kim Newman
"The Foot Fist Way" (produced by Will Ferrell and Adam McKay) focuses on the small town Tae Kwon Do instructor Fred Simmons who relishes the power that comes from being the king of his small kingdom.
Jodie Foster stars as a grieving woman determined to track down the men behind her fiance's murder, whatever the cost.
Perfect Storm: George Clooney and Mark Wahlberg lead a talented cast in this harrowing special-effects adventure that intercuts the plight of seafarers struggling to reach safe harbor with the heroics of air/sea rescue crews. Directed by Wolfgang Petersen The Perfect Storm tosses excitement your way in waves. Three Kings: The Gulf War is over. Operation Desert Storm is no more. Now three American soldiers have the opportunity of a lifetime; to become Three Kings. Amid the partying and confusion three soldiers disappear into the Iraqi desert to find millions in stolen Kuwaiti bullion and are plunged into the heart of a democratic uprising that spins the day - and their lives - out of control. Deep Blue Sea: Researchers on the undersea laboratory Aquatica have genetically altered the brains of captive sharks to develop a potential cure for Alzheimer's disease. There is one unexpected side effect. The sharks are getting smarter. Which could mean trouble for the researchers. And lunch for the sharks.
1994, a psychiatrist (Ben Kingsley) is put into a moral quandary when a young drug dealer supplies him with pot in exchange for clinical treatment.
Amanda Lemon (Mary-Kate Olsen) is a streetwise orphan who has only one person who really cares for her; Diane (Kirsty Alley) her case worker at the orphanage. Alyssa Callaway (Ashley Olsen) lives with her Father Roger (Steve Guttenberg) a fabulously successful businessman who has buried himself in his work since his wife died several years ago. So Amanda and Alyssa are two girls from totally different backgrounds but who look as identical twins. When they meet by chance they rea
Michael and Linda Spector are a mature successful couple who have everything it takes to be parents; except a baby. Mary Stuart Masterson and Kevin Dillon are Lucy and Sam a teenage couple who have a baby on the way; yet aren't ready to be parents... Laughter and tears are mixed together in this funny uplifting look at two very different couples who unexpectedly find a common bond and ultimately bring out the best in each other.
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