""Why I can smile and murder while I smile And cry 'Content' to that which grieves my heart And wet my cheeks with artificial tears And frame my face to all occasions..."" Soon after Edward IV is crowned King his brother Richard a hunchback twisted in mind as well as body starts scheming for the throne of England. He woos and wins Lady Anne and then poisons Edward's mind against their brother Clarence later organising his death. But even after his coronation
This gorgeous adaptation of Lucy Maud Montgomery's classic children's story is well worth watching with the whole family. Produced for Canadian television, it's one of those rare productions that actually sticks to the book and even enhances it through first-rate performances and an excellent script. Set on bucolic Prince Edward Island in the late 19th century, Anne of Green Gables is the story of Anne Shirley, an imaginative and headstrong orphan. When brother and sister Marilla and Mathew Cuthbert decide to adopt an orphan boy to help Matthew work the farm, they are astonished when Anne arrives at the train station by mistake. "What use is she to us?" grumbles the gruff Marilla. "We might be of some use to her", answers Matthew, who has taken an instant liking to the talkative Anne. As Anne grows up, her adventures are both hilarious and moving. It's a delight to watch as she forms a friendship with the beautiful Diana and her admirer--the dashing Gilbert Blythe--then dyes her hair green, cracks a slate over Gilbert's head when he calls her "Carrots", and finds a sympathetic teacher who encourages her to attend college. Richard Farnsworth is perfect as the shy and gentle bachelor Matthew, who confides to Anne that he never went courting because "I would have had to say something". Colleen Dewhurst delivers a nuanced and powerful performance as Marilla, a seemingly cold-hearted spinster whose no-nonsense exterior conceals a warm heart. And as Anne, Megan Follows strikes the perfect note, maturing from freckle-faced orphan to elegant and poised young woman. --Elisabeth Keating
It all started one night at McCool's: three unsuspecting men and one woman with a dream are brought together by lust, mayhem, DVDs, and the finer points of home decorating. Starring Liv TYler, Matt Dillon, John Goodman and Paul Reiser.
About to be hung by a posse a man is given a second chance at redemption but the cost may be more than he's willing to pay: he must give up his wiley ways and marry a widow to help her work her mine.
Yes, Elvira's back and she's fabulous! With her voluptuous milky-white cleavage, voluminous black hair and hilarious one-liners, the essence of camp oozes from her pores. Elvira's Haunted Hills culls its outrageousness from the classic Vincent Price/Edgar Allen Poe/Roger Corman films of the early 60's along with a little Rocky Horror Picture Show and Fearless Vampire Killers.The tale begins in 1851, Carpathia when Elvira and her maid ZouZou are en route to perform in the Parisian Revue Yes I Can Can but inadvertently end up at the sinister Lord Vladimere Hellsubus' medieval castle. Bearing an uncanny resemblance to Vladimere's long-dead wife, Elvira learns of the Hellsubus curse and finds her life in danger. What's a girl to do? Well, break out into song and dance, of course. Continuing our saga, love-torn Vladimere chases our heroine on her high heels around the castle. Will she escape the family curse and the evil Vladimere, and can she keep her hands off the studly stable master long enough to save the day?
Skilled plastic surgeon Phillip Ritter meets and falls in love with concert pianist Alice Brent but he is devastated when she refuses his offer of marriage and goes away on a concert tour. Determined to recreate her beautiful image he seeks out a badly scarred prisoner Lilly operates on her and marries her. Now he has Alice back but he cannot change the criminal character behind the mask... With Jimmy Sangster as assistant director Fisher at the helm and Anthony Hind producing; this picture was a clear indication of what Hammer was set to achieve.
Director Michele Soavi does the impossible by squeezing a few more drops of blood out from the slasher genre. Not only that, Soavi lensed one of the most beautiful and suspenseful horror movies of the 1980s. A genuinely haunting horror where the killer dressed as an owl goes to bloody work with a chainsaw that slices through flesh and bone...
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