Bringing the sixth and final season of 'Dawson's Creek' to a close this disc features the two-part finale aptly titled 'All Good Things Must Come To An End'. Dawson Joey Pacey Jen and Jack are reunited in Capeside after five years to celebrate Dawson's mum's wedding. But the celebratory mood comes to an end when they receive some heartbreaking news. As the gang faces a future more uncertain than ever before Joey struggles to come to terms with her true feelings for Dawson Pa
Jen is a cheerleader and Jack's on the football team. I got sane and everyone else went crazy?" That's how Andie (Meredith Monroe) sums up the topsy-turvy beginning to the third season of Dawson's Creek, in which nothing seems to be as it should and the series takes a major turn. It's junior year at Capeside High, and Jack (Kerr Smith), the town's resident gay teen, is indeed on the football team, and Jen (Michelle Williams) finds herself the object of unexpected and unwelcome popularity among her fellow students, especially the freshman quarterback (Michael Pitt). Pacey (Joshua Jackson) finds that his relationship with Andie can't be restored, and Dawson (James Van Der Beek) and Joey (Katie Holmes), after the events of last year, both think it's for the best that they're no longer together--they just never think it at the same time. Significant events include the friends starting to date outside their circle, Dawson's giving up some of his aspirations, a ! crisis for the school's new principal, a college tour, and the openings of the Potter Bed & Breakfast and Leery Fresh Fish. But the Dawson-Joey relationship is still the heart of the Creek, and it comes to a head in one of the series' most memorable episodes, "The Longest Day," and then the season finale. Even in its first season without series creator Kevin Williamson, Dawson's Creek still had plenty of punch. On the DVDs, executive producer Paul Stupin does his usual commentary track for two episodes, and he's joined by Kerr Smith. They discuss the series itself, Smith's character, and Smith's subsequent career more than the events of the episodes. The second-season DVD set disappointed many fans by replacing a large portion of the music, and that trend continues in the third season, most surprisingly in the loss of Paula Cole's theme song. Instead, the opening credits feature Jann Arden's "Run Like Mad," which was used briefly in the international broadcast. Stupin explains the switch as an attempt to do something different and creative, but then admits there was also "a bit of an economic reality." Fortunately, the DVDs do have John Lennon's "Imagine" and Mary Beth Maziarz's "Daydream Believers"--songs that in dramatic context simply could not have been replaced--and it could be argued that a veteran viewer might skip the opening credits anyway. Still, for many fans, the music made Dawson's Creek what it was, and without all of it--especially the theme song--the DVDs seem like a compromise rather than a permanent keepsake. --David Horiuchi
Though it was pre-produced by Martin Scorsese, who left the project after arguments with the producers, The Honeymoon Killers wound up being written and directed by Leonard Kastle, one of cinema's great one-hit wonders. The Henry: Portrait of a Serial Killer of 1969, The Honeymoon Killers follows hefty nurse Martha Beck (Shirley Stoler, who looks like a humourlessly malevolent Roseanne) and her low-rent gigolo lover Raymond Fernandez (Tony Lo Bianco) as they take up serial murder for profit and passion, luring middle-aged women into marriage through lonely-hearts ads, then killing them and raiding their savings. Based on a genuine crime case history, it is filmed in the candid-camera style of a Frederick Wiseman documentary. The intense scenes (such as the couple's frightening love-play: escalating arguments that end in awkward killings) unfold with a fly-on-the-wall dryness, showcasing the extraordinary acting of the leads and their cameo victims. A rare film in which genuine romantic love does not excuse the central couple's amoral behaviour, this still manages to generate some sympathy for the truly monstrous Martha. The washed-out black and white photography and sometimes scratchy soundtrack (the score is sampled from Mahler) have a deliberately amateurish feel which adds to the film's chilling power, lodging it into the memory. On the DVD: Along with a lurid trailer and gallery of images are filmographies for Stoler, Lo Bianco and (redundantly) Kastle. The widescreen transfer is excellent, representing perfectly the film's rough-hewn look but also bringing out a lot of detail--like Stoler's freckles, which have looked like grain on video releases. --Kim Newman
It's senior year for Dawson Joey Pacey Jen and Jack! After spending the summer together Joey and Pacey find it difficult to keep their romance going with the realities of school college applications and their strained relationship with Dawson. Dawson rediscovers his true life's dream Jen turns over a new leaf after getting a new boyfriend and Jack tries to rebuild relationships after revealing he's gay...
The second series of Dawson's Creek finds Dawson (James Van Der Beek) and Joey (Katie Holmes) exploring the newest phase of their lifelong friendship, leaving Jen (Michelle Williams) and Pacey (Joshua Jackson) on the outside. The former enters a downward spiral assisted by bad girl Abby (Monica Keena), but Pacey happens into a "meet cute" with one of Capeside's new residents, the impossibly perky Andie (Meredith Monroe), who turns out to be his perfect foil. The Creek also struck gold with its second major addition, Andie's brother Jack (Kerr Smith), who shows Joey that he's more than just a clumsy waiter. With the siblings' help, Pacey and Joey show the most personal growth during the season's 22 episodes. The constant parent-child crises can be a bit much, but there were numerous other developments, including a two-part sexual whodunnit, Dawson embarking on his second movie (assisted by Rachael Leigh Cook in a sizzling guest appearance), Dawson's birthday party from hell, a vicious rumour that spreads through the high school, and the emotion-wringing finale. The only bonus feature is a commentary track on the first and last episodes just as with the first season, though executive producer Paul Stupin is by himself rather than accompanied by creator Kevin Williamson. The interplay is missed, but Stupin enthusiastically offers a lot of information about how the cast had become celebrities by the second season and had to juggle other projects and random details and trivia. Stupin mentions how carefully he selected different pieces of music, which "would become forever part of our show." That's ironic because for this DVD set Stupin himself picked a lot of new music to replace the selections that originally aired, presumably because of the cost involved in securing the rights (a problem for many television DVD releases). A couple of episodes are unaltered, but others have had almost every song replaced. Newcomers to the series probably won't notice, but serious fans may want not want to tape over their video cassettes just yet. --David Horiuchi
The original and best version of Gaston Leroux's legendary book The Phantom Of The Opera is an awesome monument to the Golden Age of Hollywood starring ""The Man of a Thousand Faces"" Lon Chaney. In the film Chaney is Erik the horribly disfigured Phantom who leads a menacing existence in the catacombs and dungeons beneath the Paris Opera. When Erik falls in love with a beautiful prima donna (Mary Philbin) he kidnaps her and holds her hostage in his lair where he is destined to have
A captivating story about midlife issues 'Grand Canyon' centres on the comings and goings of six characters and the unexpected miracles that occur in their lives. Affluent lawyer Mack (Kevin Kline) breaks down in the wrong neighbourhood and is threatened by a street gang. When tow-truck driver Simon (Danny Glover) arrives in the nick of time and defuses the situation Mack is so grateful he considers how he could improve Simon's life. Mack is married to Claire (Mary McDonnell) wh
The Gospel Live is a celebration of faith in song that will bring you to your feet! Join host Anthony Anderson (Barbershop) for a live musical celebration at the Rialto Theatre in Atlanta.
The sunny streets of Brooklyn, just after World War II. A young would-be writer named Stingo (Peter MacNicol) shares a boarding house with beautiful Polish immigrant Sophie (Meryl Streep) and her tempestuous lover, Nathan (Kevin Kline); their friendship changes his life. This adaptation of the bestselling novel by William Styron is faithful to the point of being reverential, which is not always the right way to make a film come to life. But director Alan J. Pakula (All the President's Men) provides a steady, intelligent path into the harrowing story of Sophie, whose flashback memories of the horrors of a Nazi concentration camp form the backbone of the movie. Streep's exceptional performance--flawless Polish accent and all--won her an Oscar, and effectively raised the standard for American actresses of her generation. No less impressive is Kevin Kline, in his movie debut, capturing the mercurial moods of the dangerously attractive Nathan. The two worlds of Sophie's Choice, nostalgic Brooklyn and monstrous Europe, are beautifully captured by the gifted cinematographer Néstor Almendros, whose work was Oscar-nominated but didn't win. It should have. --Robert Horton, Amazon.com
Although this mega-budget action epic flopped at the box office with a resounding thud, Cutthroat Island has had a healthy shelf life on home video, where the film can be savoured in private as a spectacular guilty pleasure. Geena Davis plays Morgan, the swashbuckling daughter of an aging buccaneer who inherits one-third of a map to a secret pirate treasure. However, the map is in Latin, and she needs a lowdown thief and scoundrel (and presumably Latin scholar), played by Matthew Modine, to translate the map when they obtain the other two pieces. That's when the mayhem begins and the dashing duo race for the treasure against Morgan's scheming uncle (Frank Langella) and a hoard of greedy pirates. With wall-to-wall action ably handled by Davis' then-husband Renny Harlin, Cutthroat Island is more fun than its box-office performance would indicate. --Jeff Shannon, Amazon.com
Please Note: The studio has not sealed this disc in shrinkwrapped plastic. Please rest assured you that these discs are new. This early version of The Phantom Of The Opera is regarded by many as the first great horror film and certainly the best of the silent era. Lon Chaney is Erik the horribly disfigured Phantom who leads a menacing existence in the catacombs and dungeons beneath the Paris Opera. When Erik falls in love with a beautiful primadonna he kidnaps her and
Contains all 3 volumes from this classic family program. Disc One: 'The Tale of Peter Rabbit & Benjamin Bunny' 'The Tale of Flopsy Bunnies & Mrs. Tittlemouse' and 'The Tale of Tom Kitten and Jemima Puddleduck'. Disc Two: 'Tale of Pigling Bland' 'Tale of Samuel Whiskers' and 'The Tailor of Gloucester'. Disc Three: 'The Tale of Mrs Tiggywinkle & Jeremy Fisher' 'The Tale of Mr Tod & The Further Adventures of Peter Rabbit' and 'The Tale of 2 Bad Mice & Johnny Town Mouse'.
Ernest Hemingway's tragic wartime romance comes to vivid life in this classic 1932 film starring Oscar winners Gary Cooper and Helen Hayes. The cataclysm of WW1 sets the stage for an impassioned story of star-crossed love between a daring American ambulance driver (Cooper) and an English nurse (Hayes) in an army hospital. The tumult of war conspires to push the pair together and then wrench them apart in what becomes an ultimate test of love. Boasting beautiful cinematogrpahy and poe
This dense adaption of Ernest Hemmingway's novel features Gary Cooper as American soldier Lt. Henry and his illfated love affair with British Nurse Catherine portrayed by Hellen Hayes during World War I. Filmed in beautiful Italy the two lovers will stop at nothing to be together but Lt. Henry's internal struggles ultimately threaten the relationship. Hemmingway's theme of questioning the nature of war and fighting is fully recognised under Frank Borzage's direction.
Dawson's Creek is, first and foremost, one of the defining shows about teen angst and complicated teenage relationships. The first two seasons were the classic ones, as Dawson oscillates in his affections between beautiful Jen and his best friend Joey and manages to fall entirely between two stools. This is a show in which indecision and failure to commit is always going to lead to nothing good, however uncertain the prospects of commitment. Michelle Williams as Jen and Katie Holmes as Joey provide the show with its emotional centre of quirky intensity. James Van Der Beek as the essentially unreliable Dawson provides good looks and a hang-dog complexity of feeling to the mix, while Joshua Jackson as his sidekick Pacey provides both reliable comic relief and a sense of more depth to come in the show's later seasons. This "Best of Seasons 1 and 2" provides good examples of what the show does best. From Season 1, "The Scare" is a finely judged commentary on teen horror films--the show's creator Kevin Williamson was also responsible for the Scream franchise--and "Beauty Contest" is a finely judged social comedy about the show's high-toned resort community. Other strands in "Beauty Contest" lead in Season 2 to the brief Joey-Dawson relationship in "The Kiss" and to its aftermath in "His Leading Lady", where Dawson directs Rachael Lee Cook as Devon in a movie script based sufficiently closely on earlier episodes that she reprises Joey's actual lines. Dawson's Creek is essential teen soap, savvy enough in its post-modern edge to play well with self-parody and intertextuality.--Roz Kaveney
Four young friends spend a crazy night on the streets of Manhattan that quickly turns into a night they'll never forget!
Sam Lester is looking for an apartment in a city where affordable accomodation is hard to find. One advert leads him to the ideal place but there is a catch; he must share with two other tenants who are already using the apartment on alternate days...
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