THE MOST WWE SUPERSTARS EVER IN A LIVE-ACTION FEATURE FILM! After returning stateside and now working as an EMT, Jake Carter (Mike The Miz Mizanin) finds himself trapped with an injured, marked man he's sworn to save. As a ruthless biker gang bent on revenge gains speed, Carter must use his killer Marine instincts to end the rampage . . . or die trying! DVD Special Features: Evening The Odds featurette Superstar Studded featurette Click Images to Enlarge
This fantastic box set brings together six of Doris Day's finest efforts. Billy Rose's Jumbo (Dir. Charles Walters 1962): Pop and Kitty Wonder are the owners of the Wonder Circus and because of Pop's addiction to gambling they are constantly in debt and the creditors are very close to foreclosing on them. Their main attraction is Jumbo the elephant and it seems that their competitor John Noble wants Jumbo and is luring away all of their acts leaving them with virtually nothing. Then all of a sudden a mysterious man named Sam Rawlins joins them as a wire walker and Kitty is taken with him what they don't know is that he's Noble's son. The Glass Bottom Boat (Dir. Frank Tashlin 1966): Jennifer Nelson and Bruce Templeton meet when Bruce reels in her mermaid suit leaving Jennifer bottomless in the waters of Catalina Island. She later discovers that Bruce is the big boss at her work (a research lab). Bruce hires Jennifer to be his biographer only to try and win her affections. There's a problem Bruce's friend General Wallace Bleeker believes she's a Russian spy and has her surveillanced. But when Jennifer catches on...Watch out! Love Me Or Leave Me (Dir. Charles Vidor 1955): Story of torch singer Ruth Etting's rise from 1920s taxi dancer to movie star simultaneously aided and frustrated by Chicago mobster Marty Sydney's headstrong ways and pressure tactics. Please Don't Eat The Daisies (Dir. Charles Walters 1960): Drama critic Larry McKay his wife Kay and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kay settles into suburban life Larry continues to enjoy the theater and party scene of New York. Kay soon begins to question Larry's fidelity when he mentions a flirtatious encounter with Broadway star Deborah Vaughn. Young Man With A Horn (Dir. Michael Curtiz 1950): Aimless youth Rick Martin learns he has a gift for music and falls in love with the trumpet. Legendary trumpeter Art Hazzard takes Rick under his wing and teaches him all he knows about playing. To the exclusion of anything else in life Rick becomes a star trumpeter but his volatile personality and desire to play jazz rather than the restricted tunes of the bands he works for lands him in trouble. Calamity Jane (Dir. David Butler 1953): Deadwood Dakota Territory is largely the abode of men where Indian scout Calamity Jane is as hard-riding boastful and handy with a gun as any; quite an overpowering personality. But the army lieutenant she favors doesn't really appreciate her finer qualities. One of Jane's boasts brings her to Chicago to recruit an actress for the Golden Garter stage. Arrived the lady in question appears (at first) to be a more feminine rival for the favors of Jane's male friends...including her friendly enemy Wild Bill Hickock.
The emotional true story of a family's powerful love as they unite to save their eight year-old boy's life from AIDS...
You're never too old to believe in a dream. Or too young to make one come true! This sweet and nostalgia-drenched drama set in Depression-era South Philadelphia follows one 12-year-old boy's coming of age. Young Gennaro desperately wants to go to the opening of La Paloma the city's brand-new movie theater. But he hasn't the quarter he needs for admission. So he spends the day trying to raise the money and in the process has several misadventures and discovers many hidden t
Siren DVD's three-disc Roger Corman Collection contains The Little Shop of Horrors and The Terror, which Corman directed, as well as Dementia 13, which he produced. Though he has a reputation as one of the craftiest businessmen in Hollywood, Corman was too cheapskate in the 1960s to bother copyrighting a bunch of his films and so the same titles have been showing up on video and now DVD from many different distributors. All these films were thrown together in odd circumstances to take advantage of leftover sets, contracted performers or tied-up production funds. Little Shop of Horrors (a disguised remake of A Bucket of Blood) was famously made over a three-day weekend "because it was raining and we couldn't play tennis". The Terror exists because Boris Karloff owed a few days' work after completing The Raven and castle sets were still standing. Dementia 13 was written and directed by a young Francis Coppola in Ireland to take advantage of a European trip made for Corman's The Young Racers. All the films are interesting, in themselves and as footnotes to distinguished filmographies. Little Shop of Horrors has a lasting cult reputation for its blackly comic tale of codependency between a skid-row botanist (Jonathan Haze, relying a bit too much on a Jerry Lewis impersonation) and a blood-drinking, flesh-hungry mutant plant voiced by screenwriter Chuck Griffith ("feed meeee!"), with a creepy cameo from a young Jack Nicholson as a masochist who loves to visit the dentist. The Terror, which has Nicholson as the bewildered lead, is a wilfully incomprehensible Gothic picture made up on the spot by Corman and a handful of other directors (including Coppola and Monte Hellman), climaxing with Karloff's bogus baron and a decaying spectre woman swept away by a flood in the dungeons. Dementia 13, a saga of axe murders and mad sculptors, is brisk grand guignol with a lot of creepy imagery to do with drowned children and family rituals. On the DVD: The Roger Corman Collection limply claims the films are "digitally mastered" (note, not "remastered") as they are simply copies of low-quality video onto disc. Because these titles are public domain no one seems willing to take any care with transfers, and all three films are in terrible state. The Terror, the only colour film, looks especially atrocious (Vistascope cropped to full-frame) but the black-and-white films also suffer all manner of damage. The packaging is classy, but it's a shame more work wasn't done on the films themselves.--Kim Newman
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