Tom Hanks portrays Mister Rogers in A Beautiful Day in the Neighbourhood, a timely story of kindness triumphing over cynicism, based on the true story of a real-life friendship between Fred Rogers and journalist Tom Junod. After a jaded magazine writer (Emmy winner Matthew Rhys) is assigned a profile of Fred Rogers, he overcomes his scepticism, learning about kindness, love and forgiveness from America's most beloved neighbour.
Tom Hanks portrays Mister Rogers in A Beautiful Day in the Neighbourhood, a timely story of kindness triumphing over cynicism, based on the true story of a real-life friendship between Fred Rogers and journalist Tom Junod. After a jaded magazine writer (Emmy winner Matthew Rhys) is assigned a profile of Fred Rogers, he overcomes his scepticism, learning about kindness, love and forgiveness from America's most beloved neighbour.
A drama with heart and energy that follows the hopes and dreams of a tight-knit group of young dance students as they try to make a name for themselves and become stars in the fiercely competitive world of professional dance.
Adult siblings Baxter and Annie (Jason Bateman and Nicole Kidman), scarred from an unconventional upbringing, return to their family home. When their parents (Christopher Walken and Kathryn Hahn) - performance artists famous for elaborate public hoaxes - go missing under troubling circumstances, Baxter and Annie investigate. Unsure whether it's foul play or just another elaborate ruse, nothing can prepare them for what they discover. Based on the novel by Kevin Wilson.
Love blooms and dies at the same time in the delicate dance between Oscar nominees Ryan Gosling (Half Nelson) and Michelle Williams (Brokeback Mountain). Gosling's Dean, a high-school dropout, works for a New York moving company. While relocating a frail widower into a retirement home, he spots Cindy, a nursing student who's visiting her grandmother, but the film actually begins six years later. Married with a daughter, they live in rural Pennsylvania. Heavy drinker Dean's looks are fading, while Cindy still turns heads. In his elegantly constructed second feature, writer-director Derek Cianfrance pirouettes between past and present, with each scene commenting on the next (set to the bittersweet tones of Brooklyn band Grizzly Bear). The Dean of the early years pursues Cindy, who resists at first, but a spontaneous date ends with her tap dancing (badly) and him singing (not so badly). She leaves her domineering boyfriend (Mike Vogel) for this attentive stranger, leading to scenes of intimacy that are far more suggestive than pornographic--even if the MPAA briefly rated the film NC-17. Later, when the family dog goes missing, the cracks in their marriage intensify, so Dean arranges for a night of romance, which plays out like a negative image of their first date. If the two actors, who are very good, are meant to carry equal weight, Gosling has the more difficult task. It's harder to like the clingy, insecure Dean, who loves more intensely and less wisely, but that makes Gosling's the braver performance. --Kathleen C. Fennessy
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