""Space... The final frontier... These are the voyages of the Starship Enterprise. Its continuing mission: To explore strange new worlds... To seek out new life; new civilisations... To boldly go where no one has gone before!"" - Jean-Luc Picard (Patrick Stewart) The complete fifth season of Star Trek: The Next Generation one of the finest sci-fi shows of all-time. Episodes Comprise: 1. Redemption (Part 2) 2. Darmok 3. Ensign Ro 4. Silicon Avatar 5. Disaster
Those already into Blu-ray will have a specific title and a particular scene up their sleeves to show off the benefits of Hi-Def home entertainment to the uninitiated. Here's a true great to add to the armoury (so to speak)--the first 20 minutes of action in Saving Private Ryan [Blu-ray] are as good a demonstration as you'll ever need to make someone say "wow". The true terror of the D-Day landings in World War II is brought to startling life in this high definition release--with the explosions jumping out of the screen and bullets zipping around your ears, you're brought as close to the front line as you can get without leaving the safety of your sofa--you will need reminding to breathe once that brutal, gut-wrenching opener is over. And it doesn't stop there. The rest of the film benefits from the Blu-ray clean up, it's looking brighter and sounding more crisp than ever before (as you would expect). One of the greatest war films ever made has been expertly enhanced and it's now an even more wonderful movie experience--the transfer to 1080p is exemplary.The extras are bountiful too, with over three hours of special features. The only criticism of the entire package is that only a couple of the extras are in Hi-Def, the rest are in standard definition. However, fans of the film won't be disappointed as extras from previous DVD releases are collated, including a great insight into Steven Spielberg's mind as he talks about his interest in World War II and how it led to him making this film. The notable addition to this version's extras being an extensive and fascinating documentary Shooting War, hosted by Tom Hanks, which follows the brave soldiers tasked with chronicling the war and all the horrors that came with it. It's a great account it's own right, so owners of this copy are given plenty to pore over. Make no mistake, the scene-stealer is the opener--it grabs you by the throat and doesn't let go for 20 agonising minutes--and if you're looking to enhance your collection, then look no further than this landmark release.--Tom Lawrance Special Features 2-disc Blu-ray edition. Disc 1: Feature Film.Disc 2: Special Features: An Introduction - 2:33 Looking into the Past - 4:38 Miller and his Platoon - 8:22 Boot Camp - 7:35 Making Saving Private Ryan - 22:01 Re-Creating Omaha Beach - 17:55 Music and Sound - 15:56 Parting Thoughts - 3:41 Into the Breach: Saving Private Ryan - 25:03 Theatrical Trailer HD - 2:18 Re-Release Trailer HD - 2:08 Shooting War - 88:04
A Hollywood remake of French hit Les Visiteurs featuring the same male leads and director. Thibault (Jean Reno) is a brave medieval knight who likes riding horses rescuing damsels in distress and ordering his servant Andre (Christian Clavier) around. Now he is about to marry the most beautiful princess in the kingdom (Christina Applegate). But on the eve of his wedding a horrible tragedy occurs and a wizard's terrible mistake means that suddenly Thibault and Andre find themselves sp
Surreal comedy starring award-winning British comedian, author and TV presenter Harry Hill. Featuring machine gun-toting chickens and a terminally ill hamster, the film follows Harry and his Nan (Julie Walters) as they travel to Blackpool while being pursued by a mentally unstable veterinarian (Simon Bird). While on the journey, the pair are met with a whole host of other weird and wonderful characters including Harry's long-lost twin Otto (Matt Lucas) and Michelle (Sheridan Smith), an underw.
A shady L.A. detective (Sheffer) finds himself lost in a darkly nightmarish world of evil when he solves the mysterious puzzle box that releases the diabolical demon Pinhead! As those around him begin to meet tragic fates he sets out to conquer the horrifying Pinhead and escape eternal hell!
Rude and racy, The Layover is this year's must-see comedy! Single and jobless, Meg (Kate Upton - The Other Woman) and Kate (Alexandra Daddario Baywatch, San Andreas) are in a rough patch. Desperate to escape, they book a last minute getaway but their plans for rest and relaxation are derailed when a storm reroutes their flight to St. Louis. Holed up in a lifeless hotel whilst they wait out the storm and in need of entertainment they befriend fellow passenger, Ryan, a tall, blonde fireman. The pair suddenly find that their vacation has turned into an all-out competition for his attention. The flight may be off but the fight is on!
Filmed in VIDECOLOR [explosions, drum roll, music builds to a climax] and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a) the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here. As to the characters, the clean-cut Tracey boys take second place in the audiences' affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catchphrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nailbitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood. On this DVD: International Rescue's very first adventure provides a template for all the rest: in "Trapped in the Sky" an experimental new aircraft becomes the target of an evil Bond-style megalomaniac who wants to get his hands on all the neat pieces of kit operated by the Tracey siblings. The show introduces, in fetishistic detail, the recurring set-pieces: Thunderbird 1 taking off from the roll-back swimming pool, which pod will Thunderbird 2 use this week--the mole or the submarine perhaps?--and so on. Nostalgia fans will be pleased to learn that despite digital remastering the puppet strings are still in evidence, and no amount of high-tech restoration could remove the clunky expository dialogue: Stewardess: "It's the maiden flight of the new atomic-powered Fireflash." Passenger: "Isn't that the new aircraft that flies six times the speed of sound?" Stewardess: "That's right, but don't worry: it's perfectly safe." [Cut to: interior, Fireflash landing gear, a device clearly labelled "Auto-Bomb Detonator Unit"] Sinister bad guy (talking to himself for no readily apparent reason): "Perfect. Enough explosives to smash the Atomic Reactor." In the second episode, "Pit of Peril", an absurdly impractical US Army vehicle falls into the eponymous pit, necessitating use of pod five, the mole. Joy! Lady Penelope indulges in some James-Bond-style counter-espionage measures in the third episode, "The Perils of Penelope", while Parker indulges some of his famous Eliza Dolittle-isms; although he is trumped by the Cary Grant sound-a-like character Sir Jeremy Hodge (or 'odge as Parker would have it), whose response to a crisis is, "I say, open the door, we're British!". Then it's back to the action for the fourth episode, "Terror in New York City", in which poor Virgil is shot down by the US Navy in Thunderbird 2 before the boys must rescue an unscrupulous newshound from the wreckage of the Empire State Building (featuring the first appearance of their very own yellow submarine, Thunderbird 4) --Mark Walker
Seen through the eyes of a squad of American soldiers the story begins with World War II's historic D-Day invasion then moves beyond the beach as the men embark on a dangerous special mission. Captain John Miller (Tom Hanks) must take his men behind enemy lines to find Private James Ryan whose three brothers have been killed in combat. Faced with impossible odds the men question their orders. Why are eight men risking their lives to save just one? Surrounded by the brutal realitie
Filmed in VIDECOLOR [explosions, drum roll, music builds to a climax] and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a) the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here.As to the characters, the clean-cut Tracey boys take second place in the audiences' affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catch phrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood.On this DVD: The four episodes are: "End of the Road", "The Uninvited", "Sun Probe" and "Operation Crash Dive".
Short Time is an action comedy centring on Burt Simpson (Coleman) a burnt out cop divorced and depressed. His sole joy is his son Dougie whom he hopes to send to Harvard. But Burt's existence is thrown into turmoil when he is informed he has only a ""short time"" to live just one week before retirement. On discovering that his insurance policy will only pay out - and Dougie will only be able to afford to go to college - if he dies in the line of fire Burt must turn into a wild vigilan
The mysterious and savage death of Sir Charles Baskerville on Dartmoor attracts the attention of the legendary private detective Sherlock Holmes and Dr. Watson. Local folklore has it that there is a 200 hundred year old curse on the Baskervilles: that a monstrous hellhound roams the moors waiting to attack the heirs to the estate. Holmes and Watson meet Sir Henry the new heir who has recently arrived in London from abroad and after enigmatically quizzing him about a lost boot Holmes instructs Dr. Watson to accompany the man to Baskerville Hall. So begins the classic Conan Doyle mystery as Watson first encounters a number of intriguing characters living at the Hall each with a secret each with a hidden fear...
An all-singing all-dancing star-spangled musical leap around the biblical story of the Nativity set in 1972. With a comic twist this familiar story is brought to life through the eyes of the innkeeper. Despairing after a bad year he contemplates suicide but his attempt is stalled by a voice from above who points out that King Herod is coming to town.
Filmed in VIDECOLOR--[explosions, drum roll, music builds to a climax]--and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a)the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here. As to the characters, the clean-cut Tracey boys take second place in the audience's affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catchphrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood. On this DVD: The four episodes are: "Alias Mr. Hackenbacker", "Lord Parker's 'Oliday", "Ricochet" and "Give or Take a Million". Amazon.com
Since its release in 1998, Steven Spielberg's D-Day drama Saving Private Ryan has become hugely influential: everything from the opening sequence of Gladiator ("Saving Marcus Aurelius") to the marvellous 10-hour TV series Band of Brothers has been made in its shadow. There have been many previous attempts to recreate the D-Day landings on screen (notably, the epic The Longest Day), but thanks to Spielberg's freewheeling hand-held camerawork, Ryan was the first time an audience really felt like they were there, storming up Omaha Beach in the face of withering enemy fire. After the indelible opening sequence, however, the film is not without problems. The story, though based on an American Civil War incident, feels like it was concocted simply to fuel Spielberg's sentimental streak. In standard Hollywood fashion the Germans remain a faceless foe (with the exception of one charmless character who turns out to be both a coward and a turncoat); and the platoon, led by Tom Hanks, consists of far too many stereotypes: the doughty sergeant; the thick-necked private; the southern-man religious sniper; the cowardly corporal. Matt Damon seems improbably clean cut as the titular private in need of rescue (though that may well be the point); and why do they all run straight up that hill towards an enemy machine-gun post anyway? Some non-US critics have complained that Ryan portrays only the American D-Day experience, but it is an American film made and financed by Americans after all. Accepting both its relatively narrow remit and its lachrymose inclinations, Saving Private Ryan deserves its place in the pantheon of great war pictures. On the DVD: This DTS edition of Saving Private Ryan presents the movie with astonishingly vivid surround sound that is audibly superior to the standard Dolby Digital version. With a wider dynamic range and a more spacious soundfield, the battles really do spill over into your living room. There are new animated menus but because the DTS data stream requires greater space on the disc, the 30-minute behind-the-scenes documentary included on the previous release is omitted. --Mark Walker
Filmed in VIDECOLOR--[explosions, drum roll, music builds to a climax]--and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a)the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here. As to the characters, the clean-cut Tracey boys take second place in the audience's affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catchphrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood. On this DVD: The four episodes are: "The Duchess Assignment", "Brink of Disaster", "Attack of the Alligators!" and "Martian Invasion". Amazon.com
Caught in the heart of a nuclear explosion a victim of gamma radiation gone wild Doctor Robert Bruce Banner now finds himself transformed in times of stress into one thousand pounds of unfettered fury - the most powerful creature ever to walk the earth. Desperate to rid himself of the beast raging inside Bruce Banner becomes a hapless fugitive in the 1990s animated series of The Incredible Hulk Season 1. This double DVD includes all 13 bittersweet episodes and voice-over by Lou Ferrigno the renowned Hulk actor from Marvel's live-action 1970s TV series. With the relentless General Ross in hot pursuit Bruce Banner's experimental escapades lead to some heroic help from Iron Man the Fantastic Four Thor and She-Hulk. Meanwhile the Hulk faces explosive encounters with the Leader Doctor Doom and the Abomination. Episodes Comprise: Return of the Beast Part 1 Return of the Beast Part 2 Raw Power Helping Hand Iron Fist Innocent Blood Man to Man Beast to Beast Doomed Fantastic Fortitude Mortal Bounds And the Wind Cries... Wendigo Darkness and Light Part 1 Darkness and Light Part 2 Darkness and Light Part 3
Spider-Man (1 Disc Edition): Peter Parker (Maguire) was a shy quite nerdy teenager...until he was bitten by a genetically altered spider. Now with the heightened senses and incredible strengths and abilities of a spider Parker has become the amazing Spider-Man. Charlie's Angels: Cameron Diaz Drew Barrymore and Lucy Liu are Charlie''s Angels - a trio of elite private investigators who with the latest in high-tech gadgets martial arts techniques and a vast array of disguises unleash their state of the art skills on land sea and air. Their goal to track down a kidnapped billionaire-to-be and keep his top-secret voice identification software out of his lethal hands. Aided by their faithful lieutenant Bosley (Bill Murray) and under the sure hand of their suave playboy boss notorious for his clever ways of avoiding face-to-face meetings the girls must foil an elaborate murder-revenge plot that could destroy individual privacy and corporate security worldwide. Adventure has never been more beautiful! Vertical Limit: An emotionally-charged action-adventure tale of a retired climber (Chris O''Donnell) who must launch a treacherous and extraordinary rescue effort up K2 the world''s second highest peak to save his estranged sister and her summit team in a race against time....
A rebellious American teenager's plan to assert her independence runs an explosively violent course when she falls for the charms of an alluring ex-convict in Stolen Innocence a gripping drama based on a true story. Eighteen-year-old Stacy Sapp (Gold) runs away from her overbearing mother Becky (Armstrong) and passive father John (Searcy) for a life of freedom and adventure on the road. The nave girl meets Richard Brown (Calabro) a handsome charismatic young man travelling
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