This side-splittingly funny box set contains 'There's Something about Mary: Special Edition' and 'Stuck On You'. Something About Mary: Still suffering from a High School crush on Mary (Cameron Diaz) the nerdy angst-driven Ted (Ben Stiller) tracks her down thirteen years later with the help of a sleazy private investigator (Matt Dillon) who also falls for her. Unfortunately both men discover that virtually every man who sets his eyes on the dazzling Mary finds himself head over heels in love and determined to win her hand. The wacky Farrelly Brothers have pushed the envelope again creating another outrageous movie experience guaranteed to make you laugh and keep you coming back for more. Stuck On You: Conjoined twins Bob (Damon) and Walt (Kinnear) move to Los Angeles so that Walt can more actively pursue his dream of being a successful actor. After a chance appearance on Cher's TV show the pair become celebrities overnight but as Bob's internet girlfriend (Mendes) is about to uncover his secret the sudden success threatens to drive the two brothers apart...
Available for the first time on DVD! At last he found something worth fighting for The year is 1942. The war already 3 years old rages on with no end to the bitter struggle in sight. For Rebel sickened by the horrors of jungle warfare desertion is the only way out. On the run in Sydney he drifts from bar to bar in the city's notorious red light district until he meets and falls in love with Kathy the beautiful singer in an all-girl band. But Rebel's days of running are numbered. Relentlessly pursued by the Military Police he is finally forced to choose between escaping to freedom or risking capture by staying with the girl he loves. Alive with an unforgettable soundtrack that brilliantly mixes the music and moods of the 40s with the punch and style of the 80s.
On June 12 1985 an undercover New York City policeman was hassled by two black teenagers. A struggle ensued and shots were fired leaving one of the two teens dead. So begins this shocking story. Was the killing racially motivated or was it a justified use of force by a policeman?
There's Something About Mary is one of the funniest films in years, recalling the days of the Zucker-Abraham-Zucker movies, in which (often tasteless) gags were piled on at a fierce rate. The difference is that co-writers and co-directors Bobby and Peter Farrelly have also crafted a credible story line and even tossed in some genuine emotional content. The Farrelly brothers' first two pictures, Dumb and Dumber and Kingpin, had some moments of uproarious laughter, but were uneven. With Mary, they've created a consistently hilarious romantic comedy, made all the funnier by the fact that you know that they know that some of their gags go way over the line. Cameron Diaz stars as Mary, every guy's ideal. Ben Stiller plays a high-school suitor still hung up on her years later; the obstacles standing between him and her include a number of psychotic suitors, a miserable little pooch and, oh yeah, a murder charge. The Farrellys' admittedly simplistic camera work, which adapts easily to a TV screen, and the fact that you'll likely to laugh yourself so silly over certain scenes you'll want to replay them to see what you were missing while you were busy convulsing, make this a perfect film for home-viewing. --David Kronke, Amazon.com
On June 12 1985 an undercover New York City policeman was hassled by two black teenagers. A struggle ensued and shots were fired leaving one of the two teens dead. So begins this shocking story. Was the killing racially motivated or was it a justified use of force by a policeman?
Steven Soderbergh's The Informant!, like the director's one-two Oscar® punch Erin Brockovich and Traffic, is an energetic exposé of corporate/criminal chicanery with wide-ranging implications for life in these United States. Not so much like those movies, it plays as hyper-caffeinated comedy. At its center is Mark Whitacre (Matt Damon), a biochemist and junior executive at agri-giant Archer Daniels Midland who, in 1992, began feeding the FBI evidence of ADM's involvement in price fixing. Mark's motive for doing so is elusive, sometimes self-contradictory, and subject to mutation at any moment. To describe him as bipolar would be akin to finding the Marx Brothers somewhat zany. His Fed handlers, along with the audience, start thinking of him as a hapless goofball. Then they and we get blind-sided with the revelation of further dimensions of Mark's life at ADM, and the nature of the investigation, and the movie, changes. That will happen again. And again. It's Soderbergh's ingenious strategy to make us fellow travelers on Mark's crazy ride, virtually infecting us with a short-term version of his dysfunctional being. Props to screenwriter Scott Z. Burns for boiling down Kurt Eichenwald's 600-page book The Informant: A True Story without sacrificing coherence. And Matt Damon, bulked up by two stones and spluttering his manic lines from under a caterpillar mustache, reconfirms his virtuosity and his willingness to dive deep into such a dodgy personality. On the downside, despite a small army of comedians in cameo roles, The Informant! has nothing like the rich field of subsidiary characters encountered in Erin Brockovich and Traffic. That lack of vibrancy is aggravated by the dominance of prairie-flat Midwest speech patterns and cadences (most of the film unreels in Illinois), and the razzmatazz score by veteran tunesmith Marvin Hamlisch sounds like pep-rally music on an industrial film. Soderbergh also photographed the movie (under his pseudonym Peter Andrews), and his decision to show everything through a corn-mush filter turns it into a big-screen YouTube experience. --Richard T. Jameson
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