Jake Robbins (Kristofferson) was shot down over Cambodia while serving in the Air Force and presumed dead by his wife Sarah (Williams). In fact Jake was captured and then he escaped with the help of Leang a Khmer Rouge peasant. Although they are on opposite sides Jake and Leang develop an understanding and fall in love. But after years of raising a family together Jake is forcibly separated from Leang when it is discovered he is an American Citizen. Waking up in the United Stat
A victim of her father's debt Little Dorrit has spent her childhood behind the heavy iron doors of Marshalsea Prison. But will a chance meeting change her life? Andrew Davies' gripping new series brings to life Dickens' classic tale of hardship and struggle in 1820s London where larger-than-life characters leap from rags to riches (and back again) and fortunes can be reversed in an instant. Returning home after many years abroad Arthur Clennam is surprised by the mysterious presence of Amy Dorrit a young seamstress in his mother's house. Troubled by the Dorrits' plight and suspecting his own family's involvement in their downfall he resolves to help them. Delving into the puzzling connections between the two families Arthur entangles himself in a mystery that transcends the walls of Marshalsea to include an epic scope and a personal resonance that makes this tale one of the most exhilarating and stirring in history. And as the truth unfolds Arthur discovers that the shadow of debt can fall in the most unlikely of places'.
Amy Adams is a young woman plans to propose to her boyfriend on Leap Day, an Irish tradition which occurs every time February 29 rolls around. However she faces a major setback when bad weather threatens to derail her planned trip to Dublin.
"A Single Man" is a romantic tale of love interrupted, the isolation that is an inherent part of the human condition, and ultimately the importance of the seemingly smaller moments in life.
The devil made me do it. After being honourably discharged from the Navy Elvis Valderez returns to him hometown of Corpus Christi in Texas in the hope of finding his father whom he has never met. He soon discovers that he is the pastor of a local Baptist church and married with children. Serving as a reminder of his wayward past Elvis' father rejects him. However Elvis' half-sister and he begin a relationship that leads to tragic consequences.
In this horror sequel a young film student makes a movie about urban legends, only to find her friends and crew start dying...
Director Rob Zombie's horrific creations return for more blood-soaked mayhem.
Stoker is a masterful psychodrama that teems with unsettling vibrations that hark directly back to Alfred Hitchcock, but also to the wave of contemporary cinema that has been surging in South Korea for the past decade. It is the first American feature by the auteur Park Chan-wook, whose widely seen trilogy of "revenge" films, Sympathy for Mr. Vengeance, Oldboy, and Lady Vengeance, paved the way for the meticulous craftsmanship of Stoker. The inspiration for Wentworth Miller's haunting script was Hitchcock's Shadow of a Doubt, though Stoker makes for an altogether creepier tale of a mysterious uncle, his melancholy niece, and the deadly interplay of family secrets slowly revealed. Park's delicate weaving of style transforms the material into a narrative symphony, with thematic elements conveyed in the smallest details of composition, art direction, and graceful cinematography. Mia Wasikowska is India Stoker, the teenage niece who just lost her father to a violent auto accident. It's a complete surprise to India and her mother Evelyn (Nicole Kidman) when his handsome younger brother Charlie (Matthew Goode) shows up at the brooding family mansion (itself a character that is integral to the story). Charlie's enigmatic smirk signals both calm and danger, and his presence is a catalyst that ratchets up the emotional turmoil India and Evelyn are already experiencing. India senses the danger even as she is drawn to Charlie, and her mother's repressed sexuality turns into a bonfire under his mysterious charm. He tempts and teases them both in an expertly choreographed dance of menace that fuels the rage building in India and puts further pressure on her mother's cataclysmic despair. Charlie's psychopathic presence infests the brooding, yet deceptively airy surroundings of the Stoker estate with a sense of peril that is just out of reach. Several key scenes unfold at the family dinner table, where poison lurks in Freudian undercurrents and maybe in the food and wine, too. The most mesmerising sequence captures a visit from the sheriff, who's investigating the murder of one of India's schoolmates. The crime is just one of many acts of deadly violence that erupt with jarring force in the past, present, and future of Stoker's disturbing timeline. As the sheriff talks to India and Charlie, the camera swirls around to the rhythm of the scene, separating, uniting, then retreating from them in a virtuosic room-to-room sweep. The extended take says much more about the interplay of India and Charlie's dread connection than the oblique dialogue. It's also a breathtaking illustration of Park's obsessive attention to shot design. But Stoker is much more than an exercise in style; it is also an unnerving and understated thriller that gives big rewards for all that attention to detail. To say that there are plot twists is an understatement for a movie whose elegant creativity is the biggest twist of all. --Ted Fry
Ken Burns' follow-up to his brilliant 'American Civil War' is 'The West' spanning the history of the American West from 1500 to 1914 intricately weaving together evocative and never before seen still photographs and newsreels from 74 different archives journals songs and music diaries and artefacts that together tell one of the most fascinating and epic stories in human history. The Spanish Conquistadors and missionaries. The great Indian nations. The pioneers and settlers. The
This wrong-headed adaptation of the very funny (and scatological) novel by T. Coraghessan Boyle was written and directed by Alan Parker, who doesn't seem to have much of a clue. It's not a botch, just a movie that hammers its efforts at humour too hard. The focus is split between three storylines: the life of cereal tycoon John Kellogg (Anthony Hopkins with buck teeth), who has created a health spa for the wealthy that focuses on regular cleansing of the digestive tract (as well as applications of electricity); the troubles of an unhappy young couple (Matthew Broderick and Bridget Fonda), who come to the spa hoping to cure their marital ills (Broderick gets the worst of the deal); and the efforts of a young hustler (John Cusack), who is trying to break into the breakfast-cereal business but gets taken by an even bigger hustler (Michael Lerner). There are subplots about Kellogg's children but they add little. For all the excrement and enema jokes, the joys of this movie are distinctly scattered. --Marshall Fine
Haunted by the failure to catch London's most evil killer, Jack the Ripper, Inspector Edmund Reid now heads up the notorious H Division the toughest police district in the East End. Charged with keeping order in the blood-stained streets of Whitechapel, Reid and his men find themselves fighting to uphold justice and the rule of law; but always in the background lurks the fear of the Ripper is he back for another reign of terror? Special Features: Walking Whitechapel Behind The Scenes of Ripper Street
Based on the novel by Andy Zeffer, cult gay director Casper Andreas follows up hits Slutty Summer and The Big Gay Musical with Going Down in LA-LA Land, a riveting and uncensored look at the glittering stars and studios of Hollywood, and its lesser-exposed neighbour - the seedy and cut-throat porn industry. Wide-eyed, hunky upstart Adam arrives in Los Angeles from New York, brimming with hope for a career in the movie business. He shacks up with best friend Candy, who is also desperate to get a foot in the Hollywood door. Together they hit the red carpets and cocktail parties to network and score roles. Adam's drop dead gorgeous body and chiselled looks prove a rich picking to the needy and seedy agents, directors and studio executives of Hollywood Boulevard, and he begins almost instantly to climb the ladder of fame - or so it seems. Featuring a slew of West Hollywood cameos from Perez Hilton, Bruce Vilanch, Alec Mapa (Desperate Housewives) and Judy Tenuta (Butch Camp), Going Down In LA LA Land is a Los Angelean lesson in the ups and downs of fast fame and bosom buddies.
A high-octane feature-length special that reveals what happens when deadly enemies finally get to settle the score. Driven into hiding after the death of Tim O'Leary's wife Emily drug dealer Terry Gibson hatches a plan to deliver both Tim and Steve into his clutches...
Six months after Jack the Ripper's reign of terror in East London, Detective Inspector Edmund Reid and the H Division fight to keep law and order on the chaotic streets of Whitechapel. However, a troubled yet and determined Detective Reid struggles to come to terms with a tragedy from the past and soon gets drawn into the seedy criminal underworld of Victorian London, where each new murder elicits fear that the Ripper may be back.
Patagonia narrates the journeys of two women - one looking for her past the other for her future. The film inter-cuts between their stories in which one of them travels south to north through the Welsh springtime and the other east to west through the Argentine autumn. Directed by Marc Evans (My Little Eye) Patagonia stars Matthew Rhys (The Edge of Love and Brothers and Sisters) and Nia Roberts (Solomon and Gaenor) alongside Grammy Award winning singer Duffy in her acting debut. A road movie for romantics Patagonia is a film of intimate moments that play out against the sweeping panoramic landscapes complemented by a hauntingly beautiful soundtrack.
Set in 1899, this musical drama from director Baz Luhrmann ("Romeo + Juliet") stars Ewan McGregor as a young poet who begins a passionate but doomed affair with the most famous courtesan in Paris (Nicole Kidman).
Belle is inspired by the true story of Dido Elizabeth Belle (Gugu Mbatha-Raw) the illegitimate mixed race daughter of a Royal Navy Admiral. Raised by her aristocratic great-uncle Lord Mansfield (Tom Wilkinson) and his wife (Emily Watson) Belle's lineage affords her certain privileges yet the colour of her skin prevents her from fully participating in the traditions of her social standing. Left to wonder if she will ever find love Belle falls for an idealistic young vicar's son bent on change who with her help shapes Lord Mansfield's role as Lord Chief Justice to end slavery in England.
The Newton Boys were the most successful bank robbers in the history of the United States. They never killed anyone, never snitched and only robbed banks (just bigger thieves, in their opinion), until their final deal, which was a botched train robbery for $3 million. Engagingly played by Matthew McConaughey, Ethan Hawke, Skeet Ulrich and Vincent D'Onofrio, the Boys don't have the kind of flaws of more brutal criminals that make for more volatile dramas. The film ambles along in a leisurely way to tell its story of the Newtons' bank-robbing career, with an ever-present air of reverent Americana. This may make some viewers impatient and cause a glow in others. It seems like a departure for director Richard Linklater (Slacker and Dazed and Confused)--a costumer to be sure but Linklater's deliberately amiable pace perfectly balances the Boys' personalities. You may wander into this movie and feel right at home. The golden-hued cinematography of Peter James (Driving Miss Daisy) adds a level of comfort that makes everything warm-like. The end credits intercut archival footage of two of the real-life Newton boys toward the end of their lives, one from a 1980 appearance with Johnny Carson on The Tonight Show. --Jim Gay
The Pillars Of The Earth is set against a backdrop of war, religious strife and power struggles which tears lives and families apart. In that time, there rises a magnificent Cathedral in Kingsbridge. Against the backdrop, love-stories entwine: Tom, the master builder, Aliena, the noblewoman, the sadistic Lord William, Philip, the prior of Kingsbridge, Jack, the artist in stone work and Ellen, the woman from the forest who casts a curse. At once, this is a sensuous and enduring love sto...
Please wait. Loading...
This site uses cookies.
More details in our privacy policy