Five ordinary people needed a miracle. Then one night Faye Riley left the window open. When an unscrupulous real estate developer sends thugs into a deteriorating tenement to get rid of the last five tenants they need nothing short of a miracle to stay where they are. In this delightful fantasy presented by Steven Spielberg little stands between the brave holdouts and the street. But one night when all hope seems lost tiny visitors from outer space mysteriously glide th
Gerard Butler (London Has Fallen, Geostorm), Pablo Schreiber (Orange is the new Black, American Gods), O'Shea Jackson Jr. (Straight Outta Compton) and Curtis 50 Cent Jackson (Power, Southpaw) star in gritty action thriller DEN OF THIEVES. A notorious crew of bank robbers plan to pull off the ultimate heist to steal $120million in cash from the Federal Reserve Bank in downtown LA right under the noses of the state's most feared police unit.
Gerard Butler (London Has Fallen, Geostorm), Pablo Schreiber (Orange is the new Black, American Gods), O'Shea Jackson Jr. (Straight Outta Compton) and Curtis 50 Cent Jackson (Power, Southpaw) star in gritty action thriller DEN OF THIEVES. A notorious crew of bank robbers plan to pull off the ultimate heist to steal $120million in cash from the Federal Reserve Bank in downtown LA right under the noses of the state's most feared police unit.
Young Danny Madigan (Austin O'Brien) is a lonely 11-year-old boy who escapes from his bleak reality by watching the action adventure movies of his favorite film character, Jack Slater (Arnold Schwarzenegger). When his best friend, Nick the projectionist, gives him a special ticket to the new Slater film, Danny is magically transported into Jack's world, where the good guys always win. Danny becomes his helper as Jack battles a trio of nefarious bad guys, Benedict (Charles Dance), Vivaldi (Anthony Quinn) and The Ripper (Tom Noonan). But things get out of hand when Benedict steals Danny's magic ticket stub and transports himself into the real world, where crime can, and often does, pay. Jack and Danny must leave fictional Los Angeles for real-life New York and battle the villains without the aid of movie magic or stuntmen.
Writer Harold Pinter (Betrayal) and director Karel Reisz (Isadora) take an experimental spin with John Fowles's magnificent novel set in Victorian England, and come up with something puzzling. Jeremy Irons and Meryl Streep play the forbidden lovers in Fowles's story, but in a parallel story line they also play contemporary actors performing those characters in a movie production and having an affair of their own during off-hours. Got that? Considering that Fowles himself presents alternative endings in his novel, something equally eccentric is called for here. But little is accomplished by this intertwining of a fictional past and present, and the opportunity to do justice to a great story is lost. On the plus side, Irons and Streep are instantly striking as a natural couple on screen, and their presence makes watching The French Lieutenant's Woman easy enough despite the larger problems. --Tom Keogh
Tchaikovsky - The Classic Ballets
The chance to become more like a normal human being is enticing. It also scares him to death. This season all the members of the Sneaky Pete family explore their identity. It's a dangerous journey. They could lose themselves or their lives.
During World War II a British Army officer is despatched to Borneo to train the local tribesmen to fight the Japanese and is surprised to discover the tribal king is an American. The two train the tribe and fight in a series of battles but both are sadly aware that their destruction is imminent...
Apartment block tenants seek the aid of alien mechanical life-forms to save their building from demolition.
The 1980s was the make-and-break decade for Sylvester Stallone's career, and Lock Up typifies the direction he took in his post-Rocky and Rambo days. It's a concept movie in the same mould as Rambo III just before it, and Tango & Cash just after. The hero (Frank Leone) is put in jeopardy (Gateway Prison), establishes a nemesis to defeat (in the shape of Donald Sutherland as Warden Drumgoole), makes a few friendships that can be sacrificed along the way (Tom Sizemore as Dallas) and does what he does in the name of love (Darlanne Flugel as Melissa). The revenge-twisted warden puts him through hell over a shared back-story. The torture ranges from being made to hold his breath in a delousing chamber to sanity-stretching periods in "The Hole". It's all about how far a man can be pushed. But being a Stallone vehicle, it's not all depressing. Composer Bill Conti reunites with the star to put the same sort of heroic fuel behind a prison-yard football game as he did for Rocky. A couple of feel-good songs pep up the love story and a montage of camaraderie in rebuilding a broken-down car. There's a healthy sense of realism achieved by having Sly doing all his own stunts and the use of a real-life prison. If the elements lead to a by-the-numbers conclusion (it's no Shawshank Redemption), remember this was some years before the actor wanted to get serious. On the DVD: A surprising amount of footage has been assembled in the two behind-the-scenes featurettes: we see Stallone directing his own fight scenes, and how use of New Jersey's Rahway Prison came with 2,500 real inmates to keep under control. Sound bite interviews reveal Stallone's worldly philosophies, then a trailer and gallery of 17 photos round out a decent overall package. --Paul Tonks
Emilio Estevez and Samuel L. Jackson are Colt and Luger two dangerously over-the-edge detectives who uncover a despicable plot to simultaneously rot America's brains and teeth with drug-laced Wilderness Girl cookies. Aided by a likeable slimeball (Jon Lovitz) a leather-loving beauty (Kathy Ireland) they battle arch bad-dudes General Mortars (William Shatner) and Mr Jigsaw (Tim Curry) in a riotous crime-busting comedy romp featuring surprise cameos from more superstars than you can shake a .375 Magnum at. In the tradition of 'Hot Shots!' and 'Naked Gun' it's outlandishly off-beat and outrageously out-of-control as macho crime-action takes it in the shorts in... 'National Lampoon's Loaded Weapon 1'!
48 Hours: Nick Nolte and Eddie Murphy make one of the most unusual and entertaining teams ever in Walter Hill's roller-coaster thriller 48 HRS. Nolte is a roughedged cop after two vicious cop-killers. He can't do it without the help of smooth and dapper Murphy who is serving time for a half-million dollar robbery. This unlikely partnership trades laughs as often as punches as both pursue their separate goals: Nolte wants the villains; Murphy wants his money and some much-needed female companionship. Watch for Murphy's hilarious scene in a redneck country-western bar - you'll want to see it again and again. Beverly Hills Cop: The heat is on in this fast paced action-comedy starring Eddie Murphy as Axel Foley a street smart Detroit cop tracing down his best friend's killer in Beverly Hills. Axel quickly learns that his wild style doesn't fit in with the Beverly Hills Police Department which assigns two officers (Judge Reinhold & John Ashton) to make sure things don't get out of hand. Dragging the stuffy detectives along for the ride Axel smashes through a huge culture clash in his hilarious high-speed pursuit of justice. Coming to America: Eddie Murphy is a king of comedy and in John Landis' Coming To America Murphy is also the Prince of Comedy - a very wealthy and pampered African prince who comes to America in search of a bride. Accompanied by his closest companion (Arsenio Hall) Murphy quickly finds a job new friends new digs new enemies - and lots of trouble. Keep an eye out for both Murphy and Hall in some unforgettable cameo roles! The Golden Child: As The Chosen One Eddie Murphy's on a madcap mission to save The Golden Child a youth with mystical powers who's been abducted by an evil cult. He battles a band of super-nasties scrambles through a booby-trapped chamber of horrors and traverses Tibet to obtain a sacred dagger. But it's Murphy's wit that turns out to be his sharpest weapon in this 24-karat comedy adventure. Trading Places: Eddie Murphy established himself as a comedy superstar in his role as streetwise hustler Billy Ray Valentine. Fellow Saturday Night Live alumnus Dan Aykroyd co-stars as Louis Winthorpe III a wealthy investment executive at Duke Brothers a Wall Street firm. The fun begins when the rich and greedy Duke Brothers (Don Ameche and Ralph Bellamy) wager a bet over whether born loser Valentine could become as successful as the priggish Winthorpe if circumstances are reversed. The Dukes have the money to make this happen but when Valentine and Winthorpe catch on they arrange for a rich and riotous payback! Norbit: Norbit (Eddie Murphy) has never had it easy. As a baby he was abandoned on the steps of a Chinese restaurant/orphanage and raised by Mr. Wong (Eddie Murphy). Things get worse when he's forced into marriage by the mean junk food-chugging queen Rasputia (Eddie Murphy). Just when Norbit's hanging by his last thread his childhood sweetheart Kate (Thandie Newton) moves back to town...
Who is Marius Josipovic? Marius himself would like to know. He's feeling a pull toward the Bernhardt family. But he's not part of the family. He's a con-man. The chance to become more like a normal human being is enticing. It also scares him to death. This season all the members of the Sneaky Pete family explore their identity. It's a dangerous journey. They could lose themselves or their lives.
A two-part US TV miniseries here edited into a 122-minute feature, Asteroid was originally rushed onto (television) screens in 1996, well before the one-two big screen punch of Deep Impact and Armageddon. Single mum-cum-astronomy boffin Dr Lily McKee (Annabella Sciorra) works out that a comet is about to divert a meteor shower towards Earth ("at its present rate, Helios would hit with the force of a thousand Hiroshimas and the heat of the Sun") and spends the first half of the film alerting the authorities to the danger, and the second half helping rugged rescue guy Jack Wallach (Michael Biehn) haul survivors out from under the rubble caused when a bunch of minor asteroids collide with the planet (well, America); all while as the usual shenanigans go on to cope with the big, preventable chunk. The script explains everything in children's science lecture terms ("Mom, are we going to die like the dinosaurs?" "I don't think so, honey, we're much smarter than the dinosaurs") and is written in pure comforting cliché-speak ("I'm sure she's serious, but is she for real?"). With its hymn to the quick-thinking authorities and intently cooperating heroes, this may be the most pro-Establishment disaster film ever made: only a few panicky civilians cause any trouble, and we need plot contrivances to get made-for-TV he-man Biehn into danger as he outruns a flood in Kansas City or searches for the heroine's missing kid (Zachary B Charles) in the burning wreckage of Dallas. A large supporting cast of no-name labcoats, uniforms and victims clutter up the screen between the effects. Of course, this can't compete with its big-screen counterparts, but it did get there first, coopting the CGI and modelwork techniques of Independence Day to the rock-from-space sub-genre (cf: Meteor) as cities are smashed, crowds submerged, the planet battered and multitudes saved to order. --Kim Newman
A detention camp probation officer tries to build a winning team from a ragtag group of dangerous teenage inmates.
Vacation paved the way for the John Hughes movie dynasty of the 1980s. Written by Hughes (who would go on to write, direct, and/or produce The Breakfast Club, Ferris Bueller's Day Off, Uncle Buck, Home Alone, and so on) and directed by Harold Ramis (Caddyshack, Groundhog Day, Stuart Saves His Family), the first Vacation movie introduces us to the all-American Griswold family: father Clark (Chevy Chase), mother Ellen (Beverly D'Angelo), son Rusty (future Hughes staple Anthony Michael Hall), and daughter Audrey (Dana Barron). They all pile into the car for a cross-country road trip to Walley World, stopping along the way to view the world's biggest ball of twine. John Candy, Imogene Coca, and Randy Quaid (as yokel Cousin Eddie) pop up along the way. The movie was a big hit, and was followed by several sequels--National Lampoon's European Vacation, National Lampoon's Christmas Vacation, and National Lampoon's Vegas Vacation--but this one is still probably the freshest and funniest of the bunch. --Jim Emerson
John McTiernan (The Hunt for Red October) imaginatively directs this action comedy, which is an interesting failure with some fascinating ironies that make it well worth seeing. Arnold Schwarzenegger plays both a character named Jack Slater--a fictional cop hero who exists only in the movies (ie, the movies seen by the characters in this movie) and the actor who plays Jack Slater in the real world (ie, in the movie we're actually watching). McTiernan's hall-of-mirrors effect is fun, though Last Action Hero never quite identifies itself as a pure action movie, science fiction, a kid's movie, or anything else. (The expensive film suffered at the box office as a result and was roundly criticised for this ambivalence.) What lingers in the memory, however, is Schwarzenegger, playing himself, being confronted by Slater for having created an alter ego for film in the first place. It's a provocative moment: how often have we seen a major star blatantly wrestle with his actor's legacy in this way? --Tom Keogh
Eddie Murphy rocketed to movie star status (and earned a Best Actor Golden Globe® nomination) in this acclaimed action comedy that pushes the limits of both genres. Nick Nolte is unforgettable as Jack Cates, a rough-edged Inspector on the hunt for two vicious cop killers. Unlikely ride-along con Reggie Hammond (Murphy) is given a 48-hour leave from prison to help Cates on the case. The laughs fly almost as much as the punches, as both men attempt two very different goals in a short amount of time. This high-octane classic comes to 4K Ultra-HD⢠with HDR-10 and Dolby Vision and is approved by director Walter Hill. Product Features Filmmaker focus: director Walter Hill on 48 hrs. Theatrical trailer Space kid (original 1966 animated short)
An astounding array of talent came together for the big-screen adaptation of John Fowles's novel The French Lieutenant's Woman, a postmodern masterpiece that had been considered unfilmable. With an ingenious script by the Nobel Prizewinning playwright HAROLD PINTER (Betrayal), British New Wave trailblazer KAREL REISZ (Saturday Night and Sunday Morning) transforms Fowles's tale of scandalous romance into an arresting, hugely entertaining movie about cinema. In Pinter's reimagining, JEREMY IRONS (Dead Ringers) and MERYL STREEP (Sophie's Choice) star in parallel narratives, as a Victorian-era gentleman and the social outcast he risks everything to love, and as the contemporary actors cast in those roles and immersed in their own forbidden affair. The French Lieutenant's Woman, shot by the consummate cinematographer FREDDIE FRANCIS (Glory) and scored by the venerated composer and conductor CARL DAVIS, is a beguiling, intellectually nimble feat of filmmaking, starring a pair of legendary actors in early leading roles. Special Edition Features New 2K digital restoration, with uncompressed monaural soundtrack on the Blu-ray New introduction by film scholar Ian Christie New interviews with actors Jeremy Irons and Meryl Streep, editor John Bloom, and composer Carl Davis Episode of The South Bank Show from 1981 featuring director Karel Reisz, novelist John Fowles, and screenwriter Harold Pinter Trailer PLUS: An essay by film scholar Lucy Bolton
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