Director Nicholas Meyer's concept for Star Trek II: The Wrath of Khan was to make it "Captain Horatio Hornblower in space". Equipped with a budget a fraction the size of that accorded the first movie, and bolstered by James Horner's swashbuckling score, Meyer accordingly delivered the most exciting of all the Trek big-screen outings, referencing both CS Forester's Hornblower and classic submarine dramas, as well as adding some literary flourishes and ground-breaking CGI work for good measure (the Genesis device sequence is a computer-animation landmark). Resurrected from the "Space Seed" episode of the TV series, Ricardo Montalban's Khan is the hammiest, most passionately alive Trek villain, infused with Captain Ahab's self-destructive single-mindedness and quoting Moby Dick and Shakespeare in his furious pursuit of Kirk. Given permission to be melodramatic, William Shatner has never been stronger, or made Kirk seem more vulnerable. And even after seeing all the later movies, no self-respecting Trekker can sit through Spock's ultimate illogical sacrifice with a dry eye. Unlike the major revisions made to The Motion Picture, this new Director's Edition of Wrath of Khan is only a very slightly extended version of the original, with some fairly minor additions--most notably scenes that establish Midshipman Peter Preston as Scotty's nephew, thereby explaining Scotty's grief at the young man's death. Some other scenes--such as Kirk and Spock discussing the Genesis Device--have also been expanded. On the DVD: Star Trek II: The Wrath of Khan is now presented in a lovely 2.35:1 anamorphic widescreen print with Dolby 5.1 sound. The first disc has an audio commentary from Nicholas Meyer, plus another fascinating all-you-ever-needed-to-know text commentary from Trek expert Michael Okuda (he did the same for The Motion Picture's DVD release). The second disc has a series of informative documentaries, the most substantial being a lengthy retrospective "Captain's Log", featuring contributions from Producer Harve Bennett, Meyer, Shatner, Nimoy and Montalban. Other featurettes focus on the production design ("Designing Khan"), "Visual Effects", and the writers of Star Trek novel spin-offs about Khan and the Kobayashi Maru ("The Star Trek Universe"). It's a shame that James Horner's major contribution goes unnoticed though. To round things off there are some promotional interviews from 1982, storyboards and the original trailer. --Mark Walker
Inspired by the "Space Seed" episode of the original series, the classic swashbuckling scenario of Star Trek II: The Wrath of Khan was much more of a success with fans than the somewhat turgid drama of Star Trek: The Motion Picture. The film reunites newly promoted Admiral Kirk with his nemesis from the earlier episode--the genetically superior Khan (Ricardo Montalban)--who is now seeking revenge upon Kirk for having been imprisoned on a desolated planet. Their battle ensues over control of the Genesis device, a top-secret Starfleet project enabling entire planets to be transformed into life-supporting worlds, pioneered by the mother (Bibi Besch) of Kirk's estranged and now-adult son. While Mr. Spock mentors the young Vulcan Lt. Saavik (then-newcomer Kirstie Alley), Kirk must battle Khan to the bitter end, through a climactic starship chase and an unexpected crisis that will cost the life of Kirk's closest friend. This was the kind of character-based Trek that fans were waiting for, boosted by spectacular special effects, a great villain (thanks to Montalban's splendidly melodramatic performance), and a deft combination of humour, excitement, and wondrous imagination. Director Nicholas Meyer (who would play a substantial role in the success of future Trek features) treats the film as "Horatio Hornblower in space", and then adds lots of spicy seafaring Moby Dick references, plus a sprinkle of Shakespearean tragedy and World War II submarine thriller, all driven along by one of composer James Horner's finest scores. Wrath of Khan set the successful tone for the films that followed. --Jeff Shannon, Amazon.com
Beautiful Joanna Darby (Lindsay Wagner) is haunted by a brush with drowning and her frightful journey to the gates of the afterlife. Soon after she experiences a horrifying series of narrow escapes from death through encounters with strangers who seem bent on killing her. Struggling with fear and past guilt Joanna is unsure whether she is a victim of coincidence or the target of some malicious spirits. Hoping to restore her peace of mind Joanna and her boyfriend visit Mexico where unknowingly they arrive during the annual Day of the Dead festival. Before long Joanna is nearly pulled into another violent death by a boating accident victim who grabs her on his way down. Joanna enlists her old flame Peter to help her unearth supernatural explanations for her predicament. When they discover the eerie truth Joanna must race against time to survive four more attempts on her life by walkers from the other side who want to reclaim her.
Beautiful Joanna Darby is haunted by her brush with drowning and her frightful journey to the gates of the afterlife. Soon after she experiences a horrifying series of narrow escapes from death through encounters with strangers who seem bent on killing her. Struggling with fear and past guilts Joanna is unsure whether she is a victim of conincidence or the target of some malicious spirits.
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