The final film by the great Anthony Mann (Winchester '73, El Cid) A Dandy in Aspic is a stylish and complex cold-war thriller starring Laurence Harvey (Room at the Top, The Manchurian Candidate) as a Russian double-agent working for British Intelligence who is assigned to track down and kill an unusual target. Falling between the outlandish exploits of James Bond and the dour realism of John le Carré's circus of spies', this paranoid thriller is a dark and refined affair, with a superb supporting cast headed by Mia Farrow (Rosemary's Baby, See No Evil) and Tom Courtenay (The Loneliness of the Long Distance Runner, Otley), wonderful cinematography by regular Powell and Pressburger cameraman Christopher Challis, and with a terrific score by Quincy Jones. Extras High Definition remaster Original mono audio Audio commentary with author and critic Samm Deighan The BEHP Interview with Christopher Challis (1988, 107 mins): archival audio recording, made as part of the British Entertainment History Project, featuring the cinematographer in conversation with Kevin Gough-Yates A Time to Die (2019, 10 mins): members of the crew recall aspects of the film's production Pulling Strings (2019, 22 mins): titles designer Michael Graham Smith and puppeteer Ronnie Le Drew discuss the distinctive opening credit sequence Inside Mann (2019, 12 mins): appreciation by critic and broadcaster Richard Combs London to Berlin (2019, 6 mins): exploration of A Dandy in Aspic's British and German locations Berlin: The Swinging City (1968, 5 mins): original promotional film produced by Columbia Pictures Isolated music & effects track Original theatrical trailer Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard of hearing
Recently blinded in a horse riding accident, young Sarah (Mia Farrow) returns to her uncle's English country home, unaware that a psychopathic killer is stalking the family. This wonderfully creepy suspense-thriller from director Richard Fleischer (10 Rillington Place), from a script by British writer Brian Clemens (The Avengers, The Golden Voyage of Sinbad), features a note-perfect performance by Mia Farrow, and sterling support from a cast of formidable British character actors. Released in America as See No Evil and in the UK and Europe as Blind Terror (with subtle differences between the cuts), Indicator is delighted to present both versions of the film for the first time ever. Extras High Definition remaster Original mono audio Two presentations of the film: See No Evil, the US theatrical cut (89 mins); and Blind Terror, the alternative UK theatrical cut (88 mins) Norman Eshley on 'See No Evil' (2017, 11 mins): a new interview with the British actor The Two Versions: a detailed comparison of the differences between the US and UK cuts Alternative Italian title sequence Original theatrical trailer Image galleries: extensive on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing
Writer/director Todd Solondz ('Welcome to the Dollhouse', 'Happiness') examines the irretrievability of youth in the hilariously dark and idiosyncratic comedy Dark Horse, featuring an all-star cast led by Jordan Gelber ('Boardwalk Empire'), Selma Blair ('Cruel Intentions'), Academy Award winner Christopher Walken, Mia Farrow ('Rosemary's Baby') and Justin Bartha ('The Hangover').Tempering his trademark lacerating humour with unexpected tenderness, Solondz creates a poignant and provocative portrait of two dysfunctional thirty-somethings, their plans to marry and a besieged man-child and his fractured family.
The four films in this Agatha Christie Murder Mystery Collection demonstrate exactly why Christie's reassuringly formulaic whodunits have been extraordinarily resilient source material. In each we find a corpse (or several), an assorted group of suspects gathered in a self-contained location, all with a motive to commit murder, and the coincidental presence of the totem detective (Poirot or Miss Marple). Between 1974 and 1981, producers John Brabourne and Richard Goodwin mined the Christie seam for some of its ripest riches. Murder on the Orient Express (1974), directed by Sidney Lumet, features a cavalcade of stars including Ingrid Bergman, Lauren Bacall, John Gielgud and Sean Connery; while Christie herself gave Albert Finney's Poirot her blessing. The Art Deco setting exudes glamour; the plot is preposterously diverting; the lighting, silvery and washed-out, giving the suspects an appropriately grim and ghoulish air. With a superior Anthony Shaffer screenplay Death on the Nile (1978) saw Peter Ustinov taking over as Poirot. The backdrop of ancient Egyptian monuments helps bring this adaptation a touch of class, complemented by composer Nino Rota's epic theme tune. The Mirror Crack'd (1980) features Elizabeth Taylor and Kim Novak as rival Hollywood legends descending on a quaint English village to make a film, with Rock Hudson as Taylor's husband and Angela Lansbury as a rather unconvincingly robust Miss Marple. Shaffer returned to the fray, adapting Evil Under the Sun (1981) and moving Poirot from the Cornish Riviera to an island off the coast of Albania. Ustinov reprises his role and Maggie Smith returns, camper than ever, as the hotel owner inconvenienced by murder. On the DVD: It's a pity that the sound quality hasn't been sharpened up, though: Murder on the Orient Express sometimes evokes memories of the muffled incoherence of an old fleapit. Apart from trailers, extras are few and far between. There are no cast lists or filmographies. But Death on the Nile and Evil Under the Sun both feature interesting short promotional "'making of"' documentaries in 4:3 format. --Piers Ford
""Rich! Deliciously eccentric! [A] brazen irrepressible original!"" -The New York Times. ""Lovely! Poignant!"" (The Wall Street Journal) and laugh-out-loud funny Shadows and Fog confirms Woody Allen's ""genius"" with its brilliant portrait of the hopeless - but hilarious - tragicomedy of human existence. Boasting a dazzling ""galaxy of stars"" (Leonard Maltin) including Woody Allen Mia Farrow John Malkovich Madonna Donald Pleasence Lily Tomlin Jodie Foster Kathy Bates John Cusack
Annie Hall Considered to be the movie that kick-started Woody Allen's long and inspiring career, Annie Hall won four Oscars including Best Picture and established Allen as the premier auteur filmmaker. Alvy Singer (Allen) is one of Manhattan's most brilliant comedians, but when it comes to romance, his delivery needs a little work. When he falls in love with the ditzy but delightful nightclub singer Annie Hall (Diane Keaton), his own insecurities sabotage the affair, and Annie is forced to leave Alvy for a new life - and lover (Paul Simon) - in Los Angeles. Knowing he may have lost Annie forever, Alvy's willing to go to any lengths to recapture the only thing that ever mattered... true love. Manhattan Nominated for two Academy Awards, and widely considered as one of the greatest movies ever made, Manhattan is a wry, touching and finely rendered portrait of modern relationships set against the backdrop of urban alienation. Forty-two-year-old Manhattan native Isaac Davis (Allen) has a job he hates, a seventeen-year-old girlfriend, Tracy (Mariel Hemingway), he doesn't love, and a lesbian ex-wife, Jill (Meryl Streep), whom he'd like to strangle. But when he meets his best friend's sexy intellectual mistress, Mary (Diane Keaton), Isaac falls head over heels in lust! Leaving Tracy, bedding Mary and quitting his job is just the beginning of Isaac's quest for romance in a city where sex is as intimate as a handshake - and the gateway to true love... is a revolving door. Hannah And Her Sisters Hannah and Her Sisters spins a tale of three unforgettable women and showcases Woody Allen with his most emotionally charged film to date. The eldest daughter of show-biz parents, Hannah (Mia Farrow) is a devoted wife, loving mother and successful actress. A loyal supporter of her two aimless sisters Lee (Barbara Hershey) and Holly (Dianne Wiest), she's also the emotional backbone of a family that seems to resent her stability almost as much as they depend on it. But when Hannah's world is sabotaged by sibling rivalry, she finally begins to see that she's as lost as everyone else, and in order to find herself, she'll have to choose - between the independence her family can't live with... and the family she can't live without. Everything You Always Wanted To Know About Sex* But Were Afraid To Ask Woody Allen pushes the frontiers of comedy by consolidating his madcap sensibility and wickedly funny irreverence with his developing penchant for visually arresting humour. Giving complete indulgence to the zany eccentricity of his medium, Allen reveals himself as a filmmaker of true wit and sophistication. Allen rises to the occasion with aphrodisiacs that prove effective for a court jester (Allen) who finds the key to the Queen's (Lynn Redgrave) heart. Unnatural acts get wild and woolly when a good doctor (Gene Wilder) falls for a fickle sheep. Jack Barry gives fetishism 20 questions on a wacky TV show called What's My Perversion? Sex research goes under the microscope when a mad scientist (John Carradine) unleashes a marauding breast. And the absurdity comes to a frenzied climax with Tony Randall, Burt Reynolds and Allen as sperm... having second thoughts about ejaculation!
Adapted from his own tell-all autobiography, this acclaimed documentary traces the meteoric rise, fall, and rise again of legendary Hollywood producer Robert Evans, and takes the audience on an intimate journey into the mind of this Hollywood legend.
Sarah is a blind girl who has returned to her home, a country manor in which all of the occupants are dead. She unknowingly sleeps overnight, among a houseful of corpses, arising the next morning to quietly creep out of bed, in order not to awaken the other members of the household.
One of Woody Allen's best-loved films, this won three richly deserved Oscars* (for Michael Caine, Dianne Wiest and the screenplay), and is a joy from start to perfectly judged finish. Hannah (Mia Farrow) is a devoted wife, loving mother and successful actress. She's also the emotional backbone of the family, and her sisters Lee (Barbara Hershey) and Holly (Dianne Wiest) depend on this stability while also resenting it because they can't help but compare Hannah's seemingly perfect life with theirs. But with her husband Elliot (Michael Caine) becoming increasingly interested in Lee, it's clear that Hannah might have problems of her own. An unusually strong supporting cast includes Allen himself as Hannah's existentially conflicted ex-husband and Max von Sydow as a perfectionist artist, but it's Caine who practically steals the film as a middle-aged man behaving like a lovesick teenager. It also has some of Allen's greatest one-liners, with a philosophical discussion about the nature of good and evil getting shot down with How should I know why there were Nazis? I don't even know how the can opener works.
Oscar-winning director Carol Reed's final film, Follow Me stars Mia Farrow and Topol - fresh from his global success in Fiddler on the Roof - alongside Michael Jayston in Peter Shaffer's adaptation of his own highly popular and much-revived theatre play, The Public Eye. Featuring a sumptuously haunting score from John Barry, this much sought-after film is presented here in High Definition in its original Panavision widescreen aspect ratio. A jealous businessman suspects that his wife is having an affair and hires an eccentric private detective to investigate. The suspected infidelity, however, is the tip of the iceberg and an elaborate game of cat and mouse ensues... Special Features: Original Music Score US Trailer Image Gallery
Perhaps no movie could capture F Scott Fitzgerald's novel The Great Gatsby in its entirety, but this adaptation, scripted by Francis Ford Coppola, is certainly a handsome try, putting costume design and art direction above the intricacies of character. Robert Redford is an interesting casting choice as Gatsby, the millionaire isolated in his mansion, still dreaming of the woman he lost. And Sam Waterston is perfect as the narrator, Nick, who brings the dream girl Daisy Buchanan back to Gatsby. The problem seems to be that director Jack Clayton fell in love with the flapper dresses and the party scenes and the jazz age tunes, ending up with a Classics Illustrated version of a great book rather than a fresh, organic take on the text. While Redford grows more quietly intriguing in the film, Mia Farrow's pallid performance as Daisy leaves you wondering why Gatsby, or anyone else, should care so much about his grand passion. The effective supporting cast includes Bruce Dern as Daisy's husband, and Scott Wilson and Karen Black as the low-rent couple whose destinies cross the sun-drenched protagonists. (That's future star Patsy Kensit as Daisy's little daughter.) The film won two Oscars--not surprisingly, for costumes and musical score. --Robert Horton
Robert Redford is Jay Gatsby the dashing enigmatic millionaire obsessed with the elusive and spoilt Daisy Buchanan (Mia Farrow) in an era in which recklessness with money liquor women and fast cars pervaded the American consciousness...
Mockumentaries are ten a penny these days, but in 1983 Zelig offered something startlingly new, as heavyweight talking heads such as Saul Bellow and Susan Sontag discuss an entirely fictional character who is nonetheless strangely convincing. Leonard Zelig (Woody Allen) is a man so introverted and insecure that he has developed the ability to blend perfectly into the background of any given situation, regardless of the personality or even ethnicity of the people around him. But when he inadvertently becomes famous as the human chameleon after the media takes too keen an interest in his therapy sessions with Dr Eudora Fletcher (Mia Farrow), Zelig is faced with an unprecedented challenge: how do you fade into the background when the spotlight is firmly upon you? Zelig isn't just hilarious but also an incredible technical accomplishment. Without any recourse to CGI techniques that had yet to be invented, Oscar-nominated cinematographer Gordon Willis inserts Zelig into actual 1920s and 30s footage so seamlessly that you're convinced that he's really interacting with the likes of Babe Ruth and Adolf Hitler.
Oscar-winning director Carol Reed's final film, Follow Me stars Mia Farrow and Topol - fresh from his global success in Fiddler on the Roof - alongside Michael Jayston in Peter Shaffer's adaptation of his own highly popular and much-revived theatre play, The Public Eye. Featuring a sumptuously haunting score from John Barry, this much sought-after film is presented here in its original Panavision widescreen aspect ratio. A jealous businessman suspects that his wife is having an affair and hires an eccentric private detective to investigate. The suspected infidelity, however, is the tip of the iceberg and an elaborate game of cat and mouse ensues... Special Features: Original Music Score US Trailer Image Gallery
""Two Thumbs Up! I Was Mesmerized From Beginning To End!"" -Roger Ebert ""Siskel and Ebert"" Writer/director Woody Allen delivers a powerful ""searing adult drama"" (Leonard Maltin) examining the life of an accomplished philosophy professor teetering on the brink of self-understanding. Boasting a superb cast led by Gena Rowlands Mia Farrow Ian Holm and Gene Hackman Another Woman is Allen's 17th triumphant film. Stylistically rich and technically expert the film layers past and pres
Damien is back in this remake of the chilling 1976 horror classic.
Regimental Sergeant-Major Lauderdale is a spit-and-polish, by-the-book disciplinarian, who seems like a 19th Century anachronism in a sleepy peacetime African outpost of the modern British Commonwealth. He is ridiculed behind his back by his subordinate NCO's and must play host to a liberal female MP making a tour of the base. However, when an ambitious African officer, who happens to be a protege of the MP's, initiates a coup d'etat against Captain Abraham, the lawful African commandant, the resourceful RSM uses all his military training to arm his men despite being under house arrest and rescue the wounded commandant from a certain firing squad. When Lt. Boniface, the leader of the mutiny surrounds the sergeants mess with two Bofors guns, it looks like Lauderdale will have to surrender unless he again disobeys orders and takes the initiative. High Definition Transfer Commentary by Actor John Leyton Interview with Mia Farrow TBC Promotional Materials Gallery Still Gallery Original Theatrical Trailer
Woody Allen's 1982 homage to Bergman and Shakespeare, A Midsummer Night's Sex Comedy is a delight from start to finish and must rate as one of his most joyous films. The period setting--Edwardian up state New York--gives the whole thing a misty, elegiac quality. Part Midsummer Night's Dream (the magic supplied by visions through a spirit glass) and part Smiles of a Summer Night (Bergman's source material provides the basic plot and ensuing couplings), it's a gentle satire on male sexuality and frustration. Allen handles the angst with the lightest of touches. He plays a Wall Street broker who spends his holidays inventing flying machines (they work, with telling consequences). He and his wife (Mary Steenburgen) are increasingly depressed by their ailing sex life. Cue the arrival of weekend guests: crusty academic (Jose Ferrer) and beautiful blue-stocking fiancée previously in love with Allen (Mia Farrow, of course); and insatiable doctor (Tony Roberts) with his latest squeeze, a nurse (the excellent Julie Hagerty). Eighty minutes of unravelling, discovery and renewal follow, accompanied by a Mendelssohn sound track. This is one of Allen's most treasurable pictures. On the DVD: A Midsummer Night's Sex Comedy is presented in widescreen that recaptures the pleasure which greeted the setting of this most pastoral of Allen's films on its first release; it really does glow with summery light. The standard stereo soundtrack is perfectly acceptable. Extras include the original theatrical trailer and multiple language soundtracks.--Piers Ford
Credit-grabbing back-stabbing wife-nabbing. Just another day at the office. Two of TV's funniest and most popular comic actors Zach Braff (Scrubs) and Jason Bateman (Arrested Development) take no prisoners as they fight it out for the love of Sofia (Amanda Peet). Tom Reilly (Braff) and his wife Sofia (Peet) have just had a baby and when Sofia the breadwinner decides to be a stay-at-home mum it's all change. They move out of the city back to Sofia's hometown where Tom is offered a job at the firm run by his father-in-law (Charles Grodin). Everything seems to be fitting nicely into place until Chip (Bateman) Sofia's ex boyfriend local hero and all-round wonder-boy is appointed as Tom's manager. Chip's flame for Sofia still burns brightly and he willstop at nothing to see Tom undermined humiliated and made a fool of in order to win back his ex...
It's time to speak of unspoken things... This offbeat psycho-drama follows a wealthy mentally unbalanced young woman who mistakenly believes an aging prostitute is her dead mother. The hooker Leonora has lost her own daughter and is in mourning. But because she has strong maternal feelings she is more than happy to play mother to the orphaned Cenci. However the two women's strange relationship takes a problematic turn when Cenci's stepfather Albert enters her life onc
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