Limited Comic Book, Only Whilst Stocks Last. A young Peter Parker/Spider-Man (Tom Holland), who made his sensational debut in Captain American: Civil War, begins to naviagate his newfound identity as the web-slinging super hero in Spider-Man: Homecoming. Thrilled by his experience with the Avengers, Peter returns home, where he lives with his Aunt May (Marisa Tomei), under the watchful eye of his new mentor Tony Stark (Robert Downey, Jr.). Peter tries to fall back into his normal daily routine - distracted by thoughts of proving himself to be more than just your friendly neighborhood Spider-Man - but when the Vulture (Michael Keaton) emerges as a new villain, everything that Peter holds most important will be threatened. Click Images to Enlarge
Intergalactic adventure with an interplanetary resistance group battling for survival against a totalitarian super-power. Roaming a universe of boundless space and restrictive discipline freedom-fighter Blake with the crew of spaceship Liberator is locked in combat with the all-powerful forces of the Federation. This DVD release features all 13 episodes from the final series of Blake's 7. Episodes Comprise: 1. Rescue 2. Power 3. Traitor 4. Stardrive 5. Anima
This 4 disc box set features the complete series of Arthur Of The Britons. With the roman withdrawal from Britain the tribes have entered into a period of feudal warfare. Arthur is the war chieftain of a tribe of Celts who has his eye on the bigger picture - unification of the tribes in the face of the Saxon threat. Assisted by his adoptive father Llud and Saxon friend Kai he has his hands full keeping the peace with opposition from the various feuding factions as well as his duplicitous cousin Mark of Cornwall.
Thirteen young men begin an adventure of a lifetime on a sailing trip captained by Christopher Chaldean. When disaster hits in the form of a huge storm the crew must fight to survive...
An illicit affair with one of her students has unforeseen consequences for a teacher in this story of loneliness, loyalty, envy and love.
Live-action role players conjure up a demon from Hell by mistake and they must deal with the consequences.
Just before his daughter is to be married, a mild-mannered foot doctor discovers his in-laws are not what they seem...
When Celia (Joan Bennett, Scarlet Street) marries architect Mark Lamphere (Michael Redgrave, The Lady Vanishes) after a whirlwind romance, life seems blissful - but all is not as it appears. Her husband's mansion contains re-creations of rooms in which infamous murders took place and his previous wife died in strange circumstances. Is the young bride's imagination overactive, or do the opulent walls hide a sinister secret - and why is one room always kept locked? Special Feature:Fritz Lang's atmospheric romantic thriller is now available for the first time in a definitive, remastered edition featuring a collector's booklet with film notes and specially-commissioned articles, an extensive stills and poster gallery and rare on-set photographs. Remastered and includes collector's booklet featuring film notes and articles Stills/Poster/Behind-the-Scenes Gallery and Filmographies
Three aspiring dancers take their best shot - and pop and lock - at the big time in this invigorating romp that features a cameo by Ice-T! Lucinda Dickey Adolpho Shabba-Doo Quinones and Michael Boogaloo Shrimp Chambers pump up the jam as a struggling trio of dancers - jazz for her break for them - taking on a rival street gang in a professional dance competition. Packed with fast-paced moves and furious jives and featuring smash hits 'Breakin'... There's No Stoppin' Us and Freakshow on the Dance Floor this heart-in-your-throat dance movie is a nonstop floor show of excitingly staged... solid fun (San Francisco Chronicle)
Based on the most successful racing video game franchise ever with over 140 million copies sold, DreamWorks Pictures' "Need for Speed" boasts fast cars, unique action and a top calibre cast in a classic tale of revenge and retribution.
As accomplished as it is superfluous, Willard is a stylish horror film with plenty of style but precious little horror. Genre buffs will appreciate it as a visually superior sequel/remake of its popular 1971 predecessor, giving Crispin Glover a title role perfectly suited to his uniquely odd persona, in the same league as Psycho's Norman Bates. This time, Willard's the psychotically lonely son of the original film's now-deceased protagonist: a milquetoast introvert who befriends an army of obedient rats--lethal allies when Willard's pushed to his emotional breaking point by his abusive boss (R. Lee Ermey). In keeping with his memorably macabre episodes of X-Files, writer-director Glen Morgan excels with dreary atmosphere and mischievously morbid humor (including an ill-fated cat named Scully), and Glover gives his best performance since River's Edge. But even the furry villain Ben--an oversized rat with attitude--is more funny than frightful. With some justification, Glover's fans will appreciate the open door to a sequel. --Jeff Shannon
Romance never dies. Sam (Andrew Lincoln) and Baggy (Andrew Rajan) share a house in London play cricket visit the pub and watch porn. It's not much of a life but it's better than coal mining. Sam secretly wants to be a singer and has a deeper interest in his friend Alison than he's willing to admit. Baggy? He's never been able to trust a girl since his fiance jilted him at the altar - besides married women seem safer. Of course commitment is a lot harder than smoking a
Austin Powers' life force, the secret behind his libido, has been stolen by his arch nemesis, Dr. Evil. The Mission: Austin must time travel back to the Swinging Sixties, regain his mojo and save the world from destruction.
A Passage to India, David Lean's adaptation of EM Forster's mysterious tale of racism in colonial India, turned out to be the master director's final film. Subtle and grand at the same time, Lean's adaptation is faithful to the book, rendering its blend of the mystical and the all-too human with exquisite precision. Judy Davis plays a young British woman travelling in India with her fiancé's mother. While visiting a tourist attraction, she has a frightening moment in a cave--one that she eventually spins from an instant of mental meltdown into a tale of a physical attack that ruins several lives. Lean captures Forster's sense of awe at the kind of ageless wisdom and inexplicable phenomena to be encountered in India, as well as the British tendency to dismiss it all as savage, rather than simply different. --Marshall Fine
Ken Boon is back in the saddle for more adventure and humour in the BAFTA-winning hit drama. With witty heart-warming storylines and an array of high-profile guests it s no surprise that Boon was an instant ratings winner for ITV and remains a much-loved series to this day. Michael Elphick is Ken the former fireman with a heart of gold and a passion for the Wild West and David Daker is Harry his business partner and an old friend with Neil Morrissey as Rocky the biker with a heart of gold. Meera Syal Pete Postlethwaite Brian Clough Denis Lawson Jane Horrocks and John Hannah guest star. This complete fifth series finds the duo running a new private investigations and security company Crawford Boon Security from an office by the River Trent in Nottingham although the clients don t change too much...
All 24 episodes from the 13th season of the US crime drama following the exploits of the Naval Criminal Investigation Service, led by Special Agent Jethro Gibbs (Mark Harmon). In this season, Gibbs' life hangs in the balance after being shot and McGee (Sean Murray) and Bishop (Emily Wickersham) go undercover as they investigate the death of a marine. The episodes are: 'Stop the Bleeding', 'Personal Day', 'Incognito', 'Double Trouble', 'Lockdown', 'Viral', '16 Years', 'Saviors', 'Day in Court', 'Blood Brothers', 'Spinning Wheel', 'Sister City (Part 1)', 'Déjà Vu', 'Decompressed', 'React', 'Loose Cannons', 'After Hours', 'Scope', 'Reasonable Doubts', 'Charade', 'Return to Sender', 'Homefront', 'Dead Letter' and 'Family First'.
Sylvester Stallone never courted as much controversy as he did with the screen violence of the Rambo trilogy. From 1982 to 1988, they kept his name above Schwarzenegger's in the muscle hero league, with "Rambo" becoming a descriptive phrase in the language to describe gung-ho aggression (in Japanese, "rambo" means "violence"). The strangest part of the character's success is that originally he had none. Both David Morrell's novel and the original incarnation of First Blood had the Vietnam vet committing suicide after his rampage through small town America. The un-Hollywood ending was changed when Stallone and the producers recognised here was a character with possibilities. First Blood: Part II was co-written by James (Titanic) Cameron, a man who has always recognised box office possibilities. Stallone took a very relevant (to 1985) issue of surviving POWs and created an alternative end to the Vietnam War. This was achieved courtesy of the Cold War animosity that still existed towards the Russians, embodied in a suitably vile cameo from Steven Berkoff. A little love interest helped ground the movie and prevent it from completely turning into a video game, as did the best of Jerry Goldsmith's stirring scores for the trilogy. After saving himself and then his Country, Rambo III was simply about saving his friend Richard Crenna. The code of honour was by this point watered down into a song lyric, "He Ain't Heavy, He's My Brother". Nevertheless the final instalment continues to say something about the indomitable American spirit that will not accept defeat lightly. Patriotism may never have been portrayed quite so bloodily before Rambo's arrival, but at least a generation learned to question attitudes to war veterans, as well as the benefits of carrying a compass in your hunting knife. On the DVD: The Rambo trilogy on disc brings together all three movies in crisp 2.35:1 widescreen transfers. Sadly the extras are a little thin considering how much more was on the old Laser Discs. The first film has but a trailer; the third has a few minutes of behind the scenes material; the second has quite a few mini-documentaries that could really have done with being edited together, and having repeated interviews cut out. But there's still fun to be had hearing how deep and meaningful the movies were in conception.--Paul Tonks
Michael Douglas and Diane Keaton star in this comedy directed by Rob Reiner. Selfish, egocentric real estate agent Oren (Douglas)'s whole life changes when he gets an unexpected knock at the door: his estranged son arrives at the house with a daughter he knew nothing about, and he unassumingly takes on the role of granddad. Realising he has no idea how to take care of a child, he accepts the help of his caring neighbour Leah (Keaton). As Oren slowly learns how to love and care for another human being, his self-centred lifestyle begins to take a backseat.
Manhattan, Woody Allen's follow-up to Oscar-winning Annie Hall, is a film of many distinctions: its glorious all-Gershwin score, its breathtakingly elegant black-and-white, widescreen cinematography by Gordon Willis (best-known for shooting the Godfather movies); its deeply shaded performances; its witty screenplay that marked a new level in Allen's artistic maturity; and its catalogue of Things that Make Life Worth Living. Allen's "Rhapsody in Gray" concerns, as his own character puts it, "people in Manhattan who are constantly creating these real, unnecessary, neurotic problems for themselves, because it keeps them from dealing with more insoluble, terrifying problems about the universe". It's a romantic comedy about infidelity and betrayal, the rules of love and friendship, young girls (a radiant and sweet Mariel Hemingway) and older men (Allen), innocence, and sophistication. (a favourite phrase is used to describe a piece of sculpture at the Guggenheim: "It has a marvellous kind of negative capability".) The film's themes can be summed up in two key lines: "I can't believe you met somebody you like better than me", and "It's very important to have some kind of personal integrity". OK, so they may not sound like such sparkling snatches of brilliant dialogue, but Manhattan puts those ideas across with such emotion that you feel an ache in your heart. --Jim Emerson
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