Ruthless lawyer Henry Turner is left an amnesiac after being shot when caught up in a store robbery. Trying to rebuild his life Henry must learn to walk again tie his shoelaces and become a better husband...
In Undisputed, Rocky gets a prison-block makeover and the generic combination packs a vicious one-two punch. Owing much to the macho, gut-busting B-movies of Hollywood's golden age, this no-nonsense drama gets right down to business, beginning when heavyweight champ "Iceman" Chambers (Ving Rhames) enters Sweetwater prison on a rape charge. The prison has a boxing programme, and convicted killer Monroe Hutchen (Wesley Snipes) is the 10-year undefeated champion. A challenge bout is coordinated by an aging mobster prisoner (Peter Falk) and the head guard (Michael Rooker), and Undisputed pummels its way to its brutal and unpredictable conclusion. Colourful characters abound (foul-mouthed Falk is the hilarious standout), and seasoned director Walter Hill (coscripting with his Alien partner David Giler) brings them together with invigorating focus. There's not an ounce of fat on this tough-minded movie, and even its inevitable outcome seems freshly unexpected. Obviously inspired by Mike Tyson's ill-fated escapades, Undisputed turns fact into potent cell-block fiction. --Jeff Shannon
Winnie lives in a trailer in a desolate part of Dublin, where her family struggle with prejudice and poverty.
Deep Space Nine's third series begins eventfully, with Sisko promoted to captain and being gifted a prototype warship equipped with a cloaking device, while Odo learns where he came from. In the two-part opening tale, this clever gambit is played to hook viewers into the idea of DS9 becoming an ongoing mystery/conflict show. Why the sudden intense format tweaking? Mostly this was to ensure the show continued to thrive when a really rather greedy production hierarchy fast-tracked Voyager onto the air mid-season (cue unnecessary crossover episode with Tuvok). Of greater concern was ratings thief Babylon 5, which played its counter-Trek cards at precisely the right time. Fortunately the result (initially at least) was a genuine boost for DS9. Cast members seemed to have hit their stride and played off one another more assuredly than before. For example, Odo's character took several additional interesting twists, especially in his relationship with Kira. Rene Auberjonois had a very good year, directing two episodes to boot. Avery Brooks had begun this trend with the previous year's penultimate show. The real surprise was seeing Jonathan Frakes's name working behind the camera on three occasions, because he also appeared on screen in his alternate rogue Riker role, when Thomas dramatically steals the Defiant. Other welcome cameos that aided the feeling of casual camaraderie included the return of Lwaxana Troi, as well as first appearances by Quark's Mum, the spooky Founder Leader, the lovely Leeta and the sneaky Eddington. Clint Howard--a cult Trek figure--was briefly welcomed back, and with the many faces of Jeffrey Combs another was born. Stories progressed the complicated Bajoran/Cardassian healing process, while simultaneously brewing potential conflicts far worse than the behind-the-scenes ratings war. --Paul Tonks
Deep Space Nine's sixth series began ambitiously with a six-part story arc devoted to the Dominion War. This was a brave move in many ways, but a sensible one too. Whereas other SF shows wouldn't commit to showing the impact of war (Babylon 5), here there were numerous visible sacrifices. Characters were frequently kidnapped and held prisoner, allowing screen time for other members of the ever-growing cast (at its peak there were as many as 18 individuals with speaking roles per episode). This year also introduced the idea of Starfleet Intelligence and its sinister Section 31; alliances were built only to crumble almost immediately; Sisko led a suicide mission and at long last his destiny as the Emissary took a serious turn. Amid all this sturm und drang the writers felt it necessary to inject some levity. In fact, there was so much comedic sidetracking this year it actually seemed sometimes as if they were afraid of the seriesÂ’ dark tone. Witness: Quark undergoing a temporary sex change, leading a Magnificent Seven-style band of Ferengi (with a cameo from Iggy Pop), Morn's non-speaking character being sorely missed, the blend of Troi and Guinan into 60's crooner Vic Fontaine and, in one fan favourite episode ("Far Beyond the Stars"), Sisko having visions of himself and the crew as 1950s staff writers on pulp magazine Incredible Tales. There were also cute reconciliations amongst Worf's extended family (leading to Trek's first cast wedding), and even the revelation of Bashir's genetically enhanced origins quickly became a subject for easy jokes. Any of these events would have been satisfactorily cute if the war had ended and the show had moved on. But confusing the viewer, every so often the battle would be rejoined mid-episode. The clinching proof that no grand design was really at work was in the sudden and brutal dispatch of Dax. Actress Terry Farrell gave sufficient forewarning of having had enough of the show, but specifically asked not to be killed off. Despite all the jarring humour scattered about after the strong opening, the show seemed unable to avoid reverting to shock tactics for its finale. All of which hardly made the promised final year seem a particularly enticing prospect. --Paul Tonks
An easygoing British Corporal (John Mills) in France finds himself responsible for the lives of his men when their officer is killed. He has to get them back to Britain somehow. Meanwhile British civilians are being dragged into the war with Operation Dynamo the scheme to get the French and British forces back from the Dunkirk beaches. Some come forward to help others are less willing...
The Homecoming
In the fight for freedom you have to break the rules. When anti-apartheid activist Shack Twala (Poitier) is freed from prison he quickly runs into trouble with the police. British engineer Keogh (Caine) helps Twala elude a sadistic government official (Nicol Williamson) but as both men now fugitives race 900 miles to cross the border to safety they are drawn into a conspiracy much bigger and deadlier than they realize. Poitier and Caine make a wonderful 'buddy' act in t
The seventh and final series of Deep Space Nine came down to loose ends, tying some existing ones together and allowing others to unravel. Symptomatic of the unwillingness to let DS9 go was the immediate arrival of a replacement Dax, though poor Nichole deBoer as Ezri Dax had to have known she'd already missed the boat. Her appearance encouraged last-minute romances to blossom, with Bashir finally getting some action, Odo finally getting together with Kira and Sisko finally proposing to Kassidy. Another contributing cute factor were numerous trips to the Holosuite wherein the all-knowing Vic Fontaine dished out philosophical advice. That was when the crew weren't in there to play baseball against the Vulcans or when Nog wasn't commiserating about the loss of a leg. Oh yes, and don't forget the war! There was an early announcement that the show would attempt a 10-part resolution to the Dominion War, but viewers could be forgiven for forgetting all about it with so much sentimental distraction. When the horrors of war did resurface, they at least injected a few surprises into the mix. Odo and his ambiguously "evil" Founders were hit with a melting disease, prompting a backstabbing race for the power of developing and owning a cure. The original baddie Cardassians finally settled on the Federation's side. Contrary to these interesting twists, however, were the unexpected turns taken by matters relating to Sisko's spiritual destiny. Suddenly the mystery of the wormhole and an entire religious belief system was reduced to the problem of translating correctly the words of a sacred book. The struggle to join with some evil aliens significantly diluted the attempt at resolving what had begun seven years before in the show's pilot episode. Ultimately, Sisko's destiny, as with all those who'd followed him to the open-ended climax, was to be decided elsewhere. In a move that was either bold and daring--or possibly born of desperation for not having thought things through properly--the show's storylines were to be continued in a series of spin-off books. --Paul Tonks
Mobile is a new conspiracy thriller which unfolds against the backdrop of the Iraq war and the corrupt world of the multi-billion pound mobile phone industry flashing back and forth to retrace events from the perspectives of three different people: the engineer the soldier and the boss. Each episode features the same story told from a different viewpoint and only in the final scenes of the third episode is the connection between all three stories made for the first time in a shocking conclusion! A young man is shot at point blank range for using is mobile phone while driving whilst a Corsoncom mobile phone mast in Wigan is blown-up. Then when a gunman shoots a passenger using a phone and the driver of an inter-city train police make a connection between the three events and name Edie (Neil Fitzmaurice) as their number one suspect
Deep Space Nine's fifth series was a turning point from which there was no going back. Character and information overload took over, and the complicated twists and turns in the build up to war either hooked viewers securely, or sent them away with a headache. The Klingon faction instigated by Worf's arrival was occasionally played for laughs, but mostly their hard-headed personalities made all efforts at diplomacy moot. In the opening episode a chilling possibility is proposed as to why might be: have the Changelings infiltrated already and replaced key personnel? Some fans saw this as a flawed X-Files-style development. Nevertheless it sowed a seed of insidious suspicion from here on, affecting all the principal casts' relationship with one another, even allowing Odo and Quark an opportunity to confess a degree of friendship. Expanding on the new theme of duplication, the crew also made numerous trips to their Mirror Universe counterparts. As well as new uniforms and the milestone 100th episode, Nana Visitor and Alexander Siddig comically got to disguise the arrival of their child during filming. More laughs came from the fan favourite "Trials and Tribble-ations" with CG allowing Sisko and crew to interact with Kirk and a cameo from Leonard Nimoy. Avery Brooks began taking a backseat as of this year, partly a result of the now-overcrowded cast. Although Sisko's destiny would be foreshadowed by his first vision and the introduction of the Pah-wraiths, the Captain was in an increasingly sulky mood. Brooks only directed one episode, allowing room for regulars LeVar Burton and Rene Auberjonois to do more behind the camera. Joining them were Alexander Siddig, Michael Dorn and even Andrew Robinson. Available space started to seem hardly deep enough. --Paul Tonks
Based on an ""actual event"" that took place in 1943 about a US Navy Destroyer Escort that disappeared from Philadelphia Naval Shipyard and sent two men 40 years into the future in 1984.
A combination of award-winning talent and some of Hollywood's hottest rising stars combine in this hilarious comedy thriller in the vein of 'Naked Gun' and 'Airplane'. Rising star Micheal Rappaport reveals his comedic talents as Kevin Gower who stands on the threshold of marriage to his childhood sweetheart Deeann Emory (Christine Taylor) when his life is thrown into turmoil when one quiet afternoon he is assisted into waiting limousine by a local wiseguy Max (Christopher Walken) for a meeting with local godfather Sal Fortuna (Robert Forster). Running or in Kevin's case tripping sliding collapsing and colliding for his life he faces cross and double-cross in his side-splitting escapades and we laugh and cry as we wait to see if Kevin will ultimately survive or discover if he will have to finally Kiss Toledo Goodbye.
Alec Baldwin, Sarah Jessica Parker and William H Macy star in acclaimed writer/director David Mamet's latest comedy about a Hollywood film crew that goes on location to a small rural town in Virginia.
Let's admit it right away, The Tribe may just be the best kids' TV show ever. To be precise, it's for older children and teenagers (and their parents will find it insightful too), the very age group that occupies all the roles in this post-apocalyptic tale. Mixing the scenario of Lord of the Flies (except there are, y'know, girls in it as well) with the visual imagery of Mad Max and the angst-ridden psychodrama of Sweet Valley High, The Tribe tells of a near-future in which the world's adult population has been wiped out by a virus. Of course, society's infrastructure has gone too, so the youthful survivors not only have to deal with all the usual trials and tribulations of childhood and adolescence but must also develop some form of functioning society of their own, without any form of adult intervention and with only the barest amount of technology. What happens, of course, is that all the social ills of the old world, from bullying to teenage pregnancy, are ten times larger in the new. The ways in which the characters cope (or fail to cope) with these issues are both exasperating and deeply moving. --Roger Thomas
Of all the spin-off TV incarnations of Star Trek, Deep Space Nine had the hardest job persuading an audience to watch. By all accounts, Gene Roddenberry had concerns about the idea before his death in 1991. It took two more years to develop, and when it finally aired in 1993 reasons for that concern were evident right away. The show was dark (literally), characters argued a lot, no one went anywhere and the neighbouring natives were hardly ever friendly. Yet for all that the show went against the grain of The Great Bird's original vision of the future, it undeniably caught the mood of the time, incorporating a complex political backdrop that mirrored our own. In the casting, there was a clear intent to differentiate the show from its predecessors. Genre stalwarts Tony Todd and James Earl Jones were considered for Commander Sisko before Avery Brooks. The one let down at the time was that Michelle Forbes did not carry Ensign Ro across from TNG, but when the explosive Nana Visitor defiantly slapped her hand on a console in the pilot episode, viewers knew they were in for a different crew dynamic. In fact, the two-part pilot show ("The Emissary") is largely responsible for DS9's early success. Mysterious, spiritual, claustrophobic, funny and feisty, it remains the most attention-grabbing series opener (apart from the Classic original) the franchise has had. The first year may have relied on a few too many familiar faces--like Picard, Q and Lwaxana Troi--but these were more than outweighed by refreshingly detailed explorations of cultures old and new (Trill, Bajoran, Cardassian, Ferengi). As it turned out, Deep Space Nine was the boldest venture into Roddenberry's galaxy that had been (or ever would be) seen. On the DVD: Star Trek Deep Space Nine, Series 1's hour of special features is split between seven featurettes that really would have worked better edited together. Covering the show's origins and most aspects of Year One's production design, they all crib from interviews with actors and crew from the 1992 shoot (exclusively so in the 10 "Hidden Files"). Other interviews conducted in 1999 and 2002 tend to be more revealing, although the solo section on Major Kira is curiously lacking in recent input. While the designers describe their work with passion, creators Michael Piller and Rick Berman come off as stiff and lacking in knowledge. Hopefully this is something that will improve through the next six box sets. The interactive CD-ROM to build a DS9 database on your PC is something that will become more involving, too. Obviously the most important thing is the episodes themselves, and despite the lack of a commentary to enhance the best of them, sound in 5.1 and the crisp full-frame picture do them ample justice. --Paul Tonks END
How far will you go? An award-winning exhilaratingly funny coming-of-age film Cowboys And Angels tells the witty story of two Irish lads - one straight and one gay - from their youthful career ambitions to romance and entanglements with the law. Shane is a shy civil servant striking out on his own; Vincent is a gay fashion design student looking for a roommate. When they cross paths a friendship begins with Vincent helping pull Shane from his shell and sending
Brutal... Evil... Ghastly... Beyond Belief!!! The second film in Herschell Gordon Lewis' infamous `Blood Trilogy' (begun with 'Blood Feast' and completed with 'Color Me Blood Red') 'Two Thousand Maniacs!' was an attempt to both out-gore Blood Feast and make a gruesome horror movie with production values above those of its predecessor... Not only is this release digitally remastered but it's also uncut too! To celebrate the 100th anniversary of the Civil War the inhabitants of a small Southern US town organise the festival to end all festivals. With a captured audience of North Americans the townsfolk amuse themselves by playing roll-the-man-in-the-nail-lined-barrel and compete at target practice using a pretty girl and a boulder. With all this chaos erupting around them a young couple make a desperate attempt to leave the town before they too fall victim to Two Thousand Maniacs!
Street slimebag Luke owes a significant debt to the Mexican mob and has just had his final warning. In desperation he comes up with one final scheme to pay his IOU or risk losing his life. He gets together with his tech-geek mate Josh to raise easy on-line money through a reality peep show called 'hotgirlsinahouse.com.' Finding girls off the streets to participate in the 'big brother' style webcast proves easy enough but Luke needs cash up-front for the costs. He accepts a lucrative offer from a local hood to buy credit card information from the website hits as each girl's quirky personalities are streamed for all to see. On-line viewing becomes more sexual hits increase and the website's account grows. Luke leaves cash incentives for the girls to encourage the provocative behaviour and the girls play right into the scheme: fighting with each other by day competing for viewers by night. Hits grow and grow. When the competition amongst the girls turns threatening the web-masters realise they're in over their heads.
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