Narrated by Michael Fassbender 1: Life on the Limit is an action documentary that evokes the glamour speed danger and excitement of the golden age of Formula 1. In an era when the sport was terrifyingly dangerous the drivers were revered as rock stars with charisma and raw talent however many of them paid the ultimate price. Those who survived racing at this time became leaders standing up to save lives in a sport that was stealing them at a tragic rate. Special Features: Interview with Director Paul Crowder
Narrated by Michael Fassbender 1: Life on the Limit is an action documentary that evokes the glamour speed danger and excitement of the golden age of Formula 1. In an era when the sport was terrifyingly dangerous the drivers were revered as rock stars with charisma and raw talent however many of them paid the ultimate price. Those who survived racing at this time became leaders standing up to save lives in a sport that was stealing them at a tragic rate. Special Features: Interview with Director Paul Crowder
From the makers of Madagascar and Kung Fu Panda Turbo is a high-velocity 3D comedy about a snail who dares to dream big - and fast. After a freak accident infuses him with the power of super-speed Turbo kicks into overdrive and embarks on an extraordinary journey to achieve the seemingly impossible: competing in the world's fastest race the Indianapolis 500. With the help of his tricked-out streetwise snail crew this ultimate underdog puts his heart and shell on the line to prove that no dream is too big and no dreamer too small.
From the makers of Madagascar and Kung Fu Panda Turbo is a high-velocity 3D comedy about a snail who dares to dream big - and fast. After a freak accident infuses him with the power of super-speed Turbo kicks into overdrive and embarks on an extraordinary journey to achieve the seemingly impossible: competing in the world's fastest race the Indianapolis 500. With the help of his tricked-out streetwise snail crew this ultimate underdog puts his heart and shell on the line to prove that no dream is too big and no dreamer too small.
One of the best directors of IMAX films, Stephen Low (Titanica) has always been a race fan. After obtaining permission from CART, a governing body of Indy car racing and Newman/Haas racing (a Championship team co-owned by Paul Newman), Low found his stars for Super Speedway: the racing Andrettis, father Mario and son Michael. Mounting cameras fore and aft on the Andrettis' cars, IMAX offers a better vantage point than an ESPN camera, at a superior grade of clarity. Add to that the excellent sound and you can "feel" the bumps on the asphalt as the cars zoom in and out of corners. The large format can turn a pit stop into a dramatic 12 seconds as we see the driver's eyes dart away from his cockpit for a few brief seconds. We watch Michael Andretti on oval tracks and exciting road courses going over hills and sharp turns. There's even a spin--probably staged--from an angle we've never seen before. Although true race conditions were impossible (the camera is just too bulky), Low sneakily edits his film to stretch the imagination. On race day, several Indy cars drove alongside the camera car hours before the main event, passing and drafting each other with crowds whizzing past them. When edited with footage of the race, it feels like the real thing. Low takes a few off-beat choices in setting up his story. The first image is the biggest chicken you've ever seen. The last shot is a 1950s car (lovingly restored during the film) racing through perfect golden foliage on an autumn day. It gives his movie of modern technology a wonderful sense of nostalgia. --Doug Thomas, Amazon.com
One of the best directors of IMAX films, Stephen Low (Titanica) has always been a race fan. After obtaining permission from CART, a governing body of Indy car racing and Newman/Haas racing (a Championship team co-owned by Paul Newman), Low found his stars for Super Speedway: the racing Andrettis, father Mario and son Michael. Mounting cameras fore and aft on the Andrettis' cars, IMAX offers a better vantage point than an ESPN camera, at a superior grade of clarity. Add to that the excellent sound and you can "feel" the bumps on the asphalt as the cars zoom in and out of corners. The large format can turn a pit stop into a dramatic 12 seconds as we see the driver's eyes dart away from his cockpit for a few brief seconds. We watch Michael Andretti on oval tracks and exciting road courses going over hills and sharp turns. There's even a spin--probably staged--from an angle we've never seen before. Although true race conditions were impossible (the camera is just too bulky), Low sneakily edits his film to stretch the imagination. On race day, several Indy cars drove alongside the camera car hours before the main event, passing and drafting each other with crowds whizzing past them. When edited with footage of the race, it feels like the real thing. Low takes a few off-beat choices in setting up his story. The first image is the biggest chicken you've ever seen. The last shot is a 1950s car (lovingly restored during the film) racing through perfect golden foliage on an autumn day. It gives his movie of modern technology a wonderful sense of nostalgia. --Doug Thomas, Amazon.com
From the makers of Madagascar and Kung Fu Panda Turbo is a high-velocity 3D comedy about a snail who dares to dream big - and fast. After a freak accident infuses him with the power of super-speed Turbo kicks into overdrive and embarks on an extraordinary journey to achieve the seemingly impossible: competing in the world's fastest race the Indianapolis 500. With the help of his tricked-out streetwise snail crew this ultimate underdog puts his heart and shell on the line to prove that no dream is too big and no dreamer too small.
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