From director Albert Band comes ROBOT WARS, the follow up to 1989's cult classic ROBOT JOX.In a gas-ravaged future Hell, the United States is divided into two opposing blocs, the North Hemi and the Eastern Alliance and targeting them both are roving bands of pirates known as the Centros. While mega robots were once employed for war, peace between the blocs has dictated that the mechanized monsters are no more, save for the lone remaining functioning specimen the MRAS-2, now utilized as a tourist attraction, and piloted by the rough and tumble Drake (Don Michael Paul). But when a war-mongering dignitary steals the MRAS-2 and threatens to wage a new apocalyptic battle, Drake revives another dormant mega robot, the MEGA-1, and drags it out into the desert to take down the deadly, scorpion-like MRAS-2 with the fate of what's left of the world hanging in the balance!SPECIAL FEATURES:The Wizard of Wars: Remembering David AllenVintage 1997 Full Moon PromoVideozone
Like Mike (Dir. John Schultz 2002): One day when a box of used clothes arrives orphanage inhabitant Calvin discovers a pair of trainers inscribed with the initials of his all time basketball hero Michael Jordan. These magical shoes transform him into a NBA superstar and with them he finds he can shoot hoops like a pro. He is quickly signed to struggling NBA team The Knights whose boss Frank Bernard believes a kid on the bench will boost much needed ticket sales. Calvin find
What Ever Happened to Aunt Alice? sees a change of direction for Robert Aldrich's unofficial trilogy which all involve "ageing actresses" in macabre thrillers (What Ever Happened to Baby Jane? and Hush ... Hush, Sweet Charlotte). The busy Aldrich only produced What Ever Happened to Aunt Alice?, calling in TV director Lee H Katzin (a Mission: Impossible regular) to handle the megaphone. Aldrich also opted to shoot the film in pastel colours appropriate to the unusual Arizona desert setting rather than the gothic black and white of the earlier films. The film cast the less iconic Geraldine Page as the genteelly unpleasant Mrs Clare Marrable. Left apparently penniless by her departed husband, Mrs M opts to keep up appearances by hiring a succession of timid elderly housekeepers, bossing them around with well-spoken nastiness, duping them out of their life savings and, on the pretence of getting help with a midnight tree-planting program, lures them into their own graves, batters them to death and plants lovely pines over them. Page gets her own way with the meek likes of Mildred Dunnock, until the feistier, red-wigged R!uth Gordon applies for the job and gets down to amateur sleuthing. While Bette Davis and her partners went wildly over the top in previous films, Page and Gordon play more subtly, finding odd pathetic moments in between the monstrous, irony-laced horror stuff. The supporting cast of pretty or handsome young things, mostly putty in the hands of the manipulative Page, contribute striking little cameos (Rosemary Forsyth sports a pleasing 1969 hairdo as the kindly but intimidated neighbour), but the film belongs to its leading ladies, delivering a fine line in twist-packed cat-and-mouse theatrics. The video is handsomely letterboxed, as befits a film made before widescreen films were shot with all the action in the middle of the frame to facilitate television sales. --Kim Newman
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