Hammer's To the Devil a Daughter was the last film made by the once great studio. Clearly ailing, Hammer again adapted a novel by Dennis Wheatley, the author behind one of their greatest successes, The Devil Rides Out (1967). Unfortunately for the studio, films such as Rosemary's Baby (1968) and The Exorcist (1973) had, in the intervening decade, radically changed horror cinema. With American star Richard Widmark echoing Gregory Peck's role in the far more polished The Omen (1976), the film seemed, rather than setting the pace as Hammer once had, to be very much jumping on the 1970's occult band-wagon. Christopher Lee is the satanic ex-communicated priest whose coven plan to incarnate the ancient demon Ashteroth, while a supernaturally beautiful Nastassja Kinski demonstrates the same willingness to disrobe as in Cat People (1982). Even so, this lacklustre, misogynistic film couldn't compete with Carrie and Suspiria (both also 1976) and Hammer thereafter concentrated on TV productions. Surprisingly, director Peter Sykes' next film, Jesus (1979), as well as being the most seen and internationally distributed film ever (with an audience of over two billion by 2000), is also the most faithful portrayal of Christ yet committed to celluloid. --Gary S. Dalkin
Exclusive Art By Matt FergusonThe year is 2005 For millennia, the heroic Autobots, led by Optimus Prime (Peter Cullen), have been at war with the evil Megatron (Frank Welker) and his Decepticons over control of their home planet of Cybertron. However, an even greater threat Unicron (Orson Welles, Citizen Kane), a colossal converting planet that devours everything in its path is heading right for Cybertron. The only hope is the Autobot Matrix of Leadership. Will the Autobots be able to save themselves and their home world in time?An all-star cast, including Judd Nelson (The Breakfast Club), Leonard Nimoy (Star Trek), Eric Idle (the Monty Python films) and Robert Stack (The Untouchables), brings this inimitable, explosively entertaining Autobot adventure to life.Special FeaturesNew 4k Transfer From Original Film ElementsNew Feature-Length Storyboards, including deleted, alternate and extended sequencesNew Fathom Events 30th Anniversary Featurette, including Stan Bush's acoustic performances of The Touch and Dare 'Til All Are One A comprehensive documentary looking back at The Transformers: The Movie with members of the cast and crew, including story consultant Flint Dille, cast members Gregg Berger, Neil Ross, Dan Gilvezan, singer/songwriter Stan Bush, composer Vince Dicola and others!Audio Commentary with Director Nelson Shin, story consultant Flint Dille and star Susan BluFeaturettesAnimated StoryboardsTrailers and TV Spots
Get ready for a surprise, with a mind-blowing 4K restoration of the much loved sci-fi action classic, TOTAL RECALL, directed by Paul Verhoeven. In celebration of Total Recall's 30th anniversary, this collection is one you won't forget. Starring Arnold Schwarzenegger (Douglas Quaid) and Sharon Stone (Lori Quaid), accompanied by an iconic soundtrack by Academy Award-winner Jerry Goldsmith this is the ultimate version of the cult classic. A brand new 4K 30th anniversary restoration, approved by Paul Verhoeven. Extras: Total Excess: How Caralco Changed Hollywood Audio Commentary by Paul Verhoeven & Arnold Schwarzenegger Models and Skeletons: The Special Effects of Total Recall The Making of Total Recall Imagining Total Recall
Exclusive Art By Matt Ferguson The year is 2005 For millennia, the heroic Autobots, led by Optimus Prime (Peter Cullen), have been at war with the evil Megatron (Frank Welker) and his Decepticons over control of their home planet of Cybertron. However, an even greater threat Unicron (Orson Welles, Citizen Kane), a colossal converting planet that devours everything in its path is heading right for Cybertron. The only hope is the Autobot Matrix of Leadership. Will the Autobots be able to save themselves and their home world in time? An all-star cast, including Judd Nelson (The Breakfast Club), Leonard Nimoy (Star Trek), Eric Idle (the Monty Python films) and Robert Stack (The Untouchables), brings this inimitable, explosively entertaining Autobot adventure to life. Special Features New 4k Transfer From Original Film Elements New Feature-Length Storyboards, including deleted, alternate and extended sequences New Fathom Events 30th Anniversary Featurette, including Stan Bush's acoustic performances of The Touch and Dare 'Til All Are One A comprehensive documentary looking back at The Transformers: The Movie with members of the cast and crew, including story consultant Flint Dille, cast members Gregg Berger, Neil Ross, Dan Gilvezan, singer/songwriter Stan Bush, composer Vince Dicola and others! Audio Commentary with Director Nelson Shin, story consultant Flint Dille and star Susan Blu Featurettes Animated Storyboards Trailers and TV Spots
Despite voluminous protest and nitpicking criticism from loyal fans of the original TV series (1978-80), the 2003 version of Battlestar Galactica turned out surprisingly well for viewers with a tolerance for change. Originally broadcast on the Sci-Fi Channel in December 2003 and conceived by Star Trek: The Next Generation alumnus Ronald D Moore as the pilot episode for a "reimagined" TV series, this four-hour mini series reprises the basic premise of the original show while giving a major overhaul to several characters and plot elements. Gone are the flowing robes, disco-era hairstyles, and mock-Egyptian fighter helmets, and thankfully there's not a fluffy "Daggit" in sight... at least, not yet. Also missing are the "chrome toaster" Cylons, replaced by new, more formidable varieties of the invading Cylon enemy, including "Number Six" in hot red skirts and ample cleavage, who tricks the human genius Baltar! into a scenario that nearly annihilates the human inhabitants of 12 colonial worlds. Thus begins the epic battle and eventual retreat of a "ragtag fleet" of humans, searching for the mythical planet Earth under the military command of Adama (Edward James Olmos) and the political leadership of Laura Roslin (Mary McDonnell), a former secretary of education, 43rd in line of succession and rising to the occasion of her unexpected Presidency. As directed by Michael Rymer (Queen of the Damned), Moore's ambitious teleplay also includes newfangled CGI space battles (featuring "handheld" camera moves and subdued sound effects for "enhanced realism"), a dysfunctional Col. Tigh (Michael Hogan) who's provoked into action by the insubordinate Starbuck (Katee Sackhoff), and a father-son reunion steeped in familial tragedy. To fans of the original BG series, many of these changes are blasphemous, but for the most part they work--including an ominous cliffhanger ending. The remade Galactica is brimming with smart, well-drawn characters ripe with dramati! c potential, and it readily qualifies as serious-minded science fiction, even as it gives BG loyalists ample fuel for lively debate. --Jeff Shannon
As "gigantic monster reptile attacks New York" movies go, you've got to admit that Godzilla delivers the goods, although its critical drubbing and box-office disappointment were arguably deserved. It's a shameless, uninspired crowd-pleaser that's content to serve up familiar action with the advantage of really fantastic special effects, and if you expect nothing more you'll be one among millions of satisfied customers. There's really no other way to approach it--you just have to accept the fact that Independence Day creators Roland Emmerich and Dean Devlin are unapologetic plagiarists, incapable of anything more than mindless spectacle that can play in any cinema in the world without dubbing or subtitles. The whole movie plays out like a series of highlights stolen from previous blockbusters of the 1990s; it's little more than a rehash of the Jurassic Park movies. The derivative script is so trivial that it's unworthy of comment, apart from a few choice laughs and the casting of Michael Lerner as New York's mayor, whose name is Ebert and who closely resembles a certain well-known movie critic. Perhaps that's a clever hint that this movie's essentially critic-proof. It's stupid but it's fun, and for most audiences that's a fitting definition of mainstream Hollywood entertainment. --Jeff Shannon
""Theorising that one could time travel within his own lifetime Dr. Sam Beckett stepped into the Quantum Leap accelerator and vanished... He woke to find himself trapped in the past facing mirror images that were not his own and driven by an unknown force to change history for the better. His only guide on this journey is Al an observer from his own time who appears in the form of a hologram that only Sam can see and hear. And so Dr. Beckett finds himself leaping from life to l
Lawrence Kasdan's sprawling Western epic chronicling the life of legendary lawman Wyatt Earp. From Wichita and Dodge City to the OK Corral and Dodge City this is a thrilling journey of romance adventure and desperate heroic action.
Weatherman Dave Spritz has a shot at the big time when a national TV show calls him for an audition. But secretly his life is in turmoil.
From Kenneth Williams' intimate diaries Martyn Hesford's Fantabulosa! has written a fascinating portrait of the greatly-loved performer. Starring Michael Sheen in an award-winning role as the fastidious performer who could create a thousand voices and characters yet was unable to be comfortable in himself.
Manhattan, Woody Allen's follow-up to Oscar-winning Annie Hall, is a film of many distinctions: its glorious all-Gershwin score, its breathtakingly elegant black-and-white, widescreen cinematography by Gordon Willis (best-known for shooting the Godfather movies); its deeply shaded performances; its witty screenplay that marked a new level in Allen's artistic maturity; and its catalogue of Things that Make Life Worth Living. Allen's "Rhapsody in Gray" concerns, as his own character puts it, "people in Manhattan who are constantly creating these real, unnecessary, neurotic problems for themselves, because it keeps them from dealing with more insoluble, terrifying problems about the universe". It's a romantic comedy about infidelity and betrayal, the rules of love and friendship, young girls (a radiant and sweet Mariel Hemingway) and older men (Allen), innocence, and sophistication. (a favourite phrase is used to describe a piece of sculpture at the Guggenheim: "It has a marvellous kind of negative capability".) The film's themes can be summed up in two key lines: "I can't believe you met somebody you like better than me", and "It's very important to have some kind of personal integrity". OK, so they may not sound like such sparkling snatches of brilliant dialogue, but Manhattan puts those ideas across with such emotion that you feel an ache in your heart. --Jim Emerson
All 13 episodes from the fourth season of the American fantasy TV show. This spin-off from 'The Vampire Diaries' follows the Mikaelson vampire siblings, Klaus (Joseph Morgan), Elijah (Daniel Gillies) and Rebekah (Claire Holt), as they battle to retake control of New Orleans, the city they helped to build. In this season, five years on from the Mikaelson's worst defeat, Marcel (Charles Michael Davis) has become the sole vampire king of the city and holds Klaus captive, while his siblings remain in a state of slumber. When they are revived by Hayley (Phoebe Tonkin), the Mikaelsons race to rescue Klaus but find they also have other ancient threats to face. The episodes are: 'Gather Up the Killers', 'No Quarter', 'Haunter of Ruins', 'Keepers of the House', 'I Hear You Knocking', 'Bag of Cobras', 'High Water and a Devil's Daughter', 'Voodoo in My Blood', 'Queen Death', 'Phantomesque', 'A Spirit Here That Won't Be Broken', 'Voodoo Child' and 'The Feast of All Sinners'.
Titles Comprise:Alvin And The Chipmunks Meet Frankenstein: Alvin and the Chipmunks in a full-length feature! The Chipmunks are working at an amusement park but little do they know in the Frankentein's Castle is the real Frankenstein! One night they get trapped in the park after dark, with Frankenstein on the loose it's the start of a wild adventure! Alvin And The Chipmunks Meet The Wolfman: Alvin and the Chipmunks in another full-length feature! With the arrival of a creepy neighbour the Chipmunks must keep a look out so they don't get bitten in the night!
First it was a journey through miles of mountainous terrain but now feisty bulldog Chance pampered cat Sassy and loveable golden retriever Shadow are lost in the bustling city of San Francisco! With a whole new pack of pooches at their side and fun and excitement at every turn the resourceful threesome plot a course across the Golden Gate Bridge and home to their beloved family. Also starring the voices of Michael J. Fox Sally Field and Ralph White.
Since age 11 as the lead singer of the Jackson 5 Michael Jackson has had a truly amazing life and has enjoyed one of the most successful and celebrated careers in popular music. With an immediate string of No.1 singles for Motown Michael quickly became a public icon and with his brothers rode high on the charts throughout the '70's. As Michael grew up his creative energies outdistanced those of his brothers and he embarked on a solo career of mythic proportions - releasing four
Meet Clark Kent. Sent to Earth as an infant from the dying planet Krypton, he arrived with as many questions as the number of light-years he traveled. Now a young man, he makes his living in Metropolis as an intern at the Daily Planet alongside reporter Lois Lane while secretly wielding his alien powers of flight, super-strength and x-ray vision in the battle for good. Follow the fledgling hero as he engages in bloody battles with intergalactic bounty hunter Lobo and before fighting for his life with the alien Parasite. The world will learn about Superman but first, Superman must save the world!
The Autobots, led by the heroic Optimus Prime, prepare to make a daring attempt to retake their planet from the evil forces of Megatron and the Decepticons. Unknown to both sides, a menacing force is heading their way Unicron. The only hope of stopping Unicfron lies within the Matrix of Leadership and the Autobot who can rise up and use its power to light their darkest hour. Will the Autobots be able to save their native planet from destruction or will the Decepticons reign supreme?
GOLD is the incredible true story of Kenny Wells (Oscar winner® Matthew McConaughey), a modern-day prospector, hustler, and dreamer, desperate for a lucky break. Left with few options, Wells teams up with an equally luckless geologist to execute a grandiose, last-ditch effort: to find gold deep in the uncharted jungle of Indonesia.
The exciting tale of two children who with the help of an eccentric professor set out in search of their shipwrecked father...
This 1998 testosterone-saturated blow-'em-up from producer Jerry Bruckheimer and director Michael Bay (The Rock, Bad Boys) continued Hollywood's millennium-fuelled fascination with the destruction of our planet. There's no arguing that the successful duo understand what mainstream audiences want in their blockbuster movies--loads of loud, eye-popping special effects, rapid-fire pacing, and patriotic flag waving. Bay's protagonists--the eight crude, lewd, oversexed (but, of course, lovable) oil drillers summoned to save the world from a Texas-sized meteor hurling toward the earth--are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they're American cowboys turned astronauts. Sci-fi buffs will appreciate Bay's fetishising of technology, even though it's apparent he doesn't understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also try to lure the art-house crowd, raiding the local indie acting stable to populate the film with guys like Steve Buscemi, Billy Bob Thornton, Owen Wilson, and Michael Duncan, all adding needed touches of humour and charisma. When Bay applies his sledgehammer aesthetics to the action portions of the film, it's mindless fun; it's only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so blatantly--African Americans, Japanese, Chinese, Scottish, Samoans, Muslims, French ... if it's not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable female characters--four if you count the meteor, who's constantly referred to as a "bitch that needs drillin'". Sadly, she's a hell of a lot more developed and unpredictable than all the other women characters combined. Sure, Bay's film creates some tension and contains some visceral moments, but if he can't create any redeemable characters outside of those in space, what's the point of saving the planet? --Dave McCoy
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