In the 1920s, Thomas Edison speculated that a device would be created which would allow humans to conduct conversations with the dead. In the 1970s, Sarah Estep picked up some mysterious voices on her husband's reel-to-reel tape recorder, and set up the American Association of Electronic Voice Phenomena (EVP) to help track the phenomenon. In 2005, following a welter of evidence gathered by Estep and others, EVP forms the backbone for director Geoffrey Sax's shocking feature film WHITE NOISE. Architect Jonathan Rivers (Michael Keaton) has little time to mourn the passing of his wife Anna (Chandra West) when he starts receiving signals from her. A faint sound of her voice is caught by Rivers in radio static on the night of her death, followed by incessant cell phone calls coming from Anna's old number. Rivers is convinced he can hear Anna's voice saying 'go, Jon' to him in the resulting calls. With a little help from expert EVP practitioner Raymond Price (Ian McNeice), Rivers contacts Anna and begins a hazy dialect with her. From the garbled dialogue Rivers receives, he deduces that Anna is sending him to save the lives of people who are about to die. This joins Rivers, in his plight, with a former client of Price's, Sarah Tate (Deborah Kara Unger). However, meddling with messages from the dead leads the pair into a world of trouble, producing some startlingly anxious moments, and a spine-chilling forewarning of the possible consequences facing real-life users of EVP.
Violent action and an even more bloody finale is the result of conflicts between rival gangs and mismatched cops. Winner of many awards including 'Best Film' 'Best Director' (Gordon Chan) 'Best Actor' (Anthony Wong) and 'Best Screenplay'.
In his travels Caine (Carradine) meets an old man who has several surprises for him. The first being the destruction of the Shaolin order the second being that the man is the father of the Emperor's nephew whom he killed in China and the third is that he seeks his revenge using the son Caine never knew he had sired as the instrument of his death! It will take all of Caine's skill and wisdom to find a solution to this deadly predicament...
In 19th century China an evil monk awakens a nest of ghoulish vampires hell-bent on devouring human life. Now a quartet of heroes trained in the Taoist Mao Shan school of magic and their master must use their unique powers to destroy the Vampire King and its lethal coven before its too late.
This 1992 performance of Handel's masterpiece was filmed at The Point Theatre Dublin. Conducted by Sir Neville Marriner.
White Noise: People have always searched for a way to communicate with the other side - fascinated motivated driven to find a way to connect with loved ones who have passed on. Electronic Voice Phenomenon (EVP) is the process through which the dead communicate with the living through household recording devices. These extraordinary recordings - captured by people all over the world in their homes with a simple tape or video recorder - seem to confirm what many of us have dared to believe: it is possible for the dead to communicate with us. And all we have to do is listen. Now comes the suspense thriller that explores this very-real other-worldly communication: 'White Noise'. Tapping into our deepest fears and most profound longings 'White Noise' forces us to re-examine the world in which we live and in the process question our most basic notions about life and death. Michael Keaton plays successful architect Jonathan Rivers whose peaceful existence is shattered by the unexplained disappearance and death of his wife Anna (Chandra West). Jonathan is eventually contacted by a man (Ian McNeice) who claims to be receiving messages from Anna through EVP. At first skeptical Jonathan then becomes convinced of the messages' validity and is soon obsessed with trying to contact her on his own. His further explorations into EVP and the accompanying supernatural messages unwittingly open a door to another world allowing something uninvited into his life. 'White Noise' is directed by veteran television helmer Geoffrey Sax written by Niall Johnson (The Big Swap) and produced by Paul Brooks (executive producer of 'My Big Fat Greek Wedding') and Shawn Williamson (House of the Dead). Frequency: What if you had the chance to travel back in time and change just one event in your life? What would it be? All his life police officer John Sullivan (Jim Caviezel) has been haunted by one tragic event. When a once-in-a-lifetime phenomenon of nature opens a mysterious channel to the past John is stunned to discover that he is able to communicate with his dad Frank (Dennis Quaid)who's been dead for 30 years. But by changing the past they set in motion a string of brutal unsolved murders with John's mother - and Frank's wife - next victim. Racing against time the son and father must now find a way to stop the crime that could destroy the future for both of them.
The life story of one of Britain's most notorious bare-knuckle fighters, Lenny McLean, also known as the Guv'nor.
John Wayne is a Texas Ranger in this rollicking good humored western assigned to bring an arms-running gang to justice. After Wayne arrests one of the criminals matters are complicated when they wander into an area controlled by the Comancheros- a group of Anglos aiding the warring Comanche Indians. Director Curtiz' last film is based on the novel by Paul I. Wellman.
Accident: (WS 1.66:1) Following their destructive foray into English class hatreds in 'The Servant' director Joseph Losey and screen writer Harold Pinter turn their attention to the Dons of Oxford. Pinter examines the motivations of several men in a brusque study of love and jealousy centred around one woman. The 'Accidental' death of one of them springs a trap of guilt remorse and thwarted sexual ambition on all concerned. Each scene brings more prickly revelations in a complex and thought provoking masterpiece. The Family Way: (FS 4:3) Based on Bill Naughton's warm hearted play 'The Family Way' is a thought-provoking exploration of the emotional impact of the 1960s sexual revolution. Hayley Mills stars in her first 'X' rated film with Hywel Bennett as two sensitive youngsters who fail to consummate their marriage following the vulgar ribaldry of their typically working class Lancashire wedding.
Zulu The year: 1879. The place: Natal Africa. One British garrison has already fallen to a huge army of Zulu tribesmen. The fearless native warriors are now heading for the isolated colonial outpost of Rorke's Drift which is manned by no more than a hundred South Wales Borderers. Alfie Alfie is a good-looking charmer who finds that the Swinging Sixties are a great time to be around in. He's always able to sweet-talk women into bed and he just doesn't care about t
Imagine experiencing life through the eyes of an innocent child...forever. Beautiful and vibrant Molly McKay might have a mental disability but she's not about to let the world pass her by. Starring Academy Award nominee Elisabeth Shue in an inspired performance Molly is a joyous celebration of the irrepressible human spirit. Autistic since birth 28-year-old Molly (Shue) is a carefree young woman with an incredible zest for life. Her brother Buck (Aaron Eckhart) a 32-year-old
Adapted by Anthony Shaffer from his own hit stage play, Sleuth (1972) is a reflexively self-aware send-up of the murder-mystery genre, which risks everything on the tour de force performances of its small cast. Director Joseph L Mankiewicz doesn't attempt to escape the theatrical confines of Shaffer's clever and convoluted screenplay; instead he concentrates--or diverts?--our attention with close-up details of the setting. Is he showing us clues or just more red herrings? Like Agatha Christie's Mousetrap--which it rivalled in popularity on the West End stage--to say anything more about Sleuth would be to spoil the fun. But even when you've untangled the many and dizzying twists and turns, thanks to its literate screenplay and the magnetic performances of the leads this is a film that rewards repeated viewings. --Mark Walker
""Go East Young Man "" sings show-biz star and martial arts wiz Johnny Tyronne. To hear is to obey. A clandestine group called the Assassins kidnaps Johnny and whisks him to a remote Arabian realm isolated from the world for 2 000 years. Sheik meets desert chic when Elvis Presley plays Johnny and teams with former Miss America Mary Ann Mobley (Presley's Girl Happy co-star) in this tuneful frolic shot on the original 1925 Cecil B. DeMille set from King of Kings and directed by movie musical veteran Gene Nelson. The kidnappers want Johnny to use his fighting finesse to kill a desert king. Johnny a hitman? No he's a hit man a top singer of songs like Kismet Harem Holiday and nine more all part of the jammin' swashbucklin' fun of Harum Scarum.
'Doctor At Large' was the third entry in the long running 'Doctor' series of films. Directed by Ralph Thomas (brother of Gerald the director of the 'Carry On 'movies) it follows the further madcap exploits of Dr. Simon Sparrow (Dirk Bogarde) in particular his attempts at general practice.
It is the early years of World War II and the Royal Navy must fight a desperate battle to stop Germany's best battleship, the Admiral Graf Spee, from sailing to the South Atlantic.
With or Without You works as an above-average television drama; but that's about the height of its ambition. It's strange that Michael Winterbottom, director of the hard-edged, bitter Welcome to Sarajevo (1997) and the grandiose snowy western The Claim (2000) should have bothered with anything as routine and undemanding. Perhaps its greatest distinction is that it's set in present-day Belfast without so much as a mention of the Troubles. The plot is a bog-standard romantic triangle. Rosie and Vincent, who have been married five years or so, want a baby, but nothing's happening. It doesn't help that Rosie's older sister has sprogs burgeoning like mushrooms wherever you look. Then up pops a figure from Rosie's past--BenoƮt, her pen-pal from before she met Vincent. And being French, he's naturally charming, witty, romantic and everything poor old Vincent isn't. Think you can guess what's coming? Well, most likely you can--right down to the all-too-pat happy ending. Still, the actors (Christopher Ecclestone, Dervla Kirwan and Yvan Attal are the leads) are accomplished and watchable, the dialogue stays the right side of banal and it's refreshing to see Belfast shown as a civilised, cultured place to live. With or Without You passes an hour and a half pleasantly enough and may even raise the odd chuckle, but it covers well-trodden territory without much new to say. On the DVD: aptly routine stuff--the theatrical trailer, a bland "making of" featurette and some interviews with the three principal players. Widescreen (16:9 anamorphic) and Dolby Surround Sound give the material the best possible showcase. --Philip Kemp
Les Amants du Pont Neuf is a film that once more shows us Paris as a city of romance, but from a very different viewpoint than we might expect. The young lovers this time around are Alex and Michelle, two of the many homeless people sleeping rough on the streets of the capital. Their particular abode is the bridge of the title, the oldest such structure in the city, which they share with the older, wiser Hans. Gradually drawn together, they look for and find love in what is a particularly loveless and harsh environment. Director Leos Carax created a film that combined great beauty with an almost nightmarish reality, particularly in a gruesome opening image of a homeless hostel which seems to have a documentary feel to it. Juliette Binoche and Dennis Lavant are superb as the lovers, drawing us in to their world of joy, despair and anger. Ultimately, Les Amants du Pont Neuf manages to pull off that rare feat of being both visually stunning and emotionally engaging. On the DVD: Paris may have been filmed countless times before and since, but rarely has its beauty been so captured as here. With the action taking place mainly at night or twilight, the colours are rich and vivid or ghostly pale; both extremes are beautifully captured on this format. Resplendent with many stunning set pieces (noteably the fireworks that light up the city), this is one of the most visually sumptuous films of recent years. Carax, too, makes great use of silence, allowing the sounds of the city to reflect the mood of his characters. Extras are sadly virtually non-existent beyond the usual scene selection and biographies, but the film's style demands that it be seen on the only format to do it justice. --Phil Udell
A flight from Los Angeles to London quickly turns into a terror-filled experience as passengers mysteriously start to disappear without a trace.
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