Return of the Living Dead III is the third go-round for a premise intended as both a sequel to and a satire of the George A Romero Living Dead films. This could just as easily have been an entry in director Brian Yuzna's Re-Animator series, and indeed the plot nugget seems derived from the last shot of Re-Animator itself, as a devoted youth (J. Trevor Edmond) revives his freshly dead girlfriend (Mindy Clarke) with trioxin, a military zombie-making gas, and learns to regret his actions. Though it has some left-field ideas--the heroine turns herself into a DIY Hellraiser Cenobite poster-girl with extreme body piercing to distract herself from the desire to eat her boyfriend's brain--and effective action, it is still confined by its low budget and thus stuck with ordinary acting, a minimal plot and too many dumb developments. The central thread is the necrophile/SM romance, which ends up in a liebestod clinch in the army base's furnace, but there's a sub-plot about a quartet of zombified gang members which serves mainly to get some violence going every few minutes. Clarke is a striking presence, studded with bits of metal like a punk porcupine, but her performance flat lines even before her death in a motorcycle crash and revival as a zombie, while the rest of the cast--with the honourable exceptions of Kent McCord as a senior officer and Basil Wallace as a mystical down-and-out--are typified by Sarah Douglas' strident militarist mad scientist, who wants to put zombies in armoured exoskeletons and deploy them as combat troops. Nevertheless, this is gruesome fun for the fans, with some imaginative zombie mutilation effects. On the DVD: It's a no-frills full-screen transfer. The only extra is a 50-second trailer.--Kim Newman
Get OutWhen Chris (Daniel Kaluuya), a young African-American man, visits his white girlfriend's (Allison Williams) family estate, he becomes ensnared in the more sinister, real reason for the invitation. At first, Chris reads the family's overly accommodating behaviour as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he could have never imagined.UsAfter spending a tense beach day with their friends, the Tylers, Adelaide and her family return to their vacation home. When darkness falls, the Wilsons discover the silhouette of four figures holding hands as they stand in the driveway. Us pits an endearing American family against a terrifying and uncanny opponent: doppelgängers of themselves.NopeNope reunites Jordan Peele with Oscar® winner Daniel Kaluuya (Get Out, Judas and the Black Messiah), who is joined by Keke Palmer (Hustlers, Alice) and Oscar® nominee Steven Yeun (Minari, Okja) as residents in a lonely gulch of inland California who bear witness to an uncanny and chilling discovery.
Return of the Living Dead III is the third go-round for a premise intended as both a sequel to and a satire of the George A Romero Living Dead films. This could just as easily have been an entry in director Brian Yuzna's Re-Animator series, and indeed the plot nugget seems derived from the last shot of Re-Animator itself, as a devoted youth (J. Trevor Edmond) revives his freshly dead girlfriend (Mindy Clarke) with trioxin, a military zombie-making gas, and learns to regret his actions. Though it has some left-field ideas--the heroine turns herself into a DIY Hellraiser Cenobite poster-girl with extreme body piercing to distract herself from the desire to eat her boyfriend's brain--and effective action, it is still confined by its low budget and thus stuck with ordinary acting, a minimal plot and too many dumb developments. The central thread is the necrophile/SM romance, which ends up in a liebestod clinch in the army base's furnace, but there's a sub-plot about a quartet of zombified gang members which serves mainly to get some violence going every few minutes. Clarke is a striking presence, studded with bits of metal like a punk porcupine, but her performance flat lines even before her death in a motorcycle crash and revival as a zombie, while the rest of the cast--with the honourable exceptions of Kent McCord as a senior officer and Basil Wallace as a mystical down-and-out--are typified by Sarah Douglas' strident militarist mad scientist, who wants to put zombies in armoured exoskeletons and deploy them as combat troops. Nevertheless, this is gruesome fun for the fans, with some imaginative zombie mutilation effects. On the DVD: It's a no-frills full-screen transfer. The only extra is a 50-second trailer.--Kim Newman
The hilarious story of two lads from Ireland as they stumble their way through the London gay underworld in search of gainful employment. When one of the lads accidentally shags a punter (Steven Berkoff) to death they are forced to look for ""work"" elsewhere. It is then that they discover the myth of ""The Bread in the Bed"" - a huge bed full of money. A gloriously politically incorrect caper ensues as they search for this elusive bed resulting in the unfortunate demise of ""Nine Dead G
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