Set on Death Row in a Southern prison in 1935, The Green Mile is the remarkable story of the cell block's head guard, who develops a poignant, unusual relationship with one inmate who possesses a magical gift that is both mysterious and miraculous.
Winner of seven Academy Awards, including Best Picture, Out of Africa seems to have slipped more readily from public memory than other comparably lauded films. Yet Sidney Pollack's panoramic treatment of Karen Blixen's novel has retained its atmosphere and slow-burning emotion, and deserves reassessment. Meryl Streep is in her possibly most involving starring role as Baroness Karen Blixen, Danish free spirit whose ill-fated venture at the beginning of World War One to run a coffee plantation in Kenya is overlaid by her intimate yet distant relationship with adventurer and idealist Denys Finch Hatton, unselfconsciously portrayed by Robert Redford. Klaus Maria Brandauer puts in a rare and convincing English-language appearance as the amoral but charming womaniser Baron Bror Blixen. The film is tellingly held together by Kurt Luedke's finely honed screenplay, and John Barry's sumptuously expressive score. On the DVD: The anamorphic 1.85:1 widescreen format reproduces superbly, as does the 4.1 discrete audio. 18 access points are provided, with printed and aural subtitles in English only. Pollack's feature commentary is amusing enough on a single run-through, but an on-location documentary would have been preferable. Production notes and biographies are very adequate, though the theatrical trailer reproduction is notably inferior. No matter, this is a major film, well worth the transfer to DVD.--Richard Whitehouse
A timeless classic comes alive in this enchanting movie based on the best-selling novel by Richard Adams. Nestled among the rolling hills and peaceful meadows of England lives a community of rabbits. When their warren is threatened a small group of brave rabbits escapes into the unknown countryside in search of a new home. Led by the visionary Fiver the courageous Bigwig the clever Blackberry and the honourable Hazel they face daunting challenges and use their strength and cunning to survive while pursuing their dreams. Along their trek they make an unlikely friend - a loony seagull named Kehaar - and battle the vicious General Woundwort the cruel leader of another warren. Film director Martin Rosen frames the tale largely from the viewpoint of the rabbits so that we identify with each one. Packed with excitement and adventure Watership Down is an engaging thrilling tale that celebrates traditional values of loyalty courage and spirit. Special Features: A Conversation with the Film Makers Defining the Style Documentary Storyboard Comparisons
A grandly entertaining, old-fashioned adventure based on the Rudyard Kipling short story, The Man Who Would Be King is the kind of rousing epic about which people said, even in 1975, "Wow! They don't make 'em like that anymore". When director John Huston first started trying to make the film, with Gable and Bogart, the project was derailed by the latter's death. It was a few decades before Huston was finally able to realise his dream movie--and with an unimprovable cast. Sean Connery and Michael Caine are, respectively, Daniel Dravot and Peachy Carnahan, a pair of lovably roguish British soldiers who set out to make their fortunes by conning the priests of remote Kafiristan into making them kings. It's a rollicking tale, an epic satire of imperialism, and the good-natured repartee shared by Caine and Connery is pure gold. Huston lets the humour emerge naturally from the characters, for whom we wind up caring more deeply than we ever expected. --Jim Emerson
If you don't think Austin Powers: International Man of Mystery (1997) is one of the funniest movies of the 1990s, maybe you should be packed into a cryogenic time chamber and sent back to the decade whence you came. Perhaps it was the 1960s - the shagadelic decade when London hipster Austin Powers scored with gorgeous chicks as a fashion photographer by day, crime-fighting international man of mystery by night. Yeah, baby, yeah! But when Powers's arch nemesis, Dr. Evil, puts himself into a deepfreeze and travels via time machine to the late 1990s, Powers must follow him and foil Evil's nefarious scheme of global domination. Mike Myers plays dual roles as Powers and Dr. Evil, with Elizabeth Hurley as his present-day sidekick and karate-kicking paramour. A hilarious spoof of '60s spy movies, this colourful comedy actually gets funnier with successive viewings, making it a perfect home video for gloomy days and randy nights. Oh, behave! "I put the grrr in swinger, baby!" a deliciously randy Powers coos near the beginning of The Spy Who Shagged Me (1999), and if the imagination of Austin creator Mike Myers seems to have sagged a bit, his energy surely hasn't. This friendly, go-for-broke sequel finds our man Austin heading back to the '60s to keep perennial nemesis Dr. Evil (Myers again) from blowing up the world - and, more importantly, to get back his mojo, that man-juice that turns Austin into irresistible catnip for women, especially American spygirl Felicity Shagwell (a pretty but vacant Heather Graham). The plot may be irreverent and illogical, the jokes may be bad, and the scenes may run on too long, but it's all delivered sunnily and with tongue firmly in cheek. Myers teams Dr. Evil with a diminutive clone, Mini-Me (Verne J. Troyer), then pulls a hat trick by playing a third character, the obese and disgusting Scottish assassin Fat Bastard. Despite symptoms of sequelitis, Austin Powers in Goldmember (2002) is must-see lunacy for devoted fans of the shagadelic franchise. Unfortunately, the law of diminishing returns is in full effect: for every big-name cameo and raunchy double-entendre, there's an equal share of redundant shtick, juvenile scatology, and pop-cultural spoofery. All is forgiven when the hilarity level is consistently high, and Mike Myers -returning here as randy Brit spy Austin, his nemesis Dr. Evil, the bloated Scottish henchman Fat Bastard, and new Dutch disco-villain Goldmember - thrives by favouring comedic chaos over coherent plotting. Once they've tossed Austin into the disco fever of 1975 (where he's sent to rescue his father, gamely played by Michael Caine), Myers and director Jay Roach seem vaguely adrift with old and new characters, including Verne Troyer's Mini-Me and pop star Beyoncé Knowles as Pam Grier-ish blaxpo-babe Foxxy Cleopatra. A bit tired, perhaps, but Powers hasn't lost his mojo.
Mike Myers returns as International Man of Mystery Austin Powers for a third time. When his arch nemesis Dr. Evil teams up with new villain Goldmember its up to Austin to save the day!
Ralph Bakshi's 1978 animated adaptation of The Lord of the Rings is a bold, colourful, ambitious failure. Severely truncated, this two-hour version tackles only about half the story, climaxing with the battle of Helm's Deep and leaving poor Frodo and Sam still stuck on the borders of Mordor with Gollum. Allegedly, the director ran out of money and was unable to complete the project. As far as the film does go, however, it is a generally successful attempt at rendering Tolkien's landscapes of the imagination. Bakshi's animation uses a blend of conventional drawing and rotoscoped (traced) animated movements from live-action footage. The latter is at least in part a money-saving device, but it does succeed in lending some depth and a sense of otherworldly menace to the Black Riders and hordes of Orcs: Frodo's encounter at the ford of Rivendell, for example, is one of the movie's best scenes thanks to this mixture of animation techniques. Backdrops are detailed and well-conceived, and all the main characters are strongly drawn. Among a good cast, John Hurt (Aragorn) and C3PO himself, Anthony Daniels (Legolas), provide sterling voice characterisation, while Peter Woodthorpe gives what is surely the definitive Gollum (he revived his portrayal a couple of years later for BBC Radio's exhaustive 13-hour dramatisation). The film's other outstanding virtue is avant-garde composer Leonard Rosenman's magnificent score in which chaotic musical fragments gradually coalesce to produce the triumphant march theme that closes the picture. None of which makes up for the incompleteness of the movie, nor the severe abridging of the story actually filmed. Add to that some oddities--such as intermittently referring to Saruman as "Aruman"--and the final verdict must be that this is a brave yet ultimately unsatisfying work, noteworthy as the first attempt at transferring Tolkien to the big screen but one whose virtues are overshadowed by incompleteness. --Mark Walker
One of the last of the classic-era widescreen epics, Zulu was also one of the last war movies to celebrate the virtues of the famous British stiff upper lip. At Rorke's Drift in 1879 a handful of British soldiers, hopelessly outnumbered by 4,000 Zulu warriors, fought one of the most celebrated defensive actions in military history. Zulu tells the story on an epic scale, bringing to life the heroism, courage, loyalty and sacrifice of those desperate hours. This is truly cast-of-thousands filmmaking, with vast action wonderfully captured in widescreen Technirama. John Barry, who also scored Goldfinger in the same year, provides a telling musical accompaniment. The superb cast includes Stanley Baker and Jack Hawkins, but Zulu's final claim to fame is that it made an instant international superstar of a young actor whose name is Michael Caine. A belated sequel arrived in 1979 in Zulu Dawn, which despite even more spectacular action and a great cast died at the box-office. It is nevertheless well worth seeing. On the DVD: Zulu on disc has excellent prologic stereo considering the age of the film, while the anamorphically enhanced 2.35:1 transfer is crystal-clear, boasting rich colours, strong contrast and detail and only occasional minor print flaws. The original American trailer, also presented anamorphically enhanced at 2.35:1, is a worthwhile addition. There is a very good new 45-minute "making of" (1.77:1 anamorphic, in stereo), curiously split into two parts. The heart of the programme consists of interviews with survivors from the film, focusing on Stanley Baker's widow. The only let down is lack of input from Michael Caine and composer John Barry. The commentary by film historian Sheldon Hall, author of a forthcoming book on the movie, and Second Unit Director Robert Porter is serious and packed with information. --Gary S Dalkin
MOLLY'S GAME is the true story of Molly Bloom a beautiful, young, Olympic-class skier who ran the world's most exclusive high-stakes poker game for a decade before being arrested in the middle of the night by 17 FBI agents wielding automatic weapons. Her players included Hollywood royalty, sports stars, business titans and finally, unbeknownst to her, the Russian mob. Her only ally was her criminal defense lawyer Charlie Jaffey, who learned that there was much more to Molly than the tabloids led us to believe.
Those six pandemonium-mad Pythons are back with their craziest adventure ever! Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin have returned to explain The Meaning of Life. The gang offers the usual tasteful sketches involving favourite body parts and bodily functions, the wonders of war, the miracle of birth and a special preview of what's waiting for us in Heaven. You'll never look at life in quite the same way again! Bonus Features: The Meaning of Monty Python: 30th Anniversary Reunion Sing-Along Version Prologue with Eric Idle The Meaning of Making The Meaning Of Life Feature Commentary with Terry Jones & Terry Gilliam Soundtrack For The Lonely Snipped Bits Un Film De John Cleese Education Tips Song & Dance Songs Unsung and much more!
Oscar Winner Tom Hanks Stars in Stephen King's Magical, Epic Drama. Nominated for four Academy Awards, including Best Picture, this emotional, touching film about miracles and the power of redemption stars Tom Hanks as prison guard Paul Edgecomb. When a giant of a man is brought to death row, Edgecomb and his fellow guards discover something very unusual about their new charge, John Coffey (Oscar nominee Michael Clarke Duncan). Convicted for the sadistic murder of two young girls, but behaving almost childlike himself, Coffey seems to have a supernatural gift of healing living things. Expectations are turned upside down and the guards' sense of humanity is awakened in this astonishing adaptation of Stephen King's compelling novel.
WE HAVE SUCH SIGHTS TO SHOW YOU! In 1987, master of horror Clive Barker unleashed Hellraiser upon unsuspecting audiences launching what has proven to be one of the genre s most enduring franchises and creating an instant horror icon in the figure of Pinhead in the process. In Barker s original Hellraiser, Kirsty Cotton (Ashley Laurence) comes head-to-head with the Cenobites demonic beings from another realm who are summoned by way of a mysterious puzzle box. Picking up immediately after the events of the original Hellraiser, Hellbound: Hellraiser II finds Kirsty detained at a psychiatric institute and under the care of Dr. Channard, a man with an unhealthy interest in the occult. Meanwhile, Hellraiser III: Hell on Earth sees Pinhead and his band of Cenobites let loose in our own world, with terrifying consequences.
With a story that's too flimsy to support its running time, this road-mo vie comedy has plenty of problems, but at its best it's a surprisingly inspired vehicle for the clever teaming of Tim Robbins and Martin Lawrence. Robbins plays an addled advertising executive who comes home early one day and discovers his wife in bed with his boss. To make matters worse, he's later carjacked by a struggling, unemployed family-man-turned-petty-thief (Lawrence), and that's when he loses his cool completely. He takes the carjacker hostage and recruits him on a road-trip scheme of revenge against his wife and boss. Plotting to break into his boss' high-security vault, Robbins gets a criminal assist from Lawrence, but they're also on the run from another pair of would-be thieves who trail them to the vault's location. The routine plot of Nothing To Lose is occasionally limp and sluggish, but writer-director Steve Oedekerk (who makes a wacky cameo appearance as a security guard) mines comedy gold during several scenes that detour from the plot for the sake of sheer lunacy. Robbins and Lawrence have great comedic chemistry (if you can tolerate Lawrence's constant profanity), and although the movie ends on a false note with some unlikely turns of fate, it's definitely good for more than a few solid laughs. --Jeff Shannon, Amazon.com
"Hunger" follows life in the Maze Prison, Northern Ireland with an interpretation of the highly emotive events surrounding the 1981 IRA Hunger Strike, led by Bobby Sands.
A timeless classic comes alive in this enchanting movie based on the best-selling novel by Richard Adams. Nestled among the rolling hills and peaceful meadows of England lives a community of rabbits. When their warren is threatened a small group of brave rabbits escapes into the unknown countryside in search of a new home. Led by the visionary Fiver the courageous Bigwig the clever Blackberry and the honourable Hazel they face daunting challenges and use their strength and cunning to survive while pursuing their dreams. Along their trek they make an unlikely friend - a loony seagull named Kehaar - and battle the vicious General Woundwort the cruel leader of another warren. Film director Martin Rosen frames the tale largely from the viewpoint of the rabbits so that we identify with each one. Packed with excitement and adventure Watership Down is an engaging thrilling tale that celebrates traditional values of loyalty courage and spirit. Special Features: A Conversation with the Film Makers Defining the Style Documentary Storyboard Comparisons
Based on James Herriot's autobiographical best sellers 'If Only They Could Talk' and 'It Shouldn't Happen to a Vet' the long running TV series 'All Creatures Great and Small' continued to satisfy the Herriot hysteria of the British public.
Please note: This edition is a reissue of the 35th anniversary edition and features the following special features: On a black and unholy Halloween night years ago, little Michael Myers brutally slaughtered his sister in cold bold. But for the last fifteen years, town residents have rested easy, knowing that he was safely locked away in a mental hospital until tonight. Tonight, Michael returns to the same quiet neighbourhood to relive his grisly murder again and again and again. For this is a night of evil. Tonight is Halloween! Features: Commentary track with writer/director John Carpenter and star Jamie Lee Curtis 'The Night She Came Home' featurette with Jamie Lee Curtis (HD) On Location Trailers TV and Radio Spots Additional Scenes from TV Version
Michael Caine stars in this 60s classic as the leader of a team of thieves who plan to use minis to help them perform the heist of the century.
John Carpenter's highly influential modern horror/suspense film set the trend for two decades of re-makes and sequels. Six-year-old Michael Myers is confined to an insane asylum after stabbing his sexually active teenage sister to death on Halloween night 1963. Exactly fifteen years later Michael escapes, returning to his home town of Haddonfield with psychiatrist Doctor Loomis (Donald Pleasence) in hot pursuit. Bookish babysitter Laurie Strode (Jamie Lee Curtis), all alone in the house on Halloween night, soon discovers that she is Michael's next target.
Watch the fur fly as a new breed of super hero is born in Disney's fun-filled epic adventure. An ordinary day at Fernfield Farms turns extraordinary when Budderball Mudbud B-Dawg Buddha and Rosebud discover mysterious rings that grant them each a unique super power. Before you can say 'Buddies assemble ' the pups unleash their amazing abilities and race to the rescue when a shape-shifting bully from outer space threatens the planet. But can they succeed in kicking major tail without revealing their new secret identities? p>A must-own movie event packed with laughter action and incredible new characters Super Buddies proves that when you use your wits and work together you don't need super powers to be a super hero!
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