Bob Hope Bing Crosby and Dorothy Lamour team up in their sixth ""Road"" picture Road To Bali which was the only film in the series to be shot in color. Hope and Crosby star as two out-of-work vaudeville performers who are on the lam. The two are hired by a South Seas prince as deep-sea divers in order to recover a buried treasure. They meet beautiful Princess Lala (Lamour) and vie for her affections. Of course the boys run into the usual perils such as cannibals a giant squid and numerous cameos from some of Hollywood's biggest stars. Director Hal Walker was no stranger to the three actors having directed the trio in Road To Utopia. The final ""Road"" picture Road To Hong Kong would be released 10 years later with Lamour only making a brief cameo appearance.
The seventh and final series of Deep Space Nine came down to loose ends, tying some existing ones together and allowing others to unravel. Symptomatic of the unwillingness to let DS9 go was the immediate arrival of a replacement Dax, though poor Nichole deBoer as Ezri Dax had to have known she'd already missed the boat. Her appearance encouraged last-minute romances to blossom, with Bashir finally getting some action, Odo finally getting together with Kira and Sisko finally proposing to Kassidy. Another contributing cute factor were numerous trips to the Holosuite wherein the all-knowing Vic Fontaine dished out philosophical advice. That was when the crew weren't in there to play baseball against the Vulcans or when Nog wasn't commiserating about the loss of a leg. Oh yes, and don't forget the war! There was an early announcement that the show would attempt a 10-part resolution to the Dominion War, but viewers could be forgiven for forgetting all about it with so much sentimental distraction. When the horrors of war did resurface, they at least injected a few surprises into the mix. Odo and his ambiguously "evil" Founders were hit with a melting disease, prompting a backstabbing race for the power of developing and owning a cure. The original baddie Cardassians finally settled on the Federation's side. Contrary to these interesting twists, however, were the unexpected turns taken by matters relating to Sisko's spiritual destiny. Suddenly the mystery of the wormhole and an entire religious belief system was reduced to the problem of translating correctly the words of a sacred book. The struggle to join with some evil aliens significantly diluted the attempt at resolving what had begun seven years before in the show's pilot episode. Ultimately, Sisko's destiny, as with all those who'd followed him to the open-ended climax, was to be decided elsewhere. In a move that was either bold and daring--or possibly born of desperation for not having thought things through properly--the show's storylines were to be continued in a series of spin-off books. --Paul Tonks
Dr. Alan Feinstone is a rich and successful Beverly Hills dentist. In fact he is much more - a connoisseur of music the owner of a palatial mansion and the proud husband of a beautiful wife. There's only one small problem - he's insane. The perfectionist Dr. Feinstone expects it of everyone else as well. The unacceptable fact that no one is perfect annoys the good doctor and leads him to commit his one small imperfection - murder. Murder is so messy and Dr. Feinstone hates messes. But sometimes he just can't help killing a patient or two.
Intergenerational drama about a prominent, dysfunctional New York family busy wallowing in their separate lives.
Detective Tom Williams investigating the affairs of local gangster Johnnie Moore is gunned down. An L.A cop is called in to continue the case and see that Moore goes to the gas chamber... Based on a true story.
In his obsessive search for his missing child Vietnam veteran Roger Cobb returns to his aunt's creepy house where his child disappeared. Evil zombies in the house force Roger to relive his nightmares. Roger must battle these spirits in order to save his life and that of his child who is somewhere inside the house.
Deep Space Nine's fifth series was a turning point from which there was no going back. Character and information overload took over, and the complicated twists and turns in the build up to war either hooked viewers securely, or sent them away with a headache. The Klingon faction instigated by Worf's arrival was occasionally played for laughs, but mostly their hard-headed personalities made all efforts at diplomacy moot. In the opening episode a chilling possibility is proposed as to why might be: have the Changelings infiltrated already and replaced key personnel? Some fans saw this as a flawed X-Files-style development. Nevertheless it sowed a seed of insidious suspicion from here on, affecting all the principal casts' relationship with one another, even allowing Odo and Quark an opportunity to confess a degree of friendship. Expanding on the new theme of duplication, the crew also made numerous trips to their Mirror Universe counterparts. As well as new uniforms and the milestone 100th episode, Nana Visitor and Alexander Siddig comically got to disguise the arrival of their child during filming. More laughs came from the fan favourite "Trials and Tribble-ations" with CG allowing Sisko and crew to interact with Kirk and a cameo from Leonard Nimoy. Avery Brooks began taking a backseat as of this year, partly a result of the now-overcrowded cast. Although Sisko's destiny would be foreshadowed by his first vision and the introduction of the Pah-wraiths, the Captain was in an increasingly sulky mood. Brooks only directed one episode, allowing room for regulars LeVar Burton and Rene Auberjonois to do more behind the camera. Joining them were Alexander Siddig, Michael Dorn and even Andrew Robinson. Available space started to seem hardly deep enough. --Paul Tonks
Slave
Legendarily chintzy "event" producer Irwin Allen (The Towering Inferno) went out with a gargantuan buzz-on with this jaw-droppingly goofy disaster flick. No cliché is left unturned, as a hyperactive strain of hallucination-inducing killer bees get it into their microscopic brains to derail a commuter train, destroy a nuclear power plant and otherwise decimate a veritable cornucopia of washed-up actors (Fred MacMurray, Henry Fonda, Richard Widmark, Patty Duke, Slim Pickens and narcoleptic dreamboat Richard Chamberlain are just a few of the legendary has-beens to get fatally stung by what appears to be airborne coffee grounds). Be sure to stay tuned through the closing credits for a (lawsuit-preventing?) coda absolving the good ol' hardworking American honeybee of any and all sinister charges depicted herein. The Swarm is an irresistibly hilarious chunk of honey-roasted cheese--70s style. --Andrew Wright
Set against the backdrop of 1950's Hollywood 'James Dean' explores the tragedies and insecurities that fueled Dean's burning ambition to succeed as an actor and ultimately led to his downfall. From the devastating loss of his mother at an early age and his fractured relationship with his father; through his astonishingly rapid rise as one of the world's most celebrated icons 'James Dean' tells the story behind the legend.
It is 1934 and Sam Wilson is ten years old when his mother Dora leaves her husband and brings Sam to Skellerton the Yorkshire mining village where she grew up. Her father jack has been unemployed for more than eight years and her family has little enough money to support themselves. Will they manage with another two mouths to feed and how will Sam's boyhood change? Episodes Featured Where The Heart Is Home From Home No Going Back Breadwinners
Ian Carmichael stars as the aristocratic detective Lord Peter Wimsey in this classic BBC adaptation of the novels by Dorothy L. Sayers. These five feature-length adaptations bring all the wit elegance and style of one of England's classiest detectives to the scene of the crime - five crimes to be exact - each one presenting an interesting challenge for this sharp-witted mastermind. Join Lord Peter Wimsey as he uncovers the mysteries of: Clouds of Witness; The Unpleasantness at The Bellona Club; Murder Must Advertise; The Nine Tailors; and Five Red Herrings. Set Comprises: Clouds Of Witness: During the Wimsey family retreat in Yorkshire Captain Cathcart the fiancee of Lord Peter's (Ian Carmichael) sister Mary Winsey receives an unwelcomed letter causing him to flee Riddlesdale Lodge in the middle of the night. But he is not the only one with departure plans. One Wimsey plans to escape in the early hours of the morning until she finds a body in the garden. The Unpleasantness At The Bellona Club: The plot of The Unpleasantness At The Bellona Club takes a new turn concentrating not on who did it? but moreover when was it done? A vast inheritance depends on the timing of the deaths of an elderly brother and sister - the sequence of deaths is the Big Question. Once this is established only then can Peter Wimsey's sleuthing turn to who the murderer is... Murder Must Advertise: The aristocratic sleuth Lord Peter Wimsey investigates the death of a young copywriter at a top advertising agency. Can Lord Peter solve the crime before more deaths occur? The Nine Tailors: At the wedding of Sir Charles Thorpe's son an extremely valuable emerald necklace belonging to Lady Wilbraham is stolen. Thanks to Lord Wimsey's quick thinking the culprits are apprehended although the whereabouts of the jewels remain a mystery. Many years later when a mutilated unidentified corpse is found in the grave of the recently deceased Lady Thorpe Wimsey investigates and becomes embroiled in an attempt to recover the necklace that was stolen many years before. Five Red Herrings: When Lord Peter goes on holiday to Scotland he is hoping to do nothing more strenuous than catch some trout. Even Wimsey's loyal servant Bunter is looking forward to taking some time off to go painting. However when Bunter notices an easel in the distance but no sign of the artist Lord Peter is called into action. The easel belongs to an unpopular local artist Campbell whose body is discovered lying on the rocks below the popular vantage point. Was it an accidental fall? Wimsey suspects not and with six possible suspects he must use all of his detective skills to determine the five red herrings and expose the murderer.
Based on the ""classic spy thriller of the 20th century"" that historians hail as the ""tip-off"" that saved Britain from invasion. Two sailboating Englishmen discover a massive German fleet secretly preparing to attack their nation and set out to do something about it not only do they have to thwart the German Navy but Kaiser Wilhelm himself.
As the Japanese Mafia the Yakuza threatens to rip apart Los Angeles one cop crosses the Pacific to track down its most lethal killer.
The world's greatest story seen from the eyes of the Virgin Mary as she watches her infant son Jesus grow to manhood inspiring the known world with his miracles and teachings on the Word of God. The Angel Gabriel visits the 16 year-old Mary and tells her that she has been chosen to give birth to the Son of God. The child is born in Bethlehem and so begins a very human and touching story of love sacrifice and inspirational faith highlighting a real mother's concern for a son who knows that he must die on the cross so he can be born again.
Frankenstein (1931): Henry Frankenstein is a brilliant scientist who has been conducting experiments on the re-animation of lifeless bodies. He has conducted experiments on small animals and is now ready to create life in a man he has assembled from body parts he has been collecting from various sites such as graveyards or the gallows. His fianc�e Elizabeth and friend Victor Moritz are worried about his health as he spends far too many hours in his laboratory on his experiments. He's ...
Anything can happen on "Nim's Island", a place where everything runs wild, especially imagination.
A dramatised version of CNN's coverage of the Gulf War. In 1990 CNN was a 24 hour news network in search of a 24 hour story. They were about to find it in Baghdad. Veteran CNN produer Robert Wiener and his long time producing partner Ingrid Formanek find themselves in Iraq on the eve of war. Up against the big three networks Wierner and his team are rebels with a cause willing to take risks to get the biggest stories and unlike their rivals take them at a moment's notice...
Of all the spin-off TV incarnations of Star Trek, Deep Space Nine had the hardest job persuading an audience to watch. By all accounts, Gene Roddenberry had concerns about the idea before his death in 1991. It took two more years to develop, and when it finally aired in 1993 reasons for that concern were evident right away. The show was dark (literally), characters argued a lot, no one went anywhere and the neighbouring natives were hardly ever friendly. Yet for all that the show went against the grain of The Great Bird's original vision of the future, it undeniably caught the mood of the time, incorporating a complex political backdrop that mirrored our own. In the casting, there was a clear intent to differentiate the show from its predecessors. Genre stalwarts Tony Todd and James Earl Jones were considered for Commander Sisko before Avery Brooks. The one let down at the time was that Michelle Forbes did not carry Ensign Ro across from TNG, but when the explosive Nana Visitor defiantly slapped her hand on a console in the pilot episode, viewers knew they were in for a different crew dynamic. In fact, the two-part pilot show ("The Emissary") is largely responsible for DS9's early success. Mysterious, spiritual, claustrophobic, funny and feisty, it remains the most attention-grabbing series opener (apart from the Classic original) the franchise has had. The first year may have relied on a few too many familiar faces--like Picard, Q and Lwaxana Troi--but these were more than outweighed by refreshingly detailed explorations of cultures old and new (Trill, Bajoran, Cardassian, Ferengi). As it turned out, Deep Space Nine was the boldest venture into Roddenberry's galaxy that had been (or ever would be) seen. On the DVD: Star Trek Deep Space Nine, Series 1's hour of special features is split between seven featurettes that really would have worked better edited together. Covering the show's origins and most aspects of Year One's production design, they all crib from interviews with actors and crew from the 1992 shoot (exclusively so in the 10 "Hidden Files"). Other interviews conducted in 1999 and 2002 tend to be more revealing, although the solo section on Major Kira is curiously lacking in recent input. While the designers describe their work with passion, creators Michael Piller and Rick Berman come off as stiff and lacking in knowledge. Hopefully this is something that will improve through the next six box sets. The interactive CD-ROM to build a DS9 database on your PC is something that will become more involving, too. Obviously the most important thing is the episodes themselves, and despite the lack of a commentary to enhance the best of them, sound in 5.1 and the crisp full-frame picture do them ample justice. --Paul Tonks END
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