Sink your teeth into the wild and thrilling underworld of the From Dusk Till Dawn franchise! Experience the full action of exhilarating crime and bloodthirsty vampires in this must-have collection that includes all three films From Dusk Till Dawn, From Dusk Till Dawn 2: Texas Blood Money, and From Dusk Till Dawn 3:The Hangman's Daughter.
Hollywood’s toughest heroes Steven Seagal and Stone Cold Steve Austin have joined forces in an explosive thriller that out runs and out guns anything you may have seen before. Tom Steele (Seagal) is an operations genius. Manning (Austin) is a weapons expert. Both work for one of the government's black ops security forces, manoeuvring outside the standard army protocol. Their assignment is to safely deliver two female convicts to a top-secret military prison. But once the women have been incarcerated a squadron of ruthless, violent mercenaries targets them, intent on gaining high-risk information that could be lethal in the wrong hands. It's now up to Steele and Manning to protect them at any cost.
Second collection of episodes from the second season of the children's animation based on the line of toys by Lego. Set in the fictional world of Ninjago, the series follows a group of young Ninja who, under the tutelage of Sensei Wu (voice of Paul Dobson), are Spinjitzu martial artists in training, learning to wield their special Golden Weapons and use their unique elemental powers to protect the land from evil forces.
This fascinating 6-hour collection of entertaining short dramas, humorous trade films, perceptive documentaries and archival newsreel items is an essential history of the British boozer on film. From Arnold Miller’s swinging Under the Table You Must Go, Philip Trevelyan’s beautifully expressionistic The Ship Hotel – Tyne Main and German director Peter Nestler’s Workingmen’s club in Sheffield to the local quirks and characters of Richard Massingham’s wartime Down at the Local, the whirlwind regional tour of A Round of Bass and Michael Palin and Terry Jones’ humorous trade film Henry Cleans Up, this must-have double measure of DVDs is full to the brim with the sights and sounds of the great British pub, exploring its role as a place of communal gathering, game playing and opinion debating throughout the ages.
A BRAND NEW RESTORATION COMMEMORATING THE 75TH ANNIVERSARY OF THE ORIGINAL WWII RAID A much-loved British classic, Michael Anderson's 1955 drama captures the tension and bravery of an audacious raid on the center of Nazi Germany's industrial complex and the quintessentially English combination of inventiveness and dogged determination. Split into two distinct sections, the film deals first with the fraught, but the ultimately successful development of a new bomb, by Dr. Barnes N. Wallis (Michael Redgrave). The second deals with the mission itself during the British raid on the Ruhr Dams, and its associated costs for the enemy and for the British airmen. Adapted by R.C. Sherriff from Paul Brickhill's book Enemy Coast Ahead and featuring superlative special effects photography by Gilbert Taylor (to say nothing of Eric Coates' stirring theme tune), The Dam Busters was Britain's biggest box office the success of 1955
Freddy Heflin (Stallone in a critically acclaimed performance) is a simple small-town Sheriff who had big dreams of becoming a New York City cop before a heroic deed left him deaf in one ear. Though he saved the life of the woman he loves (Annabella Sciorra - The Hand That Rocks The Cradle) she went on to marry someone else. But everything in Freddy's life is about to change! After he uncovers evidence of a murder fakes suicide and police tampering Freddy must choose between the men he idolises the woman he adores and the law he's sworn to defend.
Watching The Detectives
The ultimate depiction of workplace perdition has to be Whitbury Leisure Centre in The Brittas Empire, despite the later claim of The Office to the title. And while David Brent seems all too uncomfortably real, Chris Barrie's Gordon Brittas carried the gung-ho officiousness of mediocre middle-management to its surreal conclusion. The Brittas Empire could never quite make up its mind if it was a quasi-realistic sitcom or a fantasy comedy, and it's this uneasy mixture that invites you to question whether there's anything terribly funny about unplanned single parenthood, childcare problems, assault in the workplace and women who are addicted to prescription drugs (see also Waiting for God) because of their partners' behaviour. Then, just as you're pondering all this, Brittas comes out with another mouthful of managerial psychobabble that makes you realise that only this kind of tragi-comic exaggeration is robust enough to stand up to Barrie's monstrous creation. This second series treads a fine line between the merely bleak and the really rather nasty with exquisite precision. It opens with the news that Brittas has been killed abroad in an industrial accident, prompting his tranquillizer-addled wife to mourn him for less time than it takes her to remarry--except, of course, that Brittas is alive and well. Along the way, receptionist Carole attempts to murder Brittas with a JCB when she mistakenly thinks he's assaulted her baby, which she keeps in a cupboard under her desk. On the DVD: The Brittas Empire, Series 2 carries all seven episodes on two discs, together with several extras including a gallery, a profile and a Brittas Management Quiz (don't ask!). --Roger Thomas
Bully, based on a true story, sees Larry Clark return to the violent and disturbing underworld previously documented in his controversial and provocative 1995 debut KIDS.
There are two sides to every lie... James Wayland (Roth) is not a typical murder suspect: he's fabulously wealthy a Princeton graduate and has the I.Q. level of a genius. But Detectives Braxton (Chris Penn) and Kennesaw (Michael Rooker) sense that there's more than meets the eye when they interrogate him for the brutal killing of a beautiful call girl (Zellweger). As their search for the truth takes a suddenly dangerous turn Braxton and Kennesaw realize that Wayland is a master m
That rarest of rare treasures, Monty Python's Life of Brian is both achingly funny and seriously satirical without ever allowing one to overbalance the other. There is not a single joke, sight gag or one-liner that will not forever burn itself into the viewer's memory as being just as funny as it is possible to be, but, extraordinarily, almost every line and every indestructibly hilarious scene also serves a dual purpose, making this one of the most consistently sustained film satires ever made. Like all great satire, the Pythons not only attack and vilify their targets (the bigotry and hypocrisy of organised religion and politics) supremely well, they also propose an alternative: be an individual, think for yourself, don't be led by others. "You've all got to work it out for yourselves", cries Brian in a key moment. "Yes, we've all got to work it our for ourselves", the crowd reply en masse, "Tell us more". Two thousand years later, in a world still blighted by religious zealots, Brian's is still a lone voice crying in the wilderness. Aside from being a neat spoof on the Hollywood epic, it's also almost incidentally one of the most realistic on-screen depictions of the ancient world--instead of treating their characters as posturing historical stereotypes, the Pythons realised what no sword 'n' sandal epic ever has: that people are all the same, no matter what period of history they live in. People always have and always will bicker, lie, cheat, swear, conceal cowardice with bravado (like Reg, leader of the People's Front of Judea), abuse power (like Pontius Pilate), blindly follow the latest fads and giggle at silly things ("Biggus Dickus"). In the end, Life of Brian teaches us that the only way for a despairing individual to cope in a world of idiocy and hypocrisy is to always look on the bright side of life. --Mark Walker
You might think that Michael Palin has visited pretty much every nook and cranny of the globe by now, but not so: he's managed to find a few previously unexplored hectares in Himalaya, his latest jaunt for the BBC. Here the format, established originally in his Phileas Fogg-inspired Around the World in 80 Days, remains unchanged: always affable, seemingly unflappable, Palin journeys through the various countries along the world's greatest mountain range, getting friendly with everyone he meets and offering gently witty, gently affectionate observations on the customs and cultures he encounters. From the Khyber Pass through dangerous territory along the Pakistan-Afghanistan border, via Nepal then up into Tibet to Everest and down into China, and finally to Bangladesh, Palin is, as ever, unfazed by whatever the world has to throw at him, be it chaotic bull-racing in Peshawar, the threat of kidnap by Maoist rebels in Nepal, Tibetan Yak herding, or rafting down the Yangtze. Even if both the once indefatigable traveller and the programme format itself seem a little tired at times (in Palin's case probably a side-effect of the high altitudes), the trek still provides manna from heaven for armchair travellers. On the DVD: There are two hour-long episodes on each disc, accompanied by a series of extended scenes which are accessed separately. Palin provides a brief introduction, filmed before he began his journey. --Mark Walker
Although the superhero comic book has been a duopoly since the early 1960s, only DC's flagship characters, Superman and Batman (who originated in the late 1930s) have established themselves as big-screen franchises. Until now--this is the first runaway hit film version of the alternative superhero X-Men universe created for Marvel Comics by Stan Lee, Jack Kirby and others. It's a rare comic-book movie that doesn't fall over its cape introducing all the characters, and this is the exception. X-Men drops us into a world that is closer to our own than Batman's Gotham City, but it's still home to super-powered goodies and baddies. Opening in high seriousness with paranormal activity in a WW2 concentration camp and a senatorial inquiry into the growing "mutant problem", Bryan Singer's film sets up a complex background with economy and establishes vivid, strange characters well before we get to the fun. There's Halle Berry flying and summoning snowstorms, James Marsden zapping people with his "optic beams", Rebecca Romijn-Stamos shape-shifting her blue naked form, and Ray Park lashing out with his Toad-tongue. The big conflict is between Patrick Stewart's Professor X and Ian McKellen's Magneto, super-powerful mutants who disagree about their relationship with ordinary humans, but the characters we're meant to identify with are Hugh Jackman's Wolverine (who has retractable claws and amnesia), and Anna Paquin's Rogue (who sucks the life and superpowers out of anyone she touches). The plot has to do with a big gizmo that will wreak havoc at a gathering of world leaders, but the film is more interested in setting up a tangle of bizarre relationships between even more bizarre people, with solid pros such as Stewart and McKellen relishing their sly dialogue and the newcomers strutting their stuff in cool leather outfits. There are in-jokes enough to keep comics' fans engaged, but it feels more like a science fiction movie than a superhero picture. --Kim Newman
Stretching from the Stone Age to the year 2000, Simon Schama's Complete History of Britain does not pretend to be a definitive chronicle of the turbulent events which buffeted and shaped the British Isles. What Schama does do, however, is tell the story in vivid and gripping narrative terms, free of the fustiness of traditional academe, personalising key historical events by examining the major characters at the centre of them. Not all historians would approve of the history depicted here as shaped principally by the actions of great men and women rather than by more abstract developments, but Schama's way of telling it is a good deal more enthralling as a result. Schama successfully gives lie to the idea that the history of Britain has been moderate and temperate, passing down the generations as stately as a galleon, taking on board sensible ideas but steering clear of sillier, revolutionary ones. Nonsense. Schama retells British history the way it was--as bloody, convulsive, precarious, hot-blooded and several times within an inch of haring off onto an entirely different course. Schama seems almost to delight in the goriness of history. Themes returned to repeatedly include the wars between the Scots and the Irish and the Catholic/Protestant conflicts--only the Irish question remains unresolved by the new millennium. As Britain becomes a constitutional monarchy, Schama talks less of Kings and Queens but of poets and idea-makers like Orwell. Still, with his pungent, direct manner and against an evocative visual and aural backdrop, Schama makes history seem as though it happened yesterday, the bloodstains not yet dry. On the DVD: The Complete History of Britain extras are generously packaged on a separate disc and include the original score and a Simon Schama biography. There's an interesting "promotional message" to camera in which Schama explains the role of a cab driver, Wally, in inspiring the series, along with an interview with Mark Lawson in which Schama stresses the deliberate subjectivity of these programmes and an inaugural BBC History lecture in which he defends TV's ability to transpose history to camera. --David Stubbs
The story's setting is 1947 England where hard-hit Brits won't let mandatory food rationing keep them from celebrating the wedding of the future queen to Lt. Phillip Mountbatten. But there may be no public banquet for citizens in a Yorkshire town. The contraband guest of honour they've pampered and fattened has been pignapped!
Brazil is the fifth largest country in the world - both in terms of population and geography. Over 192 million people call this land their home. Taking up over half of South America, Brazil is a mix of races, religions, sophistication, wildness, wealth, poverty and unexplored wilderness. The country is considered one of the rising global powers with Vast natural resources, a burgeoning industrial base and a strong currency. In this programme Michael Palin visits Brazil for the very first time, travelling from the lost world of Amazonia to the buzzing metropolis of Rio de Janeiro, to meet the people and visit the places that shape this nation.
A military drama starring Robert De Niro and Cuba Gooding Jr that tells the true story of Carl Bashear who combated racism to become the US Navy's first African-American deep-sea diver.
Stomping, whomping, stealing, singing, tap-dancing, violating. Derby-topped hooligan Alex (Malcolm McDowell) has a good time - at the tragic expense of others. His journey from amoral punk to brainwashed proper citizen and back again forms the dynamic arc of Stanley Kubrick's future-shock vision of Anthony Burgess' novel. Controversial when first released, A Clockwork Orange won New York Film Critics Best Picture and Director awards and earned four Oscarr* nominations, including Best Picture. Its power still entices, shocks and holds us in its grasp.This 50th Anniversary Ultimate Collector’s Edition includes:. •A Clockwork Orange on 4K Ultra HD & Blu-ray. •Blu-ray Bonus Disc featuring Stanley Kubrick: A Life in Pictures and O Lucky Malcolm! documentaries. •32-page booklet. •Double-sided Poster. •Set of 3 Art Cards. •Behind the scenes stills. •Newspaper prop replica. Special Features:. • Commentary by Malcolm McDowell and Historian Nick Redman. • Channel Four Documentary Still Tickin’: The Return of Clockwork Orange. • New Featurette Great Bolshy Yarblockos!: Making A Clockwork Orange. • Career Profile O Lucky Malcolm! [in High Definition]. • Theatrical Trailer.
With Friends like these, you'll never need to go out again. Picking up from the momentous events of Series 4, this season starts out with Monica and Chandler in some awkward positions as they try to keep their blossoming romance a secret from the others. By the series' end they'll be planning to get married in Las Vegas, where Joey is working as a gladiator at Caesar's Palace casino, his big movie break having fallen through. The embers of Rachel and Ross's relationship continue to send up sparks, especially when Emily causes strife early on by insisting Ross never has contact with Rachel ever again. Phoebe finally meets her father and starts dating a cop named Gary. It all climaxes with everyone in Las Vegas, where Monica and Chandler's impromptu decision to wed is upstaged by a surprising event. --Leslie Felperin
Ryan and Grant are the model of a perfect urban gay couple. And they're getting married. The ceremony is set to be a small affair with only immediate family on the invite list. What could possibly go wrong? The answer isn't everything it's Everyone as five couples - and all their baggage - show up ensuring this 'day to remember' will not soon be forgotten.
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