The sequel to Sidney Sheldon's best-seller Rage Of Angels which follows Jennifer who now heads her own law firm. Returning to America she meets up with an ex-lover and it seems their love may be re-kindled...
The Sorceress: All the pleasures of the flesh and malevolence of black magic collide with deadly force in a suburban experiment in witchcraft. Larry Barnes (Larry Poindexter) seems to be living a charmed life. He's on the fast track to a partnership in a prestigious law firm and his beautiful and sexy wife Erica (Julie Strain) will do anything to keep her husband happy even down to eliminating those who stand in the way of success. But Erica makes a final mistake when she t
Season 1: When the first series of Friends debuted in September 1994, it was immediately obvious there would be no need for the show to find its feet. "The One Where Monica Gets a Roommate" was a confident introduction to the six lead characters, opening in the middle of an everyday conversation with the soon-to-be uncharacteristic line: "There's nothing to tell". In fact, the soap opera-style plot got complicated pretty quickly, with spoiled brat Rachel (Jennifer Aniston) moving on from her failed wedding to feelings toward nerdy/heartthrob Ross (David Schwimmer). However, no love life was more complicated than Joey's (Matt LeBlanc), with an endless stream of girlfriends that annoyed the hell out of wisecracking roommate Chandler (Matthew Perry), who only seemed to be able to connect with Janice (Maggie Wheeler), the shrillest voice in the city. Bouncing all manner of neuroses around them were Ross' obsessive sister Monica (Courteney Cox) and endearingly ditzy Phoebe (Lisa Kudrow). Premise established, Series 1 matured the characters by providing a monkey and a son for Ross. We met also meet Ross and Monica's parents Jack (Elliott Gould) and Judy (Christina Pickles), Chandler's mother (Morgan Fairchild) and Phoebe's twin sister Ursula (Kudrow, naturally). Fans loved cameos from George Clooney, Jay Leno and show creators Kevin Bright, Marta Kauffman and David Crane. But really the focus was on building to "T.O.W. Rachel Finds Out" that Ross is in love with her. --Paul Tonks
The true story of the worlds first kickboxer. In 1865 a corrupt Texas land owner's plan to evict innocent settlers is stopped dead by a new kind of fighter.
A Monkey's Tale is an action-packed animated adventure that tells the story of two tribes of monkeys the Laankos and the Woonkos long separated by fierce rivalry. One day a young Woonko Kom accidentally finds himself in the world of the Laankos where he discovers how similar the Laankos are to his own creed. Romance evil friendship comedy and tragedy lead finally to reconciliation in an uplifting family adventure.
Hollywood’s toughest heroes Steven Seagal and Stone Cold Steve Austin have joined forces in an explosive thriller that out runs and out guns anything you may have seen before. Tom Steele (Seagal) is an operations genius. Manning (Austin) is a weapons expert. Both work for one of the government's black ops security forces, manoeuvring outside the standard army protocol. Their assignment is to safely deliver two female convicts to a top-secret military prison. But once the women have been incarcerated a squadron of ruthless, violent mercenaries targets them, intent on gaining high-risk information that could be lethal in the wrong hands. It's now up to Steele and Manning to protect them at any cost.
Broadcast between 1991 and 1997, The Brittas Empire is a sitcom set in Whitbury New Town Leisure Centre. It stars Chris Barrie as Gordon Brittas, the prattish, blazered manager who remains loudly oblivious to the fact that his high-handed efforts at running the place result in utter calamity. As his gin-supping, nervous wreck of a wife observes, he thinks he's the oil that lubricates the machine but in reality he's "a bag of grit". This first series introduces Brittas, whose arrival at the new Centre prompts a rash of resignations as his petty and pedantic managerial methods constantly rebound on him. Mishaps in these episodes include a malfunctioning set of automatic doors, a disastrous wedding in the pool and a lost baby. Somehow, however, Brittas' strange sense of idealism keeps him bobbing up as all others sink into despair. The Brittas Empire could either be seen as a satire on the new tier of superfluous middle-management types who flourished in Tory Britain, or a 90s update of the old stereotype of the bureaucratic buffoon. Compared to, say, Alan Partridge, Brittas seems a bit broad and one-dimensional, a sketch-show character stretched beyond its limits. The rest of the cast don't offer much in the way of resistance or support and Brittas very swiftly becomes very annoying. Despite all problems, however, The Brittas Empire was an immense success, attracting over eight-million viewers at its peak. On the DVD: The Brittas Empire include some perfunctory, text-only items, including a Chris Barrie biography and a Brittas Fitness Quiz, as well as a sketch performed at the Royal Variety Performance of 1996, in which Brittas reveals himself as an enthusiast for conformity with EEC regulations. --David Stubbs
Once upon a time in a mystical kingdom Crofton the King's Viceroy wished to be king and when he saw how King Ronen would be lost without his daughter Princess Angela he kidnapped her on Christmas Eve and left the King in despair. After many years Angela grew to be a lovely young lady. She had forgotten who she was because of a potion Crofton gave her but she still dreamed like all girls do that she was really a princess. Angela begins to realize who she really is Crofton will do anything he can to keep hold of the kingdom he now rules and ensure that father and daughter never reunite. A story adventure and song for princesses of all ages.
A man searches for the truth about his son's death in Northern Ireland.
The film that established Terry Gilliam as more than just Monty Python’s resident animator this delightfully inventive children’s fantasy is about young Kevin (Craig Warnock) who finds himself travelling through holes in the space-time continuum in the company of half a dozen fractious dwarfs. Along the way he encounters Agamemnon (Sean Connery) Robin Hood (John Cleese) Napoleon (Ian Holm) and winds up as a passenger on the Titanic although not necessarily in that order. But is this just random entertainment laid on for history fan Kevin’s benefit or part of a wider struggle between the forces of good (Ralph Richardson) and evil (David Warner)? At the time this was a rare example of a small-budget British film successfully taking on American blockbusters. Now it's a much-loved fantasy classic bursting with inspired images and ideas: Gilliam and co-writer Michael Palin (who also appears) are clearly enjoying themselves as much as their audience. Special Features: Brand new 2k-resolution restoration of the film from the original camera negative approved by director and co-writer Terry Gilliam Original Stereo 2.0 and 5.1 Dolby Surround options Optional English SDH subtitles for the deaf and hard of hearing Chasing Time Bandits: A new interview with Terry Gilliam Writing the Film that Dares Not Speak its Name: A new interview in which Michael Palin discusses co-writing and acting in Time Bandits The Effects of Time Bandits: A new interview in which Kent Houston founder of the Peerless Camera Company discusses Time Bandits’ optical effects Playing Evil: A new featurette in which actor David Warner remembers producer George Harrison and playing Evil in Time Bandits The Costumes of Time Bandits: A mew interview with costume designer James Acheson The Look of Time Bandits: A new interview with production designer Milly Burns From Script to Screen – A new animated featurette in which Milly Burns takes us through her production notebooks locations photographs and storyboards revealing how twentieth century Morocco was transformed into Ancient Greece Original Trailer Restoration Demonstration Collector’s booklet featuring new writing on the film by critic James Oliver “An extraordinarily inventive fantasy” - Time Out
Based on the extraordinary character at the centre of Charlie and the Chocolate Factory, the jewel in the Roald Dahl crown and one of the bestselling children's books of all time, Wonka tells the wondrous story of how the world's greatest inventor, magician and chocolatemaker became the beloved Willy Wonka we know today. This irresistibly vivid and inventive big screen spectacle will introduce audiences to a young Willy Wonka, chockfull of ideas and determined to change the world one delectable bite at a time-proving that the best things in life begin with a dream, and if you're lucky enough to meet Willy Wonka, anything is possible.
Woody Allen's latest comedy follows the misadventures of a couple who plan a daring robbery in New York.
Happily N'Ever After - Double Pack
Years before Harrison Ford (Indiana Jones, Star Wars) and James Caan (The Godfather) stepped into the limelight, the Hollywood legends starred in this heartfelt film about searching for glory and discovering just how harsh reality can be along the way. In the midst of the Civil War, a ragtag band of West Texas boys set out to join the Confederate army. Led by the fearless, steadfast Buck Burnett (Caan), the Concho County Comanches ride to Shiloh with an unshakable belief in their mission. But as they experience the horrors of life in the Deep South first-hand and find their lives at risk before the fighting's even started the gang worries if their faith in the Confederate cause might be misplaced. Released in 1968, just as apprehension about the Vietnam War began to crystallize, Journey to Shiloh is a compelling coming-of-age tale about brotherhood, loyalty, and conviction, with strong parallels to the burgeoning anti-war sentiment of the 1960s and 70s. As bullets fly, blood spills, and bonds forge, the Comanches learn what it means to put their lives on the line for a shaky cause and by the time you reach the film's heart-stopping finale, you will too.
From Out Of Space... A Warning And An Ultimatum! A spacecraft lands in Washington D.C. and an alien emerges flanked by a menacing robot with destructive capabilities far beyond anyone's imagination. So begins the science-fiction thriller The Day The Earth Stood Still a classic ""atomic movie"" from the 50s that would go on to inspire alien-invasion films for decades to come. Rebuffed in his efforts to meet the world's leaders and warn them of the earth's impending doom
Just one of the many tributes paid to Spike Milligan when he died in 2002. From 'The Goon Show' to his solo work in series such as 'Q' and 'The World of Beachcomber' - not to mention his film work novels songs and childrens poetry - Milligan's zany surreal and unique style made its indelible mark and changed the face of comedy. His fan base was huge and ranged from fellow comedians to Prince Charles.
In the 30th Century, when Battlefield Earth is uncovered in a mass grave for bad films by revisionist cineastes, it is more than likely that it will still be the worst science fiction film ever made. John Travolta's $73m pet sci-fi project--an adaptation of Scientology guru L Ron Hubbard's rambling pulp novel --is like the long lost sequel to Ed Wood's Plan Nine from Outer Space. Incompetent, incomprehensible and, at nearly two hours running time, way over long, Battlefield Earth is nothing more than a rehash of hackneyed post-Star Wars sci-fi clichés. It has the production values of Buck Rogers in the 21st Century and a sprawling plot that merges Planet of the Apes and the TV mini-series V.It is the year 3000 and the Psychlos, a race of dreadlocked aliens, are busy raping the Earth of its natural resources to revive their own dead planet. Peppy young turk Jonnie Goodboy Tyler decides to fight back: he speed-learns the Psychlo language, masters their alien technology and then rallies the beleaguered human race to victory. The Psychlos are at a distinct disadvantage since they persist in wearing ludicrously-stacked heels that make it hard to do anything but totter like stilt-walkers. Therefore, out of necessity, most of the action sequences in Battlefield Earth are shot in slow motion. John Travolta plays Terl, the blustering Psychlo chief of security on Earth, like a pantomime villain delivering leaden dialogue that elicits unintentional pathos. Forest Whitaker in the role of his oafish, double-crossing sidekick Ker erases all traces of screen credibility gained through his role in Jim Jarmusch's Ghost Dog. And as Tyler, pretty boy Barry Pepper has the charisma of a plastic action figure. Even the tagline for this film--"A saga for the year 3000"--is startlingly banal.On the DVD: At first glance, this DVD looks to be packed with extras. A director's commentary, two TV spots, trailer and three "making of" feaurettes--but once you've seen one of the featurettes, you've literally seen them all, as the other two simply recut the same footage. After watching this travesty of a film, it is unlikely you'll want to hear British director Roger Christian gushing over his own work on the audio commentary with production designer Patrick Tatopolous. One can only guess that the creative team got stranded on Planet Psychlo and lost all their critical faculties. The main feature is of good enough picture quality to accentuate the ghastly blue and orange hues that colour almost every scene. The film is presented in 2.35:1 anamorphic format with optional 5.1 Dolby Digital sound. --Chris Campion
Sid the Sexist: Sidney Smutt is a smooth talking sex machine a lady killing hard man who can drink anyone under the table... or so he thinks. Meet Sid Baz Bob and Joe on their adventures as they paint Newcastle red and jet off to sunny Spain in search of love excitement and a truly satisfying takeaway. Oh Lordy! It's The Fat Slags - 3 Saucy Adventures: Here it is. Raunchier than a Swedish rabbit and bluer than a baboon's arse. The two and only Fat Slags burst on
Although the superhero comic book has been a duopoly since the early 1960s, only DC's flagship characters, Superman and Batman (who originated in the late 1930s) have established themselves as big-screen franchises. Until now--this is the first runaway hit film version of the alternative superhero X-Men universe created for Marvel Comics by Stan Lee, Jack Kirby and others. It's a rare comic-book movie that doesn't fall over its cape introducing all the characters, and this is the exception. X-Men drops us into a world that is closer to our own than Batman's Gotham City, but it's still home to super-powered goodies and baddies. Opening in high seriousness with paranormal activity in a WW2 concentration camp and a senatorial inquiry into the growing "mutant problem", Bryan Singer's film sets up a complex background with economy and establishes vivid, strange characters well before we get to the fun. There's Halle Berry flying and summoning snowstorms, James Marsden zapping people with his "optic beams", Rebecca Romijn-Stamos shape-shifting her blue naked form, and Ray Park lashing out with his Toad-tongue. The big conflict is between Patrick Stewart's Professor X and Ian McKellen's Magneto, super-powerful mutants who disagree about their relationship with ordinary humans, but the characters we're meant to identify with are Hugh Jackman's Wolverine (who has retractable claws and amnesia), and Anna Paquin's Rogue (who sucks the life and superpowers out of anyone she touches). The plot has to do with a big gizmo that will wreak havoc at a gathering of world leaders, but the film is more interested in setting up a tangle of bizarre relationships between even more bizarre people, with solid pros such as Stewart and McKellen relishing their sly dialogue and the newcomers strutting their stuff in cool leather outfits. There are in-jokes enough to keep comics' fans engaged, but it feels more like a science fiction movie than a superhero picture. --Kim Newman
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