An ultimately futile attempt to make lightning strike twice, this so-called spin-off from 1993's blockbuster The Fugitive avoids the label of "sequel" by forging ahead without the first film's star, Harrison Ford. The idea is to showcase the return of Tommy Lee Jones in his Oscar-winning role as tenacious U.S. Marshal Sam Gerard, this time testing his mettle against a covert government operative (Wesley Snipes) accused of murdering two secret service attachés. Unfortunately, Jones and the entire cast have been trapped in a rambling plot, and the underdog status that made Ford such a compelling hero is sacrificed to an evenly matched and eventually tiresome game of cat and mouse, with a villain whose identity is far too predictable. With no dramatic build-up and several superfluous characters to distract its focus, the film's momentum plays out like a rote exercise compared to the high stakes of the earlier film. --Jeff Shannon
This film, about a downsized engineer (Michael Douglas) who goes ballistic, triggered a media avalanche of stories about middle-class white rage when it was released in 1993. In fact, it's nothing more than a manipulative, violent melodrama about one geek's meltdown. Douglas, complete with pocket protector, nerd glasses, crewcut and short-sleeved white shirt, gets stuck in traffic one day near downtown LA and proceeds to just walk away from his car--and then lose it emotionally. Everyone he encounters rubs him the wrong way--and a fine lot of stereotypes they are, from threatening ghetto punks to rude convenience store owners to a creepy white supremacist--and he reacts violently in every case. As he walks across LA (now there's a concept), cutting a bloody swath, he's being tracked by a cop on the verge of retirement (Robert Duvall). He also spends time on the phone with his frightened ex-wife (Barbara Hershey). Though Douglas and Duvall give stellar performances, they can't disguise the fact that, as usual, this is another film from director Joel Schumacher that is about surface and sensation, rather than actual substance. --Marshall Fine, Amazon.com --This text refers to the VHS edition of this video
Robert Redford and Brad Pitt star in this thriller set in 1991, the dying days of the Cold War. Redford is the veteran agent who discovers, on the day of his retirement, that his young protege has been taken prisoner by the Chinese.
State of the art 3D digital animation allied to exciting but simple storytelling makes for great children's entertainment! Meet Bill and Aldo two crazy friends from opposite ends of the food chain in their first collection of hilarious 'Sitting Ducks' adventures! Episode titles: Running Ducks Peeking Duck Great White Hype Midnight Snack Hic Hic Hooray All In A Days Work Ducks On Ice.
Rapid Fire was the penultimate film starring Brandon Lee before his untimely death on the set of The Crow. It's a standard martial arts thriller in which Lee plays Jake Lo, a young arts student who witnesses a gangland execution and is unwittingly drawn into a pitched standoff between the mafia, a Chinese drug syndicate and Ryan, a downbeat but resolute Chicago cop (Powers Boothe) determined to nail his prey. With a plot that careens through every genre cliché, Lee's smouldering looks and showy fighting skills carry the film. The martial arts sequences (which Lee co-choreographed) are nicely staged, but given the unusual settings--the penultimate fight takes place in a Chinese laundry--could have been even more inventive. The workmanlike direction by Dwight H Little (Marked for Death, Free Willy 2) fails to inject much into the material. In particular, traumatised by seeing his Special Agent father die in the Tiananmen Square massacre, Jake Lo's attraction to both a corrupt FBI agent and Ryan as surrogate father figures could have been given more resonance given the loss of Brandon Lee's own father at an early age. With hundreds of bloodless deaths, cringe-worthy dialogue and a dated power rock soundtrack, Rapid Fire looks and feels like a TV film. And on that level, at least, it's entertaining. On the DVD: The main feature is presented in letterboxed widescreen. Sound and picture quality are very good. Subtitles are provided for ten languages (Czech, Danish, Finnish, Hebrew, Hungarian, Icelandic, Norweigian, Polish, Portuguese, Swedish) and in English for the hard of hearing. Extra features are limited to chapter selection and a theatrical trailer. --Chris Campion
Sometimes surprising, often baffling and occasionally entertaining, Masked and Anonymous is another in the long but not necessarily distinguished line of rock-star movie vehicles. Bob Dylan stars in this BBC Films coproduction as an alter ego of himself, ageing rocker Jack Fate, released from jail to play a benefit concert in an alternative America that is run down and ruled by a military dictator. When not singing he makes little impression, so it's fortunate that director Larry Charles surrounds him with a galaxy of excellent supporting players, including John Goodman, Jessica Lange, Penelope Cruz, Jeff Bridges, Mickey Rourke, Bruce Dern, Luke Wilson, Giovanni Ribisi and Val Kilmer--all of whom gave their services for free. The screenplay, cowritten by Dylan, is full of the kind of cryptic aphorisms familiar from his song lyrics: "What's bugging me?", remarks Jeff Bridges' character, "The absurdity of a lifetime of human labour, that's what's bugging me." "They have no ideology. They push both Jesus and Judas aside," says an anonymous bus driver, and there are plenty more didactic, speechy comments that even these veteran actors can't make sound natural or spontaneous. Better to focus on the music--both the songs Dylan performs on screen and those on the soundtrack, which consists mostly of foreign-language covers of Dylan classics. On the DVD: Masked and Anonymous on disc comes with a commentary track from director Larry Charles, who is good on the details of the shooting schedule, but vague about the movie's aspirations. There are some deleted scenes (none of which shed any more light on the plot), another Dylan performance, and a 20-minute "making of" featurette, with the many supporting stars waxing lyrical about the freewheeling shooting style and semi-theatrical staging. The anamorphic widescreen picture is unexceptional, as is the Dolby 5.1 soundtrack, which naturally enough works best with the music. --Mark Walker
In his travels Caine (Carradine) meets an old man who has several surprises for him. The first being the destruction of the Shaolin order the second being that the man is the father of the Emperor's nephew whom he killed in China and the third is that he seeks his revenge using the son Caine never knew he had sired as the instrument of his death! It will take all of Caine's skill and wisdom to find a solution to this deadly predicament...
Imagine experiencing life through the eyes of an innocent child...forever. Beautiful and vibrant Molly McKay might have a mental disability but she's not about to let the world pass her by. Starring Academy Award nominee Elisabeth Shue in an inspired performance Molly is a joyous celebration of the irrepressible human spirit. Autistic since birth 28-year-old Molly (Shue) is a carefree young woman with an incredible zest for life. Her brother Buck (Aaron Eckhart) a 32-year-old
An undercover FBI agent meets a druglord and his henchmen in a sting and as the smoke clears all the bad guys are dead. The FBI agent finds herself the sole survivor of a hitman...
'Once In The Life' is a powerful urban crime thriller written directed and starring Lawrence Fishburne. Estranged half-brothers Torch and Mike 20/20 are re-united in a prison cell. Both are involved in the citys underground crime scene - Torch to raise cash to feed his drug habit and Mike wanting to raise enough to enable him to leave crime behind. Mike is planning to intercept a heroin deal and persuades Torch to help. When the manic junkie-brother shoots one of the young drug couriers the pair take refuge in an abandoned building. Mike seeks help from his friend and old cell-mate Tony not realising that the dope they have stolen is his. Based on Fishburne's play 'Riff Raff'.
Ricochet: 'Cape Fear' meets its match as uber-producer Joel Silver turns on the terror in the fast and furious no-frills thriller 'Ricochet'. Denzel Washington is crack cop turned deputy DA Nick Styles. LA's hottest hero he's on a roll and a rocket ride to the top. John Lithgow is vindictive sadistic psycho Earl Blake sent down by Styles and he's out for revenge. For Blake taking Styles' life will not be enough - tearing it apart will be much more fun! The ultimate in screen suspense Ricochet takes the pace to breaking point as one man's pain becomes another man's very twisted pleasure. Once In The Life: A powerful urban crime thriller. Estranged half-brothers Torch and Mike 20/20 are re-united in a prison cell. Both are involved in the citys underground crime scene - Torch to raise cash to feed his drug habit and Mike wanting to raise enough to to enable him to leave crime behind. Mike is planning to intercerpt a heroin deal and persuades Torch to help. When the manic junkie-brother shoots one the young drug couriers the pair take refuge in an abandoned building. Mike seeks help from his friend and old cell-mate Tony not realising that the dope they have stolen is his. Based on Fisburne's play 'Riff Raff'. Murder Of Crows: Lawson Russell is a prominent New Orleans attorney whose legal savvy and unbeatable charm have gained him the reputation of being a man who can get even the most guilty suspects off the hook. That is until Russell can no longer bear to defend the guilty and drops his wealthy client Truman Banks. Disbarred and disgraced Russell leaves for Key West to write a novel and attempt to pull the pieces of his life back together. A chance meeting and moment of indiscretion put Russell into a dangerous web of murder treachery and deceit. Time is running out as Russell battles to prove that he is an innocent man...
Please wait. Loading...
This site uses cookies.
More details in our privacy policy