Starring Nicholas Lyndhurst (Only Fools and Horses), Clive Francis and Michael Percival, The Piglet Files is the sitcom that truly lifts the lid on the shadowy world of espionage during the early nineties with quite startling results. Coerced into working for M15 only to find his spymasters are a collection of misinformed, bungling incompetents, electronics lecturer Peter Chapman is hapless gadgets expert Piglet Puma and Panther being already in use and he s feeling the pressure. This series finds the unlikely agent attempting to steal a former agent's memoirs, searching for a mole near the top of MI5... and falling headlong into a KGB honey trap!
The Devil's Whore (2 Discs)
A performance of Strauss's biblical 'Salome' at the Royal Opera House.
With a remarkable cast headlined by Ian Carmichael, Richard Attenborough, Dennis Price and Terry Thomas, WWII army comedy Private's Progress was one of the major British hits of 1956. Carmichael is Stanley Windrush, a naïve young soldier who during training falls in with the streetwise Private Cox (Attenborough). Windrush's uncle is the even more ambitiously corrupt Colonel Tracepurcel (Price), who plans to divert the war effort to liberate art treasures already looted by the Germans. The first half of the film is quite pedestrian, though the pace picks up considerably once the heist gets underway, and the cheery tone masks a really rather dark and cynical heart. Carmichael's innocent abroad quickly wears thin, but Attenborough and Price steal the film, as well as the paintings, with typically excellent turns. With a nod in the direction of Ealing's The Ladykillers (1955) the film also anticipates the attitudes of both The League of Gentlemen (1959) and Joseph Heller's novel Catch 22 (1961), though lacks the latter's greater sophistication. The cast also contains such British stalwarts as William Hartnell, Peter Jones, Ian Bannen, John Le Mesurier, Christopher Lee and David Lodge, and was sufficiently popular to reunite all the major players for the superior sequel, I'm Alright Jack (1959). On the DVD: Private's Progress is presented in black and white at 4:3 Academy ratio, though the film appears to have been shot full frame and then unmasked for home viewing so there is more top and bottom to the images than at the cinema. The print used shows constant minor damage and is quite grainy, though no more than expected for a low-budget film of the time. The mono sound is average and unremarkable, and there are no special features. --Gary S Dalkin
In the year 2008 heavy rainfall has flooded large areas of London. Rookie police officer Dick Durkin (Alastair Duncan) is assigned to partner wisecracking maverick Harley Stone (Rutger Hauer) a burnt-out and highly cynical homicide detective who was unable to prevent the murder of his partner by a serial killer several years previously. Now however the murders have begun again and Stone and Durkin are assigned the case. After investigating the scenes of several killings they appear no closer to identifying the killer with their only clues being that the murders seem to be linked to the lunar cycle and that the killer has multiple DNA strands having absorbed the DNA of the victims. Finally after Stone's girlfriend Michelle (Kim Cattrall) is kidnapped the detectives track the killer deep into the flooded and disused London Underground system and discover the truth: the killer is not human. It's a horrific and possibly demonic form of life that is fast savage bloodthirsty and fixated upon killing Stone just as it previously killed his partner. As each killing and appearance of the monster is an attempt to lure them closer and closer can Stone and Durkin rescue Michelle and save London and themselves from true evil!?
Although the superhero comic book has been a duopoly since the early 1960s, only DC's flagship characters, Superman and Batman (who originated in the late 1930s) have established themselves as big-screen franchises. Until now--this is the first runaway hit film version of the alternative superhero X-Men universe created for Marvel Comics by Stan Lee, Jack Kirby and others. It's a rare comic-book movie that doesn't fall over its cape introducing all the characters, and this is the exception. X-Men drops us into a world that is closer to our own than Batman's Gotham City, but it's still home to super-powered goodies and baddies. Opening in high seriousness with paranormal activity in a WW2 concentration camp and a senatorial inquiry into the growing "mutant problem", Bryan Singer's film sets up a complex background with economy and establishes vivid, strange characters well before we get to the fun. There's Halle Berry flying and summoning snowstorms, James Marsden zapping people with his "optic beams", Rebecca Romijn-Stamos shape-shifting her blue naked form, and Ray Park lashing out with his Toad-tongue. The big conflict is between Patrick Stewart's Professor X and Ian McKellen's Magneto, super-powerful mutants who disagree about their relationship with ordinary humans, but the characters we're meant to identify with are Hugh Jackman's Wolverine (who has retractable claws and amnesia), and Anna Paquin's Rogue (who sucks the life and superpowers out of anyone she touches). The plot has to do with a big gizmo that will wreak havoc at a gathering of world leaders, but the film is more interested in setting up a tangle of bizarre relationships between even more bizarre people, with solid pros such as Stewart and McKellen relishing their sly dialogue and the newcomers strutting their stuff in cool leather outfits. There are in-jokes enough to keep comics' fans engaged, but it feels more like a science fiction movie than a superhero picture. --Kim Newman
A nice rest in a state mental hospital beats a stretch in the pen right? Randle P. McMurphy (Nicholson) a free-spirited con with lightning in his veins and glib on his tongue fakes insanity and moves in with what he calls the ""nuts"". Immediately his contagious sense of disorder runs up against numbing routine. No way should guys pickled on sedatives shuffled around in bathrobes when the World Series is on. This means war! On one side is McMurphy. On the other is soft-spoken Nurse Ratched (Louise Fletcher) among the most coldly monstrous villains in film history. At stake is the fate of every patient on the ward...
John Gielgud (Gulliver's Travels) Annette Crosbie (Calendar Girls) and Susan Fleetwood (Persuasion) star in this intriguing drama series adapted by John Mortimer (Rumpole Of The Bailey) from his best selling novel. Molly Pargeter (Susan Fleetwood) has found the perfect Tuscan vvilla for her family's summer holiday. Molly had hoped to soak up the local colour and revel in the artistic masterpieces that surround her instead she ends up exploring the myster
When Max, a young poet (played by the iconic Michael Gothard) hires a marketing company to turn his suicide-by-jumping into a mass-media spectacle, he finds that his subversive intentions are quickly diluted into a reactionary gesture, and his motivations are revealed as a desperate attempt to seek attention through celebrity. Unseen since its limited release in 1967, this audacious and prescient - yet criminally overlooked - work by experimental filmmaker Don Levy left a profound mark on the landscape of late-1960s British cinema, with echoes of its visual style evident in the more celebrated work of such notable directors as Stanley Kubrick, Nicolas Roeg and Michael Winner.
The story's setting is 1947 England where hard-hit Brits won't let mandatory food rationing keep them from celebrating the wedding of the future queen to Lt. Phillip Mountbatten. But there may be no public banquet for citizens in a Yorkshire town. The contraband guest of honour they've pampered and fattened has been pignapped!
Wendy Craig stars as Ria in the third series of this classic BBC comedy. A seemingly happily married mother of two teenage sons she is married to the lugubrious dentist Ben (Geoffrey Palmer). Ben's hobby is collecting butterflies although he seems to spend most of his time arguing with their sons; the thoughtful Russell and the ever cynical Adam.
If you believe in yourself anything can happen. In 1980 amidst the tense political climate of the Cold War Herb Brooks (Kurt Russell) took over as coach of the U.S. Olympic hockey team. With the help of affable assistant coach Craig Patrick (Noah Emmerich) Brooks selected a group of twenty amateur hockey players who faced the daunting task of bringing respectability to their country's floundering program. While Brooks was well aware that his team lacked the talent and expe
Waking up on the morning of new years eve 2008, Oscar feels something in the air. Taking it as a sign to get a head start on his new year resolutions, he crosses paths with friends, family and strangers on his quest to be a better person. As he celebrates the New Year and a fresh start, one truly shocking, tragedy shakes his community and the entire United States to its very core. Both delicate and devastating, Ryan Coogler s astonishingly assured directorial debut is a powerful and deeply moving, must-see hit.
Is there a secret you would kill to know? In this electrifying, suspense-packed thriller from director Christopher Nolan (Batman Begins, Memento), Hugh Jackman and Christian Bale play magicians whose cutthroat attempts to best each other plunge them into deadly deception. Scarlett Johansson also stars as the stage assistant who's both a pawn and player in their rivalry. A brilliant supporting cast (including Michael Caine and David Bowie). An ingenious story. An astonishing payoff. Once you see The Prestige, you'll want to see it again. Watch closely. Features: SPECIAL FEATURES Director's Notebook: The Prestige The Cinematic Sleight of Hand of Christopher Nolan 5 Making-of Featurettes F The Art of The Prestige Production Photos, Costumes/Sets, Behind-the-Scenes Photos and Poster Art Galleries F Theatrical Trailer
This morning they were playing ping-pong in the hospital rec room. Now they're lost in New York and framed for murder. This was never covered in group therapy. Michael Keaton heads an all-star cast in this irresistible comedy about four mental patients who are seperated from their therapist on the way to a baseball game. A chronic liar with a violent streak Billy (Michael Keaton) finds himself on the loose in New York City with his fellow group-therapy patients: Henry (Chri
Jason Statham (FURIOUS 7, THE EXPENDABLES trilogy, HOMEFRONT) reunites with EXPENDABLES 2 director, Simon West, as the titular Nick Wild, a Las Vegas bodyguard with lethal professional skills and a dangerous gambling problem. When a friend is attacked by a sadistic thug, Nick strikes back, only to find out the attacker is the son of a powerful mob boss. Suddenly Nick is plunged into the criminal underworld, chased by enforcers and wanted by the mob. Having raised the stakes, Nick has one last play to change his fortunes...and this time, it's all or nothing. WILD CARD is directed by Simon West (CON AIR) and written by two-time Academy® Award-winning writer William Goldman (Best Original Screenplay, Butch Cassidy and the Sundance Kid, 1969; Best Adapted Screenplay, All the President's Men, 1976). The Extended Edition features an extra 10 minutes of footage not seen in cinemas!
Birmingham biker Nick (Neil Morrissey) thinks he's got a bargain when he buys a second-hand motorcycle at a knock-down price. The only problem is that the machine won't start in the hours of daylight. Nick's suspicions begin to mount when his best friend is murdered. Could he be the owner of a monstrous vampire motorbike which stalks the streets at night, feasting upon Hell's Angels, streetwalkers and traffic wardens? Understandably alarmed, Nick decides to call in Inspector Cleaver (Michael Elphick) and a priest (Anthony Daniels) in order to exorcise the two-wheeled beast from hell...
In the second hilarious series of Jeeves & Wooster, Pelham Grenville Wodehouse's immortal characters are once again brought to glorious life by Hugh Laurie as the chinless but charming Bertie Wooster and Stephen Fry as his valet and frequent saviour, Jeeves. Superb period detail, performers who seem to have been born for these roles, and a hearty helping of Wodehouse wit make these shows essential viewing for anyone in search of a sophisticated chuckle. All six episodes are included here: "Jeeves Saves the Cow-Creamer", "A Plan for Gussie", "Pearls Mean Tears", "Jeeves in the Country", "Kidnapped!" and "Jeeves the Matchmaker". --Simon Leake
A passionate love story charting the young John Ridd's search for revenge in seventeenth century rural England. John's father is killed by the feared Doones who weave an evil spell of murder and theft over the Devon countryside and he determines to avenge his father's death. John falls desparately in love with Lorna the daughter of the head of the Doone clan and he rescues her from them when it transpires that she was stolen as a child. Lorna's true lineage is revealed to be that
This critically acclaimed wartime drama is an epic adventure of love friendship and courage during the Second World War. In a quiet Suffolk village life is disrupted when the 525th Bomber Group of the United States Eight Air Force with its Flying Fortress bombers its two thousand officers its energy and confidence arrive. Despite cultural differences between the brash Americans and the reserved but resilient villagers of Market Wetherby they pull together to face the common enemy. A story of romance hardship fear and sacrifice. Poignant and moving the reality behind this fictional drama makes it more so.
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