When three fugitives fresh off a casino heist stop for gas at the Six Corners Cafe in Death Valley they encounter an unexpectedly hostile breakfast crowd. Gunshots erupt. An explosion destroys the gas station. As the fire burns down people are missing. Only six seem to have survived - a sheriff and his son two of the criminals a female doctor and a young waitress. It's a volatile and eclectic combination of survivors - the Godd the Bad and the Cute. The fire department never arrives. The highway is deserted. No one comes to help. No one living that is. The survivors discover they are trapped in an in between world in a supernatural plane between night and day light and dark the living and the dead. And they are not alone. Horribly mutilated dead people mysteriously appear and warn of an inescapable killer - an evil trailing a sickening force of decay and rot. In order to see another day the survivors must unite set their differences aside and combine their skills and resources to fight off the source of these deaths - the soul collecting terrifying killing machine known as the Reeker.
Moffett's Ghost: On a secret mission behind the Iron Curtain Hawke loses control of the onboard computer which was programmed on a timer by Airwolf's creator Dr. Moffett... now Airwolf is set to destroy any aircraft in its range. Severance Pay: When one of Hawke's friends is denied retirement benefits and in revenge threatens to divulge sensitive information Hawke attempts to bring the ex-employee to his senses. HX1: When an incredible helicopter the HX1 seems to have been
When three fugitives fresh off a casino heist stop for gas at the Six Corners Cafe in Death Valley they encounter an unexpectedly hostile breakfast crowd. Gunshots erupt. An explosion destroys the gas station. As the fire burns down people are missing. Only six seem to have survived - a sheriff and his son two of the criminals a female doctor and a young waitress. It's a volatile and eclectic combination of survivors - the Godd the Bad and the Cute. The fire department never arrives. The highway is deserted. No one comes to help. No one living that is. The survivors discover they are trapped in an in between world in a supernatural plane between night and day light and dark the living and the dead. And they are not alone. Horribly mutilated dead people mysteriously appear and warn of an inescapable killer - an evil trailing a sickening force of decay and rot. In order to see another day the survivors must unite set their differences aside and combine their skills and resources to fight off the source of these deaths - the soul collecting terrifying killing machine known as the Reeker.
Airwolf appeared only two years after Knight Rider and, perplexingly, the same year as the short-lived Blue Thunder series. However, creator Donald P Bellisario had spent more than a little time in fully conceptualising this series. Although the format allowed for stories-of-the-week, a B-plot always ran as background motivation for the individual tales. This was a trick Bellisario would also use to good effect later in Magnum P.I. and Quantum Leap. The hook that sustains the audience here is an extremely bitter sub-plot: Stringfellow Hawke (Jan-Michael Vincent) is a peculiar anti-hero to root for since he is effectively being held to ransom and doing the same in return. His brother St. John is held captive somewhere and until his release the Airwolf chopper is Hawke's to keep hidden and use under the covert instructions of "Archangel". His best friend Dominic Santini (the ever-appealing Ernest Borgnine) is a surrogate father figure caught up in the family history. All this pre-determined angst means this is never a show that plays itself for laughs. Very specific character flaws are upfront from the beginning. We are hammered over the head with the idea of Hawke being a tortured intellectual; hence the cello, log cabin retreat and inability to smile. Of course the real star is the spurious technology showcased in the Mach One helicopter armed to the teeth and able to defy the laws of physics on a regular basis. As the mid-80s looked increasingly to the lighter side in most television successes, Airwolf is a rare display of aggression. Justice is fought, but dig only a little way and the moral motivations are often in question. Toward the end of its third season things began to lose coherence and after a year's pause the show was magically resurrected with an all-new cast. It didn't last. --Paul Tonks
The ultimate in Eighties action! Stringfellow Hawke (Vincent) and his irascible mentor Dominic Santini (Borgnine) continue their fight for freedom justice and liberty with the mighty Airwolf experimental helicopter at their disposal... Includes the episodes Dambreakers Random Target and The American Dream.
Airwolf appeared only two years after Knight Rider and, perplexingly, the same year as the short-lived Blue Thunder series. However, creator Donald P Bellisario had spent more than a little time in fully conceptualising this series. Although the format allowed for stories-of-the-week, a B-plot always ran as background motivation for the individual tales. This was a trick Bellisario would also use to good effect later in Magnum P.I. and Quantum Leap. The hook that sustains the audience here is an extremely bitter sub-plot: Stringfellow Hawke (Jan-Michael Vincent) is a peculiar anti-hero to root for since he is effectively being held to ransom and doing the same in return. His brother St. John is held captive somewhere and until his release the Airwolf chopper is Hawke's to keep hidden and use under the covert instructions of "Archangel". His best friend Dominic Santini (the ever-appealing Ernest Borgnine) is a surrogate father figure caught up in the family history. All this pre-determined angst means this is never a show that plays itself for laughs. Very specific character flaws are upfront from the beginning. We are hammered over the head with the idea of Hawke being a tortured intellectual; hence the cello, log cabin retreat and inability to smile. Of course the real star is the spurious technology showcased in the Mach One helicopter armed to the teeth and able to defy the laws of physics on a regular basis. As the mid-80s looked increasingly to the lighter side in most television successes, Airwolf is a rare display of aggression. Justice is fought, but dig only a little way and the moral motivations are often in question. Toward the end of its third season things began to lose coherence and after a year's pause the show was magically resurrected with an all-new cast. It didn't last. --Paul Tonks
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